@whiterabbit No correction, i just changed the way the image is rendered (in fact this is realtime). No loss in quality, you just squeeze all the latitude of the coded picture in a flatter container. This is SiLog, not a much extreme curve, with Rspace space you get an even flatter picture. PS: I don't know if we are offtopic, i think that this is just a useful part of the conversation.
@kholi, it is ok, I did not take it bad at all. As you can see I posted something about the same time as yours. I was just talking that people have the right to be disappointed, if one parameter or the other is not as what they thought. For me DR was the only thing that I could not quantify with the gh2/hacked. Because I knew it was sharper, nearly no moire/aliasing to degrade the image etc but the DR no comparison or test. I always find people bashing it on forum saying that it has lower DR etc without any test/comparison/footage to back it up. On the net suffice to say something 100 times and it becomes reality. At least now we have at least some... ok, if not far from perfect comparison.
Unfortunately I don't have any pro camera like the EPIC to use and compare to the gh2 personally and found a personal opinion. Which make these kind of test valuable to me. If you read my post above, you will see that if you look and test (even on so lowly compressed format) the gh2/hacked compares much more favorably in terms of DR to most of those cameras.
Now for your question about DR and ISO, normally it is true that as higher you go the DR will decrease. But the gh2 is benefiting from true downscaling/binning which as with noise tend to make things better. If you look at testing site like DXOmark you will see two DR value, the native DR and the one they have standardize of a 8 megapixel camera. Noise is the same, that is why when you use the ETC mode the image is noisier, because it is just cropping a 1080p at 1.1 pixel level of the sensor and you are not getting the benefit of downscaling/binning. Everything is relative, the DR will decrease but not as the same rate than in photo mode.
Its fun seeing test like this one. there is one with lenses to ad the moment.
you only see the "big" differences if the cams will be posted next to each other. the people for who you make them, will never no the differences (off course i mean not the pros..
all what philp finally will shows us, is that you make the differences, in the way you handle your gear.
The best part of this test is that you and me don't have to pay a single cents to watch it. PB decides to do it with his own time, money, contacts and effort to keep everybody happy, informed and entertained. WTF are we complaining about?
yeapis, from all the dslr tested, the hacked gh2 is the one that has more resolution, but does doesn´t really mean that is the best of all, the best of all will be the one must suitable for your proyect, for your aesthetic view (you cannot make the same with the gh2 that with the 5d, but you can make other things, like having more deep dof or autofocus or ....), or for your budget...
In fact some valid test is something very important in the mesuberators world we live in. Why, because some true methodical test ends the endless discussion about which is which, is this brand better, is the other one, and on, and on.... it makes people just (the vast majority) be able to move on, you are left we just the most hardcore pixel peepers with nothing to do or nothing that they can do than talking about numbers. It just shut the mouth of fanboys etc. because when you have true fact the numbers will talk by them-self. This is why some good test is important, more so that many cannot afford to buy or rent or lend all this gear to see what is good for their project.
Many of us don't live near Hollywood or any major film city where they can have easily access to see what works for them. I don't think this test will give all the answers (because the method is not, lets say methodological or scientific), but it is a good start. I wrote some thread before about the need of the gh2 for recognition, because I really feel that it is a true gem and that it would really benefit a winder audience of micro budget film makers to know about this camera.
The problem of the internet is that you have access to so much information and disinformation that it is difficult for people to get the right info. With the fanboys etc it is nearly impossible to get some unbiased info. One example to make it clear, until the release of the Canon 1dx (which is unknown value), the hacked gh2 is the best investment in dslr video camera. Say that as clear as that on an open forum and you will be tagged as a fanboy. But it is a fact.
I am surprised pp are so riled up over these tests! When you shoot on a real project, dun you do pre-pro tests to find the best cam, best lighting kit, and in the days of film, the best stock for yr purposes? We dun even know the lighting conditions in Bloom's test, let alone his camera settings. The different lenses he used for each camera would already predispose the test to such bias and inaccuracy I would laugh at his face for calling himself a DP. Any self respecting guy with a camera will tell you the tests lack consistency and are pointless. Even two lenses of the same brand, same make, same batch will yield different results, the same way no two cameras of the same make will ever yield the same results no matter how you calibrate them till your eye balls pop!
@itimjim i see no difference between bias or not very well executed, as it was a subjective test, just by setting the cameras one way or another by eye immpression, you are getting a bias,
if there was or not an economic bias, well, that statement can be as it cant be, i dont care really, as there is no way i can know for sure, so his shootout will remain for me as his shootout, nothing more, a valuable opinion, but not an absolute truth or whatever...
@Vitaliy_Kiselev of course, there is better knowledge in books, but this way is more graphic and easy to digest in a fast way, all i´m sayng is that it is just a blog post, and an interesting one, it is not a scientfic study by any means, its just an article with interesting (bias) knowledge available, that is worth seeing
haha at least from my side, i was having fun, trying to figure it out wich camera was used on each frame
@kholi somwhere in here http://www.personal-view.com/talks/discussion/comment/30852#Comment_30852 you will find a dpreview of the jpeg output of the gh2... but still you can notice it at naked eye on the lcd screen, just record the same scene, one at iso160 and the other to iso 12800, you will notice the difference
>don´t understand why so much hate, of course this test was bias, but we can still get some knowledge, and bloom´s blog, is just his blog, he can do whatever he wants with his...
It is not hate. :-) It is constatation of fact. Yep, you can still get some knowledge, but much more knowledge, and of much better kind, could be obtained by reading some good books about using cameras by masters, lighting, etc And yet different knowledge is obtained as you start learning to use this theory in practice. Our lifes are fuckingly short, so do not spend it discussing this shit too much.
Has anyone ever actually tested this "higher ISO lower DR" theory? I'd LOVE to see that, because it sounds backward to me.
Low ISO means banding and posterization of brighter areas, and a quicker clip to white. The only thing that should see the maximum amount of range the camera has to offer is knowing what ISO it's actually optimized for, and what film mode setting.
ap and about the dicks, i don´t understand why so much hate, of course this test was bias, but we can still get some knowledge, and bloom´s blog, is just his blog, he can do whatever he wants with his...
i´m actually interested in knowing how big is the difference between the cameras used in movies with a bigger budget than mine that are being proyected on the big screen, just to see if whatever i shoot will be of quality if i ever get blown up to film
and at least from this test being the gh2 the 9 and looking at the 7, wich is the f3 with the s-log, now i know nobody can complain about resolution on the gh2, the only difference are color space and dynamic range, two big terms,
but i´m really pleased seeing that the gh2 compared to the canon 7d and the 5d has more resolution, because when i bought my gh2, everyone was buying canon, the gh2 wasn´t yet hacked, so those 2 where my other choices, and i´m glad that i take a leap of faith against everybody that i know and end up having a better long term investment
keep in mind that the dynamic range depends also of the iso used, higher iso means lower dynamic range,
and about how to get and improvement in dynamic range, i do it in post, if the camera was in a tripod i shoot two takes (lets say that i´m in a room with a window), first i shoot exposing for the window outside, with no subject at all, and then i make other takes where i expose for the subject indoor, later in post i mix the two images
What is point to listen what some Philip do ? Just go and shoot with your gh2 or whatever camara you have. If result is good everything is fine. If Olivia make a video about cams I will Hmm watch.
No offense, and I don't mean to be a jerk, but you sound like you haven't been using the GH2 Hacked much at all. I just started about three weeks ago and yes, I was fooled by number 9 being the GH2 because it isn't what I'm getting out of the Quantum V2 setup I'm using.
Philip has very little experience with the GH2 Hack... probably most of those cameras.
Your camera doesn't need to win a pissing match to be good, you just need to put it to good use.
As harsh as Vitaly can be with his words, he's right... especially for this "mini shootout", it's not definitive and it's certainly not the kind of test I would hang my opinion on.
You can work with the GH2 Quantum Hack and a 5DtoRGB workflow JUST fine for damned near any project.
You are right, though, I tend to shoot with NDs as much as possible, even when I shoot EPIC. Indoors, outdoors, if I can shoot with NDs I will. That's just how it's done.
In fact the picture at first site is a quite deceiving. I have downloaded the images and doing some test ... I know they are re-sized lower resolution and jpeg compression. Even then the gh2 is noticeably sharper and much much more detailed. In fact were the majority of the other ones are mushing the shadows the gh2 keeps a lot more, that can be boosted. I am quite surprised/amazed how this bad quality compressed shot stand up to correction in post, at least compared to the others. The histogram also tells another story, if you look at most they clip at different level (upper) while the gh2 does not. In fact the gh2 is one of the best (at histogram level) and seems a tad underexposed compared to most of the dslr. You can easily simulate the flat look of the other camera just by lowering your white and raising your white point in photoshop curve. (For copyright reason I think it is not good to post it here).
Hopefully he will upload some uncompressed screen grabs of these for some better judgement. There are too many variable to conclude about the true DR of these camera. The model is sometime moving and if the light source is near it can have and impact on the lighting and DR (White t-shirt could blow for example). Philip Bloom has done this test for skin tone and not DR.
Hey guys.. we already know the DR of the gh2 is not huge. So getting dissapointed from heavily compressed JPEGs from shots where the lighting does not look favourable to the camera itself and with unknown white-balance is a bit wierd. My guess is he shot on the same K instead of balancing each camera individually according to their color profile. Then we also have the issues of how all our computers handle a specific color profile and how they are displayed..
For this kind of shot I would try to light as to be able to expose to the right on the gh2, which IMO would yield a similar result as in image 2 (as I see it). That said, someone might think another way of doing it gives better results. For the reason of the test the lighting might be done as it is - to display the DR of the camera, rather than accomodate for the DR of the camera.