Fast grading with FilmVision Pro v7.1:
Nice Spizz T7 shots , but why does it look like a double layer tights are put in front of your lens? Filmconvert, right? This is not a flat image style, it looks more a la dust image style. IMHO it needs a serious grading!
I shot this wedding with Spizz T7 and I have to say it impressed me!
@driftwood - From new 'SPACE'. I try this today. Bitrate remain more costant and different to the approach of Sanity 5.1. With 16 GB i have 1h 09min. Nice work.
I always shoot with them off, but more because I don't like what they do than because of the patch I'm using.
Hi there, Re: I.dynamic and I.Resolution with these patches (T7 & T8), how are they meant to be set? Low or Off? Thanks and appreciate your input.
Yesterday i was shooting all day with my gh2. Then I noticed some strange red spots on the footage. Does anyone know what this can be? Dead/hot pixels?
off topic .. but is it posible to add cinema like d to the gh2??how?
Hey guys i post in here a lot and wanted to let you know that I'm selling my entire gh2 setup if you're interested in anything for your gh2 i have then hit me up thanks. http://honolulu.craigslist.org/oah/pho/4642068115.html
Reading some of the posts, from others, regarding videoing/filming weddings. 'Space' appears to be the sort of patch that could be perfect for 'locked-off' shots at the service (and the like).
@JayUKB 'SPACE' is for specific tasks requested from people - spanning and better quality over stock settings for long takes.
Damn you @driftwood...just when I think I've got a patch or two that suits me....... you go and release another one!!
Thanks to YOU Nick
*** NEW RELEASE ****
DRIFTWOOD 'SPACE' for Documentary shooters
Includes spanning on ALL settings inc 24pH/L,720p60/50 SH/H, HBR 25p/30p all settings targetted bitrate 32M-40M. Deliberately designed and kept close to stock settings to enhance 100% spanning possibilities when shooting long duration footage with great quality. Employs considerably better quantisation values to knockout artefacts than that of stock settings that often compromise IQ.
Quality QP17 (Q15-19 mid to close ups, Q17-22 Wide detail shots) frame-by-frame quantisation with adjusted stock matrices primed and calculated using Elecard Streameye Studio.
Perfect for documentary shooters.
Offering you over an hour of recording per 16Gb SD card.
Works on all good 30Mbps+ cards.
Employs a classic & proven GOP structure for NTSC (15 GOP) and PAL (12 GOP) on all modes
Buffers measured to work to the bitrate
works at 80% 24p mode
Death Chart tested
All modes tested for spanning on a simple Sandisk 16Gb SD Card @ 30mbps
Playback in camera all recordings
If you need long recording times with great quality and spanning this is the setting for you.
PLEASE DONATE to www.personal-view.com (see top of this page) if you use and enjoy these settings.
Thanks to VK as usual.
Testing Nebula T8, using HBR (PAL). I used the Stray Death chart (stray_color_chart_02) - just put it up on the TV, pointed the camera at the screen and started recording.
Used a Sandisk 64Gb Extreme Pro 280MB/s). The card was formatting, in cam, before recording anything.
It did span but stopped at the end of the second file. Info from Stream Parser
File: Name: G:\PRIVATE\AVCHD\BDMV\STREAM\00000.MTS └─── Size: 4,294,576,128 Bytes (427,296 Packets) Stream: Mode: 1080/50i ├─── Clip Duration: 0:10:25.720 ├─── TS Clock: 27MHz ├─── TS Duration: 0:10:25.851 ├─── Average PCR Timing Interval: 0.093 seconds ├─── TS Max Bitrate: 102,400,000 ├─── Average Overall Bitrate: 54,895,823 │ ├─── Average Video Bitrate: 54,437,062 │ └─── Average Audio Bitrate: 240,003 ├─── Max GOP Size: 2,410,176 Bytes (19,281,408 bits) ├─── Video Frame Count (All-I/P/B): 15,643 - 2,607 / 2,608 / 10,427 └─── Video Frame Size (Min/Ave/Max): 42,240 / 272,179 / 1,068,480 ├─── I Frame Size (Min/Ave/Max): 486,144 / 928,081 / 937,152 ├─── P Frame Size (Min/Ave/Max): 150,528 / 378,602 / 1,068,480 └─── B Frame Size (Min/Ave/Max): 42,240 / 81,596 / 220,992 *Video/Audio calculations based on TS Packets
File: Name: G:\PRIVATE\AVCHD\BDMV\STREAM\00001.MTS └─── Size: 4,289,192,448 Bytes (427,296 Packets) Stream: Mode: 1080/50i ├─── Clip Duration: 0:10:28.800 ├─── TS Clock: 27MHz ├─── TS Duration: 0:10:58.127 ├─── Average PCR Timing Interval: 0.093 seconds ├─── TS Max Bitrate: 102,400,000 ├─── Average Overall Bitrate: 52,138,176 │ ├─── Average Video Bitrate: 54,099,600 │ └─── Average Audio Bitrate: 239,997 ├─── Max GOP Size: 1,798,080 Bytes (14,384,640 bits) ├─── Video Frame Count (All-I/P/B): 15,720 - 2,620 / 2,620 / 10,479 └─── Video Frame Size (Min/Ave/Max): 67,008 / 270,493 / 937,344 ├─── I Frame Size (Min/Ave/Max): 897,024 / 934,021 / 937,344 ├─── P Frame Size (Min/Ave/Max): 320,064 / 380,596 / 514,560 └─── B Frame Size (Min/Ave/Max): 67,008 / 77,093 / 136,128 *Video/Audio calculations based on TS Packets
@itimjim Thanks! There's nothing like filming when the clouds are out, makes it look like the GH2 has crazy dynamic range.
@gardner nice frame, looks great. That will colour just lovely.
I'm seeing that HBR files are interlaced for NTSC as well. Perhaps I was wrong.
I shoot 99.9% in 24H, and have NEVER used HBR for a paying gig.
@martinnzII Then hack does not effect the way the camera is set up. The mode you are looking for is set from the camera setup menu. If you need 25P make sure you set the camera to PAL. If you unchecked any ticked boxes under 'movie related restriction' whilst preparing the 'bin' file then menu options may not be available. Reading the manual 25P seems to appear under 'variable movie mode' and audio is not recorded. It's not a mode I have used.
can u help me???
@AlbertZ Yea the actor's clothes were ruined that day! :)
@Gardner nice still! :)
when i shoot in hbr it´s automatic 25p??? thx
in editing software show me upper field... not progressive???
HBR mode offers 25p for PAL and 30P for NTSC.
It looks like you're new here. If you want to get involved, click one of these buttons!