@Tomaso That's strange ? I got european version too and it worked perfectly , not sure what they done about improvments
Updated without a hitch - but more importantly realized my 12-35 was still on v1.1 - DOH!!! What a fucking idiot :)
GH4 has a very good DR: http://www.dvinfo.net/article/acquisition/panasonic-gh4-dr-and-gamma-timelapse-and-more.html
There is no use in making it more flat than Cine D standard profile, the information is there if man want's more DR. Using master pedestal, curves, and contrast at minimum, you just degrade the files unnecessarily.
I mean that this update may be the key for your hack :)
I think that this firmware is the beginning of Vitaliy's hack :p
What you mean? I have firmware for GH4 for long time. I mean 1.0, I won't tell where I got it, but it is so.
I think that this firmware is the beginning of Vitaliy's hack :p
oh wel, i guess RAW 4K will come in v1.2 ;-)
:-) yep, definitely.
Hack the bagger now and get better 96fps bitrate :P
La Perouse Bay is a beautiful area with lots of volcanic rock. On this day I went out for a hike and to practice shooting seascapes on my GH4. All but the 96 fps slow motion 1080p clip were shot in 4K 24 fps and then converted to ProRes 422 (HQ) 1080p prior to import into NLE - my computer is too old and slow to deal with 4K so that is my workaround until I can upgrade. I used both Cine D and Cine V picture profiles on the GH4. Edited and graded in FCPX using ImpulZ Luts and presets by mLooks and CrumplePop.
If you own the camera and want to share opinion or such we have http://www.personal-view.com/talks/discussion/10202/gh4-4k-panasonic-video-camera-user-reviews-and-opinions#Item_638
This topic is for tests made by sites, teams, and for discussing any common things (tips, etc), as well for any discussion of people who just want to get camera.
Oh yes. It is mine.
Cue up a day of testing in the beautiful weather
@oscillian @vesku The function of AEL, AFL, AutoISO, Exposure, Exposure Compensation using Creative Movie mode is kind of complicated. Here's my best guess. I think there might be a bug with the way Exposure Compensation works once recording starts. Needs more testing...
I can toggle AEL/AFL on/off before recording starts.
I can adjust Exposure, Exposure Compensation and Focus after AEL/AFL lock, before recording starts.
I can adjust Exposure, Exposure Compensation and Focus after AEL/AFL lock, during recording.
I can toggle AEL/AFL lock off during recording.
I cannot toggle AEL/AFL lock on during recording.
To reproduce...
Set AEL/AFL Lock = On (to set AEL/AFL button in toggle mode)
Set Creative Movie on Mode Dial
Set Exposure Mode = A
Set ISO = AutoISO
Set Aperture
Set Exposure Compensation (+/-)
Press AE/AF Lock button, watch screen for green focus indicator at focus area, AEL (lower left), green dot and AFL (upper right)
At this point the exposure and focus are "locked," but you can manually adjust them.
My observations...including some guess-work:
Manual Adjustments once AEL/AFL engaged, before recording starts... While exposure and focus are locked, you can change either of them using the focus dial and Exposure Compensation setting. After you manually adjusting these values to your liking, the focus and exposure will be locked (AEL, AFL are still showing, green focus box at focal point), but the green dot will disappear if you manually adjust focus.
You can twiddle the dial for Aperture and the aperture will change, but the image will retain the same exposure, within the limits of AutoISO/Exposure Compensation/Shutter. For example, as you increase the aperture value (bigger number, smaller aperture, less light), the ISO will increase, Shutter decrease to keep exposure constant up to the limit of Auto ISO/Shutter. Once you reach that ISO/Shutter limit, then the recorded image will begin to darken/underexpose.
Begin recording.
If the ambient light changes in the frame, you can over/under exposure your image.
If the distance between the camera focal plane and the focal point changes, the image can be out of focus (depending on DOF, of course).
Manual Adjustments once AEL/AFL engaged, during recording... If you adjust Aperture, the behavior of the camera is the same as it was before recording. The exposure will remain constant within the limits of Auto ISO/Shutter.
You can twiddle the Exposure Compensation setting during recording and the exposure will change, but the behavior not the same as if you change Exposure Compensation before recording began. I don't know why this would be - perhaps it's a bug. It needs more testing.
You cannot change focus during recording while the AFL is engaged. You can disengage AFL while recording by pressing the AF/AE Lock button. This will disengage the AFL/AEL lock and you can change focus manually or half-press on the shutter button for Auto Focus. Note that when you disengage AEL, your exposure could change too as the camera will adjust.
@tylerknight. If you are getting the body only, that should be $1,700 plus tax which is much less than $2,200.
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