No because the GH4 is arrived and we are an old prehistoric man with our GH2...sniff

In 99% of the cases when someone says 24P it's really 23.976. Otherwise somebody screwed up or you're talking about an actual cinema camera, designed to allow digital origination for film presentation and distribution. That's all 24P, true 24, is really good for.

Someone said soon five months ago, but god knows when. :)

@jpturbo Cool. How did you mount/stabilize the GH2?

Moon T7 at 60P

@pilotisafk Nice man!

@paulo

Menu> movie settings(movie camera icon) > Rec Mode > 720p AVCHD.

Then in your editor you tell it to treat the footage as 24 fps.

Moon T7 :)

@electria0814 fantastic footage :) what lenses and light have you used here?

@flaschus The one set of Moon Trial 7 will give you actual 24/30/60 fps files. Premier seems to think the footage is ARRI when it is 24fps vs 23.976. The other set will give you 23.976/29.97/59.94 fps. I tried the actual 24/30/60 patch and I like it. Since most everything I shoot goes to the internet, not broadcast or anything, in my opinion, it's not as crucial. If I were producing video for anything else, I'd use the standard 23.976/29.97/59.94 set.

I feel no T8 will be - no reason for it, also nothing revolutionary to add. The revolutionary improvements of GH2 didn't happen. Hope I'm not right for first time...

Anyway, I'm on few steps to the first release of my FilmVision Pro plug-in (the break-through version 6) which definitely reproduces the motion picture look of the most film studios. Of course, if some don't like it, don't use it. Here is a sample processed with FilmVision Pro v6 (original source: vimeo.com/97541693):

electria0814, your work is getting quite amazingly good! Did you use any autofocus on any of that like when you were behind the people walking down the hall, or all manual focus? Also, was it all handheld, or stabilizers of some sort used?