The white guy made me feel so goddamn uncomfortable....
Here is a recent dance video I did with my friends, I used 12-35mm and 42.5mm 1.2, shot in cinema 4K and edited in 1080P, the 96fps is definitely more epic than 50fps lol
Thanks man!
I just record in 4k and down scale to 1080 on a 1080 time line and work on that nothing to fancy. As far as impulz i mainly used kodak color elite. I tend to just eye it out on what looks best (probably something that changes for each video and what looks more appropriate of course ) and just stick to that setting.
Im no colorist either . So definitely new it to myself if you stick to that one lut and just mess around with contrast/brightness on clips that need to look similar i think you should be fine. Again I'm no expert so its definitely a learning curve but so far its worked for me
Go Gators! Crush the Vols!
Great looking shots! Can I ask what LUT you used within impulz and your workflow? I purchased it yet but I am new at grading. I do basic colour correction but am unsure of the proper way to treat clips individually to ensure they all look the same after using a lut.
Im really enjoying this camera shot in cine d graded with impulz lutz pro
Has anyone had the opportunity to mess with zeiss glass and the nikon metabones adapter
ooo
Another low-light, handheld challenge with the Leica Nocticron Lens: Grand Central Terminal.
Having done some power-drifting ... that's quite the exhibition. Wow. Doing that in pairs of cars that close is going to result in the occasional bit of metal-mangling exhibition ... no way about it. Bet the tire-maker loves this kind of race-car demos! Now, that rubber smoke can be almost an oily substance, I've had that on a lens. Wasn't easy to clean.
@Vesku
https://vimeo.com/user23310531/videos
That's ugly...especially the vibration test. I'll need to do my own tests, but from your videos it seems to me that the behavior of Power OIS isn't a very favorable optical image stabilization for movies.
In museums ...... fast f1.2 lens. Handheld to test the OIS. Close-ups to test the bokeh and focus.
Nice video.
I see again some unstability and vibration also in your 1.2 lens OIS behaviour. I have same issue with my GH4 and 14-140mm mk2 lens. Old 14-42mm is more stable. I am still wondering if my lens is broken or is it just the charasteristics of POWER OIS.
Are you happy with POWER OIS lenses. My experience is that old MEGA OIS lenses vibrates less when trying to shoot steady video (without moving camera shooting handheld).
Here is my tests:
In this video I try to make sense of Luminance.
Cine D - all seto to 0
In museums light is the enemy of artifacts, so they are dark. Perfect for a fast f1.2 lens. Handheld to test the OIS. Close-ups to test the bokeh and focus.
Dinosaurs, dioramas, lizards, lectures, gemstones, mummies, and even a ghost. Plus a trip to the museum store.
Shutter-priority at 1/60th.
@superset Thanks!
That Cheyenne clip looked awesome!
Shot this real estate video last week with the GH4. CinelikeV all 0's 4K UHD 30P Panasonic 14-42 on all of the shots now that I think about it! ( Hate this lens but it does quite well)
Opening shot was done laying on the hood of my car and stabilized in PP CC. Still some jitters but did better than it would've in 1080.
Did some light colour correction to match shots but other than that everything looked great out of camera
Exploring the bokeh and the ability of the OIS of the Leica Nocticron lens on the GH4. Shot handheld at dusk with an .8 ND filter:
Super mini-review: I love how the GH4 can read out the shutter in seconds or degrees. Setting it at 180 degrees means no matter what framerate you select, the shutter speed is correct. Slow it down to 2fps and you automatically get 1/4 sec. Speed it up to 96fps and it's shooting at 1/200. At 24fps it's 1/48.
The only problem is that you cannot lock the shutter at a particular angle. At least, not that I can find. If you turn the thumbwheel the shutter speed or angle changes and if you're not careful, you'll find yourself shooting at the wrong shutter speed/angle.
I which there was a menu item that let me lock the shutter angle where I want so I cannot accidently change it.
I may have to tape the thumbwheel over during my shoots. Small point, but can mess you up.
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