Hey guys, I interviewed the filmmaker behind this gorgeous picture. Check it out- http://artofthestory.com/?p=994

Hi SisterCities, to start with this test, screen captures of colorista II.

Gotta love the rope.

@vesubio Thanks for sharing. It's interesting to learn about your process on this.

Hi people. I saw on vimeo two trailers of another spanish movie called 'Diamond Flash', so made with a GH2 -non hacked-

-first trailer, three months ago-
-colocated today-

Data of the movie (in spanish) > http://www.filmaffinity.com/es/film829410.html (in english) > http://www.filmaffinity.com/en/film829410.html


The trailer of Musgo is incredible. I love slow camera and the rich cinematographic of Gami. Im waiting the movie.

GH2 its a great camera. Not yet recognized, likely by the poor marketing of Panasonic.

PD: Sorry by my bad english.

I saw the MUSGO trailer back when I had an AF100, and now that I have the GH2 I Still feel its the best complete work I have seen on the interwebs. Cinematically speaking anyway. I love it. Just keeps telling me that using SMOOTH -2 all the way is key to roll off and cinematic look. I love it. Hopefully my upcoming projects can mimic some of what is shown here.

The trailer just has that 'IT' you look for and feel while watching a movie. I don't once thing oh this is a dslr or ehh that looks out of place. You just get that suspension of disbelief so common in film. Love it.

SEE FIRST POST IF YOU HAVENT WATCHED IT..

shoot with the (tokina) 11-16mm and at most (leica) 25mm to avoid being too close (my lenses). The longer the focal length, the more jello. info says he never used anything over 50mm. I try to stay wider too, when going handheld.. when people try to use 50mm and above.. jello is much easier to get as rolling shutter is introduced easier.

That's some good advice thanks! I used a Komine-made Vivitar 28-90mm on a test shoot the other day. I used various focal lengths and I was blown away by the image results, but disappointed with the panning shots, which all had that jittery, jello effect. The Tokina is way out of my price range, but I guess I'll have to use my Panasonic 14-140mm kit lens for the moving camera shots and save the Vivitar for the tripod.

@kikis there you go.

saludos

The first 5 minutes to this legendary looking film :)

Damn, that's good!

@vesubio: The trailer really looks promising, I liked the athmosphere, the actors, the sound, the colors. Regarding what story to expect, the trailer points into an interesting, albeight somewhat confusing direction (the guy who witnesses but disregards the sound of a nearby crime suddenly encounters a masked axe man in the forest... I wonder how these things will fit together :-).

The only thing I disliked in the trailer was the, at times, shaky camera. Maybe I'm just old-fashioned, but beyond fast-paced runs through a building or such I don't think it helps a movie when the camera shakes (as in the pan across the trees).

@airboxlights gear used was tokina 11-16 (nikon) / 50mm 1.4 (nikkor) / 28mm 2.8 (nikon) / Zoom h4n/hague mini motion / Konover slider / and DIY traveling like rigwheels