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Official Final Cut X topic, moving to ARM and vlogging
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  • @Shaveblog

    First off I never stated in my post that you should not comment! So once again stop being condescending!!! Secondly if someone is using pirated apps and they experience problems they deserve it good for them for ripping off someones software... I am experienced enough to know my way around computers, you are not talking to some imbecile.

    I have built all my of my own PC's starting from 1997 and ending in 2006 when I purchased my first Mac Pro that I did not rip off buy the way. Ever since then I have enjoyed not toying around in the bios, installing all these different drivers etc etc. I am a 100 percent Apple guy all the way.

    This does not mean that Apple gets a free ride, I call a spade a spade and for quite some time Final Cut Pro X has been kinda iffy in terms of reliability. And yes OF COURSE I have reinstalled Final Cut Pro X clean the cache files etc etc etc. I even went to the extreme of reinstalling the whole operating system from scratch and only installing software that I need to prevent any problems... Guess what @Shaveblog Final Cut Pro X still fucken crashed. So please get off your high horse like like you know everything just because YOU are not having problems with your computer.

    Do a search on Google and you will find a lot of people that had problems with Final Cut Pro X. So with your reasoning everybody that had problems with Final Cut Pro X either A ripped off the software or B they are complete idiots and don't know the common sense approach of process of elimination right?

    So while I agree with you on having problems with computers in general, this does not change the fact that you are coming across as arrogant/sarcastic with a slight hint of asshole in their as well.

    If this does not apply to you, you shouldn't take offense ;-)

  • Not sure I follow. You experience issues with the FCPX update so you feel the need to warn everyone on the forum about not updating. I experience nothing but performance improvements but I shouldn't comment because, why again?

    I wasn't directing my comment about pirated apps at you necessarily, just anyone who might be experiencing issues because of the iffy quality of pirated apps. It's my experience that most of the time when users complain about an app not working when most other users report nothing but smiles as seems to be the case with FCPX 10.1.2, it's because they installed a pirated app that differs slightly from the MAS version. if that doesn't apply to you, you shouldn't take offense.

  • @Shaveblog

    Are you insuniuating that I have a hacked version of Final Cut Pro X? Please give me a break stop being so fucking condescending with your posts. I am sharing my experience to in an effort to help people so that they don't run into problems. I have full paid versions of Final Cut Pro X and Creative Cloud.

    So you are the only one that paid for "their" version of Final Cut Pro X because "you" are not having problems with Final Cut Pro X. So in turn I must have a hacked version of Final Cut Pro X because I am having problems??? WTF

  • And I have the opposite experience, with the latest update to FCPX making a good thing even quicker and more stable. I suggest that anyone having issues with the update should do a full uninstall and then a fresh reinstall. And pay for the unhacked MAS app instead of using one of the pirated versions floating around.

  • @All

    The latest version of Final Cut ProX seems very unstable, crashed numerous times since I updated to the latest version. Might want to hold off of installing if you are working on a important project. I am not working on anything important at the moment and I also have CC Premiere pro to edit with just in case.

  • by @ahbleza

    Apple just released the latest update to Final Cut Pro X.

    • Optimized, proxy, and rendered media can be stored at any location outside of the library
    • Easily delete optimized, proxy, and rendered media from within Final Cut Pro X
    • Used media indicators for Compound clips, Multicam clips, and Synced clips
    • Option to show only unused media in the Browser
    • Apply a standard (Rec. 709) look in real time to high dynamic range and wide color gamut video from ARRI, Blackmagic Design, Canon, and Sony cameras
    • Automatically apply an ARRI embedded 3D LUT from the new AMIRA camera
    • Support for Apple ProRes 4444 XQ
    • Improved speed and accuracy when synchronizing clips
    • Audio recording improvements including countdown and automatic Audition creation from multiple takes
    • Fast export of cuts-only projects containing XDCAM media
    • Export entire library as a single XML file
    • Selecting a library displays key metadata in the Inspector
    • Adjust relative and absolute volume of a clip or range selection
    • Create Keywords from Finder Tags when importing media
    • Option to sort events by date or name in the Libraries list
    • Import a clip by dragging directly into the Browser
    • Share 4K video to Vimeo

    http://www.fcp.co/final-cut-pro/tutorials/1448-what-s-new-in-final-cut-pro-x-10-1-2-by-steve-martin-and-mark-spencer

  • @matt_gh2 I think all the newer Systems will work ok with x. But for my recommendation I would go with either a fully loaded iMac (which is actually quite affordable for what you get), a fully loaded retina MBP, or a Mac Pro tube 8core or higher with the best graphic card.

  • @trailer

    I'd also be interested in seeing what spec MBP you would need to edit 4k in FCPX. Thanks in advance.

    take the one from top of the shelf: maximum graphic card, maximum RAM, maximum drive.

  • I'd also be interested in seeing what spec MBP you would need to edit 4k in FCPX. Thanks in advance.

  • @labalbi I've been looking at buying a mac and wondered how much power I need. I googled it and have seen some posts where guys said they're doing okay editing on MacBook Air that had 8GB - that was prob 1080P footage but it shows you these Macs often do okay even when not the top speced model. I actually got FCPX to run reasonably well on my 2006 MacBookPro for editing 1080P ~80Mbps footage, even with color correcting. For 4K, you're obviously looking at more power needed. I spoke with one of the "Geniuses" at an Apple store. He uses FCPX himself and was pretty helpful. He said a lot of the machines in the store have footage downloaded onto the computers so you can actually go into store and try the different models to see speed difference when using FCPX. It's prob 1080P footage, so you could in theory bring in a SD card with 4K footage and import it into FCPX and try it out on different models. Good luck. Please let me know what computer you end up selecting - I'm still looking at different computers. Good luck

  • If you're on a firewire drive (i assume FW800) converting to prores might actually use up your disk bandwidth and slow down not because the computer is too slow, but because of disk bandwidth. FW800 is able to play one prores 1080p, but maybe not 2 at once (ie during a long X-fade). FW400 cannot play prores 1080p - i've tried. So make sure you're not just having disk bandwidth problems when you transcode to prores. I usually work on the internal drive (macbook pro from 2011) in FCPX because its faster than my firewire drives.

  • I need some help . Today I use an Imac 2009 i3 with 1tb of disk and 16gb of Ram . Cant remember my graphic board but it is not one of those intel iris . Anyway. I intend to upgrade to use with my upcoming GH4 camera. I ll record in 4k but just for editing ´cause I want to take advantage of the 4k resolution but the outuput will be in 1080p . Today all my files are recorded in my firewire drive. And its not as fast as I want to edit my Gh3 footage. Even after converting the files to prores.

    My question is . First I was thinking in the new Mac book air . Can it handle 4k footage with only Intel Iris chipset ? Or do I need a Macbook Pro or an full Imac with Geforce 750m ? Any chance the imac mini handle the 4k footage from the GH4 ? Thanks .

  • Woke up this morning to see that FCP.co picked up one of my blog posts today :D. I recorded a tutorial video which explains my entire broadcast commercial workflow. Unfortunately, no GH footage here. But this would actually work great with the GH4 and the YAGH since it has timecode in!

    http://www.fcp.co/final-cut-pro/tutorials/1409-fcpx-broadcast-commercial-preparation-audio-workflow-by-michael-garber

  • MTS in FCPX works fine but don't even think about using MTS in Motion 5. Converting to ProRes first is a factor of 3 hours instead of 3 days for motion tracking and NeatVideo (denoise).

  • @T1000 Levels are not the same thing as gamma. The visual effect can look like a gamma issue, but its not.

  • Does anyone know how to fix the AVCHD gamma issue in Final Cut X? From what I've seen the color grading tools in FCX are different than Premiere Pro. In PP I can use the Fast Color Corrector and adjust the output levels from 0-255 to 16-235 to fix the gamma.

  • Editing is fine but add layers of effects and things get slow. Can't wait to see how the new Mac Pro will work with camera original long GOP files.

  • Anybody tried to work in a bigger project with native mts files with the new fcpx 10.1.1? How is this responding? I tried out in small test projects and it looks like it runs very smooth. End of transcoding to ProRes?

  • @bmorgan83 Yes, of course I make backups, but right now I have 11 TB of external drives connected, and they're all at 90% full. I've been in this business long enough to be careful, but it's still annoying when the software bites back. I reported it to Apple, and am working with one of their software engineers to resolve this obscure bug.

  • Here is a podcast called FCPX Grill. Mainly discussions with various editors in the industry who use FCPX. I enjoy it, you may too:

    http://digitalcinemacafe.com/category/fcg/

  • @abhleza Do you back up your projects to a secondary drive? I'd definitely recommend it if you don't. I've had various programs eat files for various reasons... particularly with projects in production, I always make sure I've got redundancy (and I'll second Shian's comment... let others get into trouble before you make the jump :) )

  • I just updated mid project[s] and all is good. everything is exactly as it was in 10.1

  • If I've learned anything in my time as a filmmaker, it's never grab the latest update without waiting for the blowback and finding out what will happen if you upgrade.