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Rugged compacts
  • Olympus

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    TG-2 iHS - 12-megapixel CMOS sensor, 25-100mm equivalent f/2.0 lens and 1080p video

    Links:

    Panasonic

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    LUMIX TS5

    • Waterproof to a depth of 39 feet, shockproof from a height of 6.5 feet, freeze proof down to a temperature of 14 degrees Fahrenheit and pressure resistant to 220 lbs
    • 1920x1080, 50p Full HD
    • Stereo microphone
    • Wi-Fi connection with NFC
    • Underwater mode
    • 9.3x Intelligent Zoom and a 24mm Ultra Wide Angle LEICA DC lens
    • 16.1-megapixel high sensitivity MOS Sensor
    • GPS

    Links:


    FujiFilm

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    FinePix XP60

    • 1/2.3-inch 16MP CMOS
    • CMOS Shift Image Stabilization
    • Waterproof to 20ft/6m
    • Shockproof to 5ft/1.5m
    • Dustproof
    • Freezeproof to 14°F/-10ºC
    • 1920 x 1080p60 video

    Links:

  • 39 Replies sorted by
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    Image quality is, on the whole, very good but not extraordinary. Considering the small size of the lens, you'd be foolish to expect the optics of a much larger lens. When viewing still images at 100% on a large monitor, lack of fine detail is obvious and digital noise is evident even in daytime shots taken at a very modest ISO 200.

    http://www.steves-digicams.com/camera-reviews/nikon/coolpix-aw110/nikon-coolpix-aw110-review.html

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  • The Olympus Stylus TG-630 is an affordable "tough" or lifeproof camera that has been built to withstand the everyday bumps and drops that most cameras won't. Loaded with a fantastic feature set that produces good images, this camera is ready for everyday shooting as well as shooting in those extreme situations

    http://www.steves-digicams.com/camera-reviews/olympus/tg-630/PA100097.MOV

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    http://www.steves-digicams.com/camera-reviews/olympus/tg-630/olympus-tg-630-ihs-review.html

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  • Nikon AW110

    Nikon have increased durability of the AW110

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    Image quality is a big improvement on previous Nikon offerings. Colours are vibrant and the sharpness is great.

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    So what we're seeing in the Nikon Coolpix AW110 is a welcome return to quality imaging from one of the best known and most trusted brands in the photographic industry.

    http://www.photographyblog.com/reviews/nikon_coolpix_aw110_review/

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  • Waterproof Camera Roundup

    Canon D20 can record videos at 1920 x 1080 (24 frames/second) with monaural sound. Video length is file-size limited to 4GB, so the camera will stop recording after 15 minutes at the 1080p setting. You can also record video at 720/30p or VGA, with 30 and 60 minute time limits, respectively.

    The Coolpix AW110 can record video at 1080/30p for up to thirty minutes simply. Sound is recorded in stereo, as you'd expect. Other available resolutions include a lower quality 1080/30p setting as well as 720p and 480p.

    The Tough TG-2 can record 1080p video at 30 frames/second for up to 24 minutes, which is when the camera hits its 4GB file size limit. There are also 720p and VGA options available, with the former having a 29 minute time limit. Sound is recorded in stereo, and you can adjust the mic level.

    The Lumix DMC-TS5 can record movies at 1080/60p, with stereo sound. That means that you get smoother video compared to 30p, without the interlacing found on cameras that use 60i. If you don't want to use the default AVCHD format, you can switch to MPEG-4 - which some find easier to edit and share - though the frame rate drops to 30 fps. You can record up to 30 minutes of continuous video with AVCHD, and for a bit less using MPEG-4.

    Pentax WG-3 can record video at 1080/30p with stereo sound for up to twenty-five minutes. If you'd like a faster frame rate, a 720/60p mode is also available.

    The DSC-TX30 is able to record video at 1080/60i with stereo sound, for up to 29 minutes using the AVCHD codec. If you want to save some space on your memory card, you can opt for a lower bit rate (17Mbps vs 24Mbps), or a smaller resolution (1440 x 1080).

    http://www.dpreview.com/reviews/2013-waterproof-roundup/

  • Fujifilm FinePix XP200

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    As far as tough cameras go, the Fujifilm FinePix XP200 is up there with the best. It offers new tech, high tolerances and a good picture quality. Lens quality could be improved upon, but only on the mitigating factors (periscope mirror and external lens pane). This would be a great camera for travelling around with. You can use a wi-fi signal to transfer your pictures as you go. No need to plug into an internet cafe. You can update friends and family as you go just by using your phone's wi-fi signal.

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    http://www.photographyblog.com/reviews/fujifilm_finepix_xp200_review/

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  • Nikon Coolpix AW110 review (in russian, but you can check all samples)

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    Video sample - http://www.3dnews.ru/assets/external/illustrations/2013/08/07/658830/DSCN8687.MOV

    QUite optimistinc conclusins stating that Wi-Fi and new old screen are really good. But AF become slower on tele end.

    http://www.3dnews.ru/658830/page-3.html

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  • Another downloadable, original video from the LUMIX DMC-FT5:

  • Noise is low at ISO 125, 200 and 400, with images becoming a little soft at ISO 800. Images start to lose detail at ISO 1600, but remain sharp in most places and are very soft with large amounts of detail lost at ISO 3200. You can shoot at ISO 6400, but this is best avoided as image quality is poor at this setting.

    A lot of thought has gone into the design of the WG-3, it looks like an outdoors camera and it certainly acts like one. You can drop it, freeze it and even go down to 14m underwater. Unfortunately image quality isn't as good as we hoped, detail isn't great, although the bright lens will mean you can stay away from the higher ISO settings in darker scenes.

    http://www.ephotozine.com/article/pentax-wg-3-review-22438

  • The Panasonic Lumix DMC-FT5 produces noise-free images at ISO 100-400, with limited noise and colour desaturation starting to appear at ISO 800. ISO 1600 exhibits quite visible noise, smearing of fine detail and colour desaturation, and the fastest setting of ISO 3200 is even noisier and best avoided altogether.

    With on-board GPS, wi-fi and NFC connectiivity, the Panasonic Lumix DMC-FT5 is one of the most well-appointed rugged cameras currently available, making it easy to record where your photos were taken and share them with friends and family.

    http://www.photographyblog.com/reviews/panasonic_lumix_dmc_ft5_review/

  • The Olympus Stylus is good value for money if you want a waterproof, shockproof and freezeproof camera. It has a few other handy features, such as full 1080p HD video recording and 5 fps continuous shooting. Image quality is OK, particularly for sharing on the web. The body could do with some extra grip, there's next to none when compared to the Pentax WG-3.

    http://www.ephotozine.com/article/olympus-stylus-tg-630-review-22519

  • Pentax Optio WG-3 Review

    The WG-3 is the 15th generation of Pentax's ruggedized camera range, and it certainly shows. This is a solid product in more ways than one, both in terms of its build quality, ability to withstand most things that you could subject it to, and all-round handling and feature-set. The loud styling might not be to everyone's tastes, but the Pentax WG-3 certainly fits the bill as a nigh-on indestructible camera fit for both family life and more extreme pastimes.

    http://www.photographyblog.com/reviews/pentax_optio_wg3_review/

  • Photos are appealing when downsized or printed, but don't look as nice when viewed at 100%. The WG-3 produces images with vivid colors and accurate exposure and like most of its peers will clip highlights at times (though the highlight correction feature can reduce that). When it comes to sharpness, the WG-3 handles edges and high contrast areas well, but it smudges the details with the best of them in low contrast areas (such as grass, shrubs, and hair). Both fringing and chromatic aberrations were strong at times, though you'll only notice that if you're pixel-peeping.

    The Pentax WG-3 GPS offers a rugged design and a good set of core features - with a couple of extras compared to the non-GPS model.

    http://www.dpreview.com/reviews/pentax-wg3

  • The Lumix DMC-TS5/FT5 is the flagship model in Panasonic's rugged camera lineup. Panasonic has stuffed virtually every conceivable feature into the TS5, including a GPS, Wi-Fi, and NFC capability. While those are nice add-ons, performance and photo quality remain the most important 'features' a camera can have. In that regard, the DMC-TS5 rarely disappoints.

    You generally won't do a lot of waiting when using the DMC-TS5. The camera starts up in under a second, and focuses very quickly in good light

    TS5 exposes well and has less highlight clipping than your average compact.

    http://www.dpreview.com/reviews/panasonic-lumix-dmc-ts5-ft5

  • Coolpix can go further underwater than any rugged camera on the market: 18 meters (59 feet). It can also be dropped from 2 meters, if you're on the clumsy side.

    The Coolpix AW110 takes good quality photos, given the audience and shooting situations at which it is aimed. Exposure is generally accurate, though like most compacts, the AW110 will clip highlights. Colors are vibrant and pleasing to the eye.

    http://www.dpreview.com/reviews/nikon-coolpix-aw110

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    Taking your camera on vacation should be a fun experience, not a hassle. It's so much easier to enjoy your time at the beach if you do not have to worry about sand in your camera or having it waterlogged by waves or rain. The Olympus TG-2 gets my seal of approval for being the best rugged camera I have seen so far.

    http://www.digitalcamerareview.com/default.asp?newsID=5349&news=olympus+tg-2+best+rugged+camera

  • The TG-2's tough settings include its ability to descend to depths of up to 50ft. without having any additional housing, withstand falls from up to 7ft, handle pressure up to 220lbs, temperatures down to 14° F and is completely dustproof once it has been closed up and locked. One of the keys to these abilities are the rubber gaskets on both doors that open. Once they are closed, the gaskets keep everything air tight to protect the camera. To make sure the doors are closed before use, they both feature a latch and lock system so there are no worries of them accidentally opening. The GPS is an excellent feature for anyone that likes to travel, recording where you captured images as well as pointing out nearby landmarks with the digital compass

    Capturing movies with the TG-2 is fast and easy, since the camera is always ready to start recording at the push of a button. It captures smooth, sharp video in most lighting situations. Playback is smooth and enjoyable on the camera, computer or HDTV via the HDMI port on the camera. When watching on the camera your audio will come from a small built-in speaker that is no problem to hear in quiet surroundings. As with most digicams, the small microphone for recording audio is very sensitive and will not record what you shooting. Try to limit background noise using the wind and recording controls in the menu and positioning yourself away from background noises.

    http://www.steves-digicams.com/camera-reviews/olympus/tg-2/olympus-tg-2-review.html

  • The TG-2's other big claim to fame is its lens, which has a maximum aperture range of F2.0-4.9. At wide-angle, that's at least a full stop faster than most of the competition. Since more light is coming in, you can use faster shutter speeds, and won't need to crank up the sensitivity as quickly. However, the lens' maximum aperture at the telephoto end is less impressive, and more in-line with the competition. The TG-2 is also unique in that it supports telephoto and fish-eye conversion lenses - and yes, they're waterproof too.

    The TG-2 has the usual features that you'll find on most point-and-shoot cameras. They include an 'Intelligent' auto mode, special effects ('Magic Filters'), and a large selection of scene modes (cat mode, anyone?). There are three ways to create panoramic images (two of them are stitched together right on the camera), and the results are satisfying. Olympus has taken things a step further on the TG-2, providing an aperture priority mode to go along with all those auto modes. While the Av mode isn't perfect, as it only gives you three choices at any given focal length, it's more than you'll find on other compact cameras and can prevent overexposure in exceptionally bright conditions (as well as allowing you to use long shutter speeds for light-trails, waterfalls etc).

    http://www.dpreview.com/reviews/olympus-tg2

  • I just bought Olympus TG 830 which can do 20 seconds of 720p @ 120fps. Or burst still picture of 10fps for 17 pictures @ 16Mpixel.

  • The Olympus Tough TG-2 is a rugged compact camera with full Hd video recording, a bright f/2.0 lens, and an extremely impressive macro mode. The camera gives some level of manual controls with a new aperture priority mode. Images are good, with excellent colour reproduction, although detail is not as good as it could be. We also struggled to take a decent panorama shot. We were also disappointed by the lens noise picked up during video recording. The camera responds quickly, and has 5fps continuous shooting at full resolution. Rather uniquely the camera can also use a fish-eye or 1.7x telephoto convertor lens giving additional shooting options. If you are looking for a tough waterproof camera, and would like to have the option to expand your kit with adapters, or love taking close up macro photos, then the Olympus Tough TG-2 is recommended.

    http://www.ephotozine.com/article/olympus-tough-tg-2-waterproof-review-221352Freviews+%28ePHOTOzine+Reviews%29

  • Fujifilm FinePix XP200 Review

    The Fujifilm FinePix XP200 is very tough, with a rating of 2 metres shock proof, as well as waterproof down to 15 metres, making it one of the tougher waterproof cameras available. The Fujifilm FinePix XP200 is good value for money, with lots of features including 60fps full HD video with optical image stabilisation, although we would have preferred to see better image quality from the camera. However, if you mostly share to the web, then the built in Wi-Fi will appeal, as well as the different colours the camera is available in.

    http://www.ephotozine.com/article/fujifilm-finepix-xp200-review-22028