I just made a little test, check it out:
I think it could be the notorious gamma shift crap that Apple is guilty of. I've spent the day searching for a solution myself and have come up with this (haven't tried it yet, I will tomorrow.) http://bitfilms.blogspot.com/2011/08/final-cut-exports-look-different-from.html
@robbie75vr export in prores 422hq
@robbie75vr - are you creating optimized media in FCPX? see thread http://www.personal-view.com/talks/discussion/530/5dtorgb-for-gh2-advantages-vs-disadvantages/p4
@rajamalik - look at 7toX app http://www.philiphodgetts.com/2012/01/7tox-for-final-cut-pro/
@GregoryOfManhattan Yes I tried both original encapsulated in mov and transcoded prores422 by FCPX. They looks the same, the luma values ranges from 0 to 255.
5dtoRGB when encodes in 601 or 709 uses a colorspace with different luma min/max, I like 709, luma min/max is 16/235 and chroma is 16/240, so shadows look brighter and highlights are reduced appearing with more details.
The point is that if I simply do the same shadows/highlight correction from FCPX file (original or prores) the result is similar but with more noise and less natural color (to my eyes..).
Check out the 3 examples:
examples:
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