@thepalaias oh thanks man!!

@johnnym thanks, I built her with my own two hands =P

Wow @davidhjlindberg

Canis Majoris 'Skin Tone Soft' setting coming today too. :-)

Ok, I am passionate about quality and I have done some fairly extensive testing using the Quantum V9c hack. I shoot Zuiko lenses. I have found that for most stable situations of ample lighting and limited motion, the hack shows virtually no difference at all. I find that the hack really stands up when you throw A LOT of motion at it. Blowing leaves, running water, etc. But it has to be a lot. I have not seen any more detail gathering ability that Philip Bloom alludes to in his comparison to the likes of the C300. In low light, I see that it replaces codec interpretations with fine grain, which looks more natural, most of the time. The stock codec interpretation of a texture in the dark can be good as it holds that detail still and steady. It also has the danger of looking blocky and a little fake. The hack puts grain on everything to give a more "live" interpretation of texture in the dark. This is cool but I want the grain to be finer so that it's "noise movement" is not so apparent. So, having said all of this....(and thank you for reading it) I am looking for a hack that can give me finer grain in the dark to represent textures better and can be graded well. Finer grain. I am also looking for a hack that gives me MAXIMUM detail in good light. Some ridiculous bit rate, heavy i-frame hack that makes the footage really really pop off the screen. I am getting two 64GB Sandisk cards from UPS today so throw me the worst of it. I want to make this hack really sing more than what I am seeing in 9vc or I feel like the leap to fast cards and slightly risky recording is not quite worth it. (don't hate me). I love love the GH2 and I can't stress to some of you enough.......GET GOOD GLASS!!! This cam is worth it and no amount of hack will make that leap for you. I would fight someone to the death over my Zuiko 14-35 and 35-100. TO THE DEATH!! and I never was a glass guy until now. But please, refer to my comments and show me a hack version that can provide those items and I will do a really nice comparison video for ya' all! (I am British, so I don't know why I just did that) :0) Thanks a million!!!

Thanks mate. Burst mode is what I am hungry for. Thanks for pointing me there. I understand it can't hold long record times, despite the outcry. Is a solution to record a cropped mode like 2.20:1 so the camera can keep up with those data rates, as it is recording less pixels. I think people would jump on that. In the meantime, would you say that standard Mysteron is what I would be looking for for my needs? I need long record times. Thanks again. I have donated :0)

Sorry, I need help fast please. I just installed SEDNA AQ1 who usually works with Sandisk cards 30mbs. It's ok When I read the videos with VLC (beautiful quality) BUT if I Took Them with FCPX, the clips are reduced (10 seconds = 2 or 3 seconds in FCPX!). More strange again, if I try with 5DtoRGB: the clips are jerky and inutilsables.

If someone can tell me ...

THANK YOU VERY MUCH

Panasonic Lumix GH2 - DriftWood 176mbps patch

Hey guys... here's some .mts raw screen grabs from a music video I was working on. All shot with Sedna AAQ1 and Smooth -2,-2,-2,-2. All was shot 1080/24p except for the underwater shot. The underwater is going to be reshot since it was slightly out of focus. If you have any questions, ask away.

@pinger007 Thanks! I shot 1/50th shutter for the 1080/24 and 1/125th for the 720 slo-mo. The face CU I used a Canon FD 50mm f/1.4 and the Eye ECU I used the SLR Magic 12mm in Ex. Tele mode. I shot underwater with the DiCAPac WP-H10 and my lens was the 20mm pancake.

This is an episode of a series I shoot in Japan called "KEVIN CROCKER IN JAPAN" I used Driftwood's Sedna Q20 settings. Enjoy!

I have just finished a music video using the GH2 with Dark Matter V3. The hack worked like a charm, as always!

@Bueller You should post a frame from one of the clips we shot with Mookie. :)