@Tjabo thanks.:) manual focus. in the hall. t8!
I'm excited to see what moon T8 is like! I recently shot a tiny little project for some friends of mine, and I used the GH2 (moon T7) with Canon FD 35-105 f3.5 as the "B" camera to my GH4 with the 12-35 on it.
I had the GH4 on C4K with Cinelike D, but really the GH2 footage "popped" a lot more than the GH4 footage did. I have some investigation to do, so I can see what the cause was with all of those variables involved, but overall it left me with another reason to hang onto the GH2... :)
It was quite a statement when my friend, after looking at all of the footage from the GH4, saw some from the GH2 and exclaimed, "OH! I LOVE this camera!!!"
@AlbertZ Thanks. I use 14-42 Kit Lens , leica dg 1.4 and stage lighting & optical flares . :)
I feel no T8 will be - no reason for it, also nothing revolutionary to add. The revolutionary improvements of GH2 didn't happen. Hope I'm not right for first time...
Anyway, I'm on few steps to the first release of my FilmVision Pro plug-in (the break-through version 6) which definitely reproduces the motion picture look of the most film studios. Of course, if some don't like it, don't use it. Here is a sample processed with FilmVision Pro v6 (original source: vimeo.com/97541693):
@flaschus The one set of Moon Trial 7 will give you actual 24/30/60 fps files. Premier seems to think the footage is ARRI when it is 24fps vs 23.976. The other set will give you 23.976/29.97/59.94 fps. I tried the actual 24/30/60 patch and I like it. Since most everything I shoot goes to the internet, not broadcast or anything, in my opinion, it's not as crucial. If I were producing video for anything else, I'd use the standard 23.976/29.97/59.94 set.
@electria0814 fantastic footage :) what lenses and light have you used here?
Moon T7 :)
@jpturbo Damn - pretty stable and steady shot for just placing tripod in backseat. Nice one. (Also has nice feel/mood to it...like a beginning to nice drama/thriller movie.)
@pilotisafk Looks very nice.
@pilotisafk Nice man!
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