A personal project I worked on for a year. The Travel Diaries. Shot on hacked GH1 and hacked GH2, using the moderate 44mb/s hack. With the ETC mode I was able to get up to 3200mm equiv. focal length, for the airplane shots. Have fun!

@mark_the_harp, thank you!

@cbrandin thanks for that nice comment! I used the Pancake 20mm f1.7 for the nighttime lapse, a Vivitar Series 1 35-85mm f2.8 for the other night shots, the 14-140mm kit lens for the shots into the sun, and a Panagor 80-200mm f3.8 with a 2x extender for most of the airplane shots.

Gunther

Mission Impossible spoof. Quantum V6

Quantum v7. Thank you @driftwood.

@feha Thank you for the positive feedback. On my drift car, I taped on my iPhone 4 which I also glued onto a hard iPhone case an old 0.42x wide angle lens from my old DV camera days. There is too much vibration coming through the car body shell, so a better method would be to make a mount that connects to the chassis of the car to reduce vibration in future recordings. All the footage at ground level are mostly a MIR-1 37mm f/2.8 'Grand Prix Brussels 1958' and hand held tracking cars along the track is a Helios 44-3. These are in M42 mount and mounted to the GH2 via an adapter purchased from eBay. As for the Helios 44-3 58mm f/2, I had to remove the focus ring as it was rubbing against the adapter preventing change of focus. I am in the process of have it CNC cut down. The Helios 44-3 has 8 aperture blades, whereas the other Helios usually have 6 blades. The MIR-1 has ten blades, making circular bokeh rings at any aperture. I like USSR glass, and use this set for more general footage acquisition, as opposed to my Lomo's.
I also have as part of this set, the Jupiter-9 85mm, Jupiter 37A 135mm. I personally like the bokeh rendition of all these lenses and they do not breath when pulling focus. The other lens I use is a Carl Zeiss Flektogon 20mm f4. My favourite of the set for general use is the MIR-1, and this older edition that I managed to find in near mint condition is not multicoated, so I can get it to sometimes flare nicely.

Shot with sanity v3.1 The patch works great, only in interlaced H mode with tele2 it faild. No problem i never use it, just want to test it. sadly no Internet ad the moment, So i uploaded this screen-shot with my phone. Shot with 1/500e and lens op 150mm tele2 (auto iso) and dynamic collor. Graded in sony vegas pro, with levels, white ballance and collorlab.

when my Internet is up again, i post a link to the video..

http://www.one80project.com.au/page/Top-Ten-finalists/Fracture-228

Heh guys, a fim comp here in Australia we made into the top ten. Shot with the GH2 with dirftwood settings (150mbps, i think?) cheers PS make sure you vote for us too ;)

Driftwood GOP1 AQ2 'AQUAMOTION' Experimental patch
All done in 720 50fps, with some twixtor in post.
Edited in sony vegas, and only added the levels plug-in for the differences between light and dark.
//edit, some parts with color corrector 2, and some parts with magic bullet filters.

1080i converted to 50p, then slowed down to 25p, and one part with twixtor (you can see it by the warp effects)
First 19 seconds is original and still interlaced, from there on its 25p

This looks to be the right patch for me, it works without any error, and with shutter speeds up to 1/1000 and higher, and iso (for so far i have checked) 6400, and perhaps even higher.

Here is a slow motion test (Ralph_B's Sanity V3.1 patch, 720p@60 mode, H setting):

Just attempting a washed-out film look.

@RRRR Nice job! really pleasant look for the interview. nice grading. What glass?

test video Topol M