Personal View site logo
Fracking Feature Documentary Shot w/ GH2 Driftwood 88mbs — Is GH2 Fit For Documentaries?
  • 51 Replies sorted by
  • @jbpribanic: Beautiful work and a very important topic! I really like the cinematography.

    For me, the weakest link is the narration. It doesn't sound professional in the delivery. The visuals on the other hand are stunning.

    O

  • UPDATE: We've finished our post-production for this documentary and have rebuilt the website: http://tripledividefilm.org/

    Our new trailer can be seen here:

    http://vimeo.com/ondemand/tripledivide/63571188

    And you can watch the film online via VOD: http://rent.tripledividefilm.org/

    Thanks again to everyone for their input on the film and for taking time to watch the final product. Cheers, Joshua

  • @jbpribanic native rendering is the way - everything else expects break your movies

    but, Fracking is Bullshit - thanks for you protest

  • Thank you @leftedit ! Feels good to get the work online after a year in the box.

  • i think youve definitely done a pro job here

  • @davhar Thank you!

    New Triple Divide Chapter on Vimeo:

    In Pennsylvania, mineral rights trump surface rights and tax paying homeowners are left in the dark on their lifelong investment. For David Barndt in the documentary film Triple Divide, paying taxes on a split-estate does not guarantee you right to your land. https://vimeo.com/publicherald/splitestate

    Read more about Split-Estate & Forced Pooling @ http://www.publicherald.org/archives/16893/investigative-reports/energy-investigations/fracking-energy-investigations/

    Learn more about Triple Divide Documentary @ http://tripledividefilm.org/

  • good stuff, man. Be encouraged

  • Here's a new set of clips from Triple Divide, and another way natural gas well pads can contaminate groundwater. Meet Judy & Judy.

    Complete article on the topic with a set of Judy's file: http://www.publicherald.org/archives/16925/investigative-reports/energy-investigations/fracking-energy-investigations/

  • I'm a HUGE believer in protecting our water, especially drinking water and the Great Lakes. When and where is your screening in Potter Country? I'm a bit north of you near the Genesee River & Lake Ontario.

    I'm sending you a private message....

  • Here's a few more clips from one of our ten chapters in the film:

    We transcribed the script of this chapter and made available the docs we researched here: http://www.publicherald.org/archives/16730/investigative-reports/energy-investigations/fracking-energy-investigations/

    Anyone have any thoughts on the transition at the beginning?

  • Thanks @Ricochet. Would you have the same suggestion if the story was 100min? In the next section we explain fracking for 8min... Then it goes into our investigations about the area you watched in the opening, from there into how DEP handles natural gas pollution cases, and onward.

  • A bit of critical advice here. I found the story moved too slowly. To me it appears as though the nitty gritty is how fracking could effect this key watershed, so let's get to it! Say a 45 second intro to talk about the importance and beauty of the area, and then the big BUT and introduce the fracking and all the inherent problem. Then maybe leave us with the question of how this will play out ... leave us wanting more.

    Hope that's helpful.

  • @jbpribanic cluster is not a top notch. Its developed to spans in most sdhc cards. To shoot commercials take sednas,canis or mysteron.

  • @Bueller @Christianhubbard @mee @rajamalik Thank you! Great to hear you like what we have and that it's drawing in the viewer.

    @rajamalik What's Cluster all about? I'm suppose to be shooting a group of commercials for a law firm in the winter (first solo job)... would it be better to use Cluster?

  • wow superb @jbpribanic try cluster v8 or v9 for your next project

  • Very nice. Definitely draws one in.

  • really great. incredibly filmic and beautiful images.

  • YO JBP great coloring and shot selection

  • @RyanPW Thanks! I used Minolta MD/MC 28mm, 50mm, 100mm, & Rokinon 14mm.

    @Sangye Thank you, I see typography as a make it or break it, especially for later in the film where people are saturated with information. Good to hear we're on the right track.

  • Loved everything about it. As well as everything others have already said, I wanted to compliment you on the typography as well. That's something I always look for, and you really nailed it.

  • Wonderful looking shots, I think you used your resources quite well and the colors look gorgeous. Might I ask what primes you were working with?

  • @driftwood Right now we're applying to festivals, but we have no plan, as of yet, for getting it to a broadcaster. Thanks for the encouragement!

  • Good work @jbpribanic. Have you thought about approaching Discovery Channel with this? Best of luck.

  • @cupanudles Thank you! It is certainly a point of climax for our society in relation to energy, philosophy and resources. There are so many facets to this, and not enough pails to go around.

    @n5p We had a 14-140mm panny zoom lens that a newbie used on the set, which worked out great, but in the first month it was stolen and we never had enough of a budget to pick a second one up. The stabilization on the zoom was key, we could use it handheld in interviews with decent light and it was perfect. After losing the zoom we were stuck with primes and basic equipment: cowboy rig, tripod, custom slider, fly-cam stab; but they did the job I think. The best part about using the GH2 is two things: people weren't as intimidated by it (shot w/ a french filmmaker one day who had big cam and audio and people had the deer in the headlights look), and it looks like a photo cam so many times (under the right condition) you can be capturing a raw moment in video when people think it's just a photo cam.

    Since this is my first film, and I haven't had a chance to work with many of the traditional shoebox cameras, I can't give the best comparison. I know that audio was tough since everything was off-cam, but I think it paid off in the end.

    Josh Fox worked with us one day during a file review at a state office and he used on of the panny P2 cams, and for run-and-gun it couldn't be beat... unless you had someone on a DSLR with lightning smooth reflexes and a proper zoom lens.

    About the map, my partner said the same. I had to overexpose it to get rid of the insane amount of text in the map that made it hard to focus on the three spots we were identifying. Had plans to print out a large simple looking map, but $80+ at staples for a decent print wasn't cutting it, when the around the corner $8 school map did the job. I'll keep the exposure opinions in mind when we test-screen it. Thanks for the feedback!

  • @jbpribanic Thank you for producing a documentary (VERY well shot from what I can see in this trailer) on such an important topic which can be used to educate many on the dangers for our environment from hydraulic fracturing aka "fracking."