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DaVinci 16 and older 15 and 14
  • DaVinci Resolve 12 features a new, modern interface with a lighter overall color scheme and new fonts that help reduce eye strain and make it easier to work for long sessions. The new interface is scalable and has been designed to look great on high DPI monitors, such as retina displays. New top down navigation speeds up layout selections and also gives users more flexibility to customize their workspace.

    The new multi-camera editing feature of DaVinci Resolve 12 lets editors cut programs from multiple sources in real time. DaVinci Resolve 12 can synchronize camera angles based on timecode, audio waveforms, or in/out points. The source monitor displays a grid containing the camera angles and plays them all back in sync while the editor makes cuts to the audio and/or video.

    In addition to multi-camera editing, DaVinci Resolve 12 also features several enhancements to the core editing tools. All trim modes, multi-slip, slide, ripple and roll have been extended and editors can now select multiple points for dynamic trimming and asymmetric trimming of clips, even if they’re on the same track. Timelines can be nested, edited together and expanded or collapsed in place to greatly simplify editing of large multi scene projects. New transition curves let editors create and edit custom curves for transition parameters and new on-screen controls let editors see and adjust motion paths directly in the timeline viewer.

    DaVinci Resolve 12 includes an entirely new, high performance audio engine that offers higher sampling rates and greatly improved realtime audio playback performance, including reverse playback and tape style slow motion scrubbing during dynamic JKL trimming. Both VST and AU audio plug-ins, along with their custom interfaces, are now supported and can be used on individual clips or entire tracks. Audio parameter adjustments can be recorded and now contain editable automation and full curve editor support. For the first time, editors will be able to export projects directly to ProTools via AAF for audio finishing.

    Media Management in DaVinci Resolve 12 has been redesigned to accommodate editorial workflows. Customers can now manage projects and media using new copy, move, transcode, relink and consolidate tools. Whole projects, including media can be archived and restored with ease. Resolve 12 makes it easier to find media in large projects by letting users create smart bins that can display footage based on metadata tags. Users can now import media by simply dragging it in from the Finder or Windows Explorer, or by using new “Favorites” for one click access to commonly used media folders on disk.

    DaVinci Resolve colorists will find incredible new tools that give them even more creative grading options than ever before. Resolve 12 improves upon DaVinci’s legendary advanced color science by adding support for DaVinci’s own color managed timelines as well as ACES 1.0 transforms, making it easier to get consistent results, especially when working in facilities with managed pipelines.

    The core grading and color correction tools have also been improved with a new, easier to use curves interface, automatic color analysis and matching between two or more clips, an incredibly accurate 3D perspective tracker, and a new 3D keyer with improved matte finesse options. Colorists can now define their own smart filters, convert any window to a bezier, collapse multiple nodes into compound nodes to simplify their view, ripple grades across multiple clips, and flatten pre and post-group grades into a clip’s individual grade.

    DaVinci Resolve 12 also now supports remote rendering so customers working in larger facilities can distribute rendering jobs to other Resolve systems that are on the same shared database and shared storage.

    With dramatically improved editing, DaVinci Resolve 12 now has the ability to integrate with other NLEs even better. Edit timelines can “round trip” to other editing software and more of settings, plug-ins and edits are preserved. For example when importing XMLs from Final Cut Pro X, DaVinci Resolve 12 can now import multi-cam clips and preserve all the original camera angles. Also, audio support is greatly improved to match the audio timeline in Final Cut Pro X. This makes collaborative workflows better and allows different people in a facility to use the tools they prefer instead of being forced into an inflexible company wide platform.

    “DaVinci Resolve 12 is an incredible release that we think both editors and colorists are going to love,” said Grant Petty, CEO, Blackmagic Design. “We’ve built in the features customers have been asking for and, with the addition of multi-cam and some of the other great new editing features, we think that Resolve is perfect for both creative editing and finishing. It’s still the only system that lets customers switch from editing to grading with the click of a button, giving them the fastest, highest quality no compromise workflow. Best of all, customers can install DaVinci Resolve Lite and use it on real projects for free. There is no monthly subscription, you don’t need to be connected to the cloud, and you don’t need to buy any proprietary hardware!”

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  • I got Nikon Z6 few days ago and I wanted to edit test footage in Davinci as it can be a good opportunity to migrate from Premiere. Unfortunately Davinci ignores Z6 mov files and I cant upload them. I did not find anything online except: "same files are not supported but it is easy fix by converting them" LOL

    Update Reinstall helps

  • Resolve 16 - Premiere Pro comparison

  • DaVinci Resolve 16 and Fusion 16 - beta 2 PostMon May 06, 2019 5:18 am https://www.blackmagicdesign.com/support/family/davinci-resolve-and-fusion

  • Our interview

  • New features at a breathless pace.

  • @manstok

    You are just not target audience.

    As some manager looks at such they feel warmth in all their body as they see smiley corporate drones :-)

  • Always funny to see the advertising pictures from blackmagic, so awfully slick; the people on the photos look like dead generated 3d models.

  • On keybaord

  • PR

    Blackmagic Design today announced DaVinci Resolve 16, a major update that adds a revolutionary new cut page specifically designed for editors that need to work quickly and on tight deadlines. In addition, DaVinci Resolve 16 includes dozens of other new features for professional editors, colorists, VFX artists and sound engineers. DaVinci Resolve 16 public beta is available for download now from the Blackmagic Design web site.

    DaVinci Resolve 16 will be demonstrated on the Blackmagic Design NAB 2019 booth #SL216.

    Designed specifically for editors working on high end fast turn around work such as television commercials and even news cutting, the cut page is all about speed. It's an alternate edit page with a streamlined interface and revolutionary new tools that will help customers work faster than ever. The cut page lets customers import, edit, trim, add transitions, titles, automatically match color, mix audio and more. Whether you're delivering for broadcast or for YouTube, the cut page has everything customers need to get the job done, all in one place. Plus, the regular edit page is still available so customers can switch between edit and cut pages to change editing style right in the middle of a job.

    The cut page challenges the traditional way of working with innovative yet familiar concepts such as source tape mode and an A/B trim tool. Two modern features that are rooted in the past. The cut page isn't about simplification, it's about removing the things customers don't need and building powerful, professional tools that help customers work more quickly. And, sometimes, it means borrowing the things that were great about the past and bringing them into the future.

    Back in the days of tape, finding a clip was easy because customers could just spool up and down the tape to see their media and select shots. Today, finding the right clip in a bin with hundreds of files is slow. With source tape, customers no longer have to waste time hunting through bins to find the clip they need. Simply click on the source tape button and all of the clips in their bin appear in the viewer as a single long "tape". This makes it easy to scrub through all of the shots, find the parts they want, and quickly edit them to the timeline. It's an old fashioned concept that's completely modernized to help customers find the shots they need fast.

    Zooming in and out and scrolling timelines is extremely slow. The new cut page features an innovative dual timeline so customers never have to zoom in or out again. The upper timeline shows customers the entire program while the lower timeline shows customers the current work area. Both timelines are fully functional, allowing customers to move and trim clips in whichever timeline is most convenient. Want to move a clip all the way to the end of a program? Simply pick it up from the lower timeline and drag it to the end of the upper timeline to move it down the edit.

    The new DaVinci Neural Engine uses state of the art deep neural networks and learning, along with artificial intelligence to power new features such as speed warp motion estimation for retiming, super scale for up-scaling footage, auto color and color matching, facial recognition and more. The DaVinci Neural Engine is entirely cross-platform and uses the latest GPU innovations for AI and deep learning to provide unparalleled performance and quality. The DaVinci Neural Engine provides simple tools to solve complex, repetitive and time consuming problems. For example, it enables facial recognition to automatically sort and organize clips into bins based on people in the shot.

    DaVinci Resolve 16 also introduces powerful new features that customers have asked for across the rest of the application. New adjustment clips let customers apply effects and grades to clips on the timeline below, quick export can be used to upload projects to YouTube and Vimeo from anywhere in the application, and new GPU accelerated scopes provide more technical monitoring options than before. The massively updated Fairlight page adds elastic wave alignment so customers can stretch waveforms to precisely sync dialog replacement with video, immersive 3D audio support, new bus tracks, automation previews, dialog sweetening tools and even more FairlightFX.

    DaVinci Resolve Studio 16 features major improvements to existing ResolveFX, along with several new plugins that editors and colorists will like. There are new ResolveFX plugins for adding vignettes, drop shadows, removing objects, adding analog noise and damage, chromatic aberration, stylizing video and more. There are also improvements to the scanline, beauty, face refinement, blanking fill, warper, dead pixel fixer and colorspace transformation plugins. Plus, customers can now view and edit ResolveFX keyframes from the timeline curve editor on the edit page or from the keyframe panel on the color page.

    "The new cut page in DaVinci Resolve 16 is the first professional editing interface designed to help television commercial and other high end editors meet super tight deadlines on fast turn around projects," said Grant Petty, Blackmagic Design CEO. "It's exciting because we've designed a whole new high performance non-linear workflow! The cut page is all about power and speed. Plus, editors that need to work on more complex projects can still use the regular edit page. DaVinci Resolve 16 gives different editors the choice to work the way they want!"

    DaVinci Resolve 16 Features

    • DaVinci Neural Engine for AI and deep learning features.
    • Dual timeline to edit and trim without zooming and scrolling.
    • Source tape to review all clips as if they were a single tape.
    • Trim interface to view both sides of an edit and trim.
    • Intelligent edit modes to auto sync clips and edit.
    • Timeline review playback speed based on clip length.
    • Built in tools for retime, stabilization and transform.
    • Render and upload directly to YouTube and Vimeo.
    • Direct media import via buttons.
    • Scalable interface for working on laptop screens.
    • Create projects with different frame rates and resolutions.
    • Apply effects to multiple clips at the same time.
    • DaVinci Neural Engine detects faces and auto creates bins.
    • Frame rate conversions and motion estimation.
    • Cut and edit page image stabilization.
    • Curve editor ease in and out controls.
    • Tape style audio scrubbing with pitch correction.
    • Re-encode only changed files for faster rendering.
    • Collaborate remotely with Frame.io integration.
    • Improved GPU performance for Fusion 3D operations.
    • Cross platform GPU accelerated tools.
    • Accelerated mask operations including B-Spline and bitmap.
    • Improved planar and tracker performance.
    • Faster user and smart cache.
    • GPU accelerated scopes with advanced technical monitoring.
    • Custom and HSL curves now feature histogram overlay.
    • DaVinci Neural Engine auto color and shot match.
    • Synchronize SDI output to viewer zoom.
    • Mix and master immersive 3D audio.
    • Elastic wave audio alignment and retiming.
    • Bus tracks with automation on timeline.
    • Foley sampler, frequency analyzer, dialog processor, FairlightFX.
    • 500 royalty free foley sounds effects.
    • Share markers and notes in collaboration workflows.
    • Individual user cache for collaborative projects.
    • Resolve FX plugins with timeline and keyframes.

    Availability and Price

    DaVinci Resolve 16 public beta is available now for download from the Blackmagic Design web site www.blackmagicdesign.com.

  • Nice keyboard but $950 Edit I was wrong its $1,025

  • Special keyboard

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  • Resolve v16 and their new Cut Page

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  • V16 coming in 3 days time

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  • 15.3 available

    • Improved support for audio metadata in AAF exports including clip volume, pan data, track volume, and automation
    • Improved performance when selecting clips in the Edit timeline
    • Improved responsiveness when using Wacom tablets on Windows
    • Improved playback behavior on the Edit page
    • Improved timecode support for high frame rate EXR clips

    https://www.blackmagicdesign.com/support/

  • Advanced Editing with DaVinci Resolve 15 - nice book

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    https://www.amazon.com/Advanced-Editing-DaVinci-Resolve-15/dp/1732756945

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