Price: $1299, 1100 Euro, 999 pounds
Avilable at:
Press release:
http://www.photographyblog.com/news/panasonic_lumix_g_x_vario_12-35mm/
Previews and reviews:
Samples:
Lens is weather sealed and.. upcoming GH3 body will be also sealed.
Expected price is $1199.
Just for comparison Olympus 12mm:
Does anyone know if the OIS function will work on the GH1... Cheers
Of course. They tested it on GF1 as I understand.
Wow, finally it's coming. Looks like an awesome piece of glass - makes me extra curious a out GH3 too. After lugging around these massive 24-70 FF zooms, this is like a dream come true - especially for my arthritic right hand.
Good thing to remember is that you must compare prime and zoom T stops, not F stops. So, prime is not only faster in F stops, but usually transmission is better.
Hmm... well... it is priced as Canon 24-70 2.8 L which is just able to cover the FF sensor and not just only m4/3.. I understand that everyone is so excited, as there was no glass for m4/3 like this until now.... but let's be realistic, it should cost about half as much as the price of the lens comes from quality of optical glass & design... and making a light constant F number glass for smaller sensor should be obviously cheaper then for FullFrame... it should have been at least F2.0 .. to be comaprable with such Olympus zooms...
@Vitaliy_Kiselev that is very much true.
I was thinking about the Olympus 12mm as a perceived "sharp" / neutral lens when compared to the slr magic and how this new zoom pretty much stomps all over them in terms of resolution @ 12mm (it performs very well troughout the range). Also if comparing it to the wider 7-14mm, (although you cannot go as wide) it certainly performs better @ 12-14mm. It becomes a much more interesting candidate for certain kinds of jobs apart from the obvious portability benefits.
In this light the price does not seem that steep at all, but perhaps the focal length range could have been 10mm-30mm instead?
Comparing it to a FF lens is kind of moot as that is outside the existing m43 market. Maybe you think they should compete on the same terms but IMO they are two different kinds of tools. Although the Panny f2.8 is slightly slower than the OLY f2 zoom, it goes wider and compares favourably in terms of resolution and especially so in terms of portability.. not to mention price.
@RRRR: True is, that if you compare it to the 14-140 it is not that expensive... as for a standard 10x zoom the 14-140 is expensive as well...
It is also true that those are 2 different markets, but m4/3 is considered as consumer format and I'm just surprised that a consumer product is priced in the "PRO" range and customers are still happy about the price.
It's like when you'd buy a Toyota in price of BMW and still be quite happy about the price :) Just my 2 cents..
@feha: You are right, AF101 is considered as PRO, but let's be realistic again... the sensor is the downside of that camera.
I'm not saying that this is a bad lens at all... I was just expecting price about 600-700Eur... at this price point, I don't find myself investing in m4/3 glass, but I understand that for some it might be worth the price.
i agree the MFT lenses are overpriced as there is no big competition ...
I don't see many overpriced lenses really.
@Alfi666, well I'd agree if the Toyota was specced as a BMW.. or Toyota.. But the fact is this is a weather sealed lens that seems to perform suberbly well, including OIS, substantially smaller than a full frame system (which is one of the reasons why M43 is so attractive).. There is no BMW with the specs like this Toyota.
Maybe this lens won't appeal to the casual m43 user, but it is certainly bang on for photography enthusiasts and videographers in particular. "Less DOF control" than full frame as dpreview states, equalling it to f5.6, is just another way to think of smaller frame = less = worse etc.. Sure, you cannot do as shallow DOF with m43, but you don't have to stop down as much to have the whole frame (or close to the whole frame), tack sharp, in focus either - meaning it's easier to control low light conditions at reasonable iso.
Obviously this all depends on how the cameras handles high sensitivities for stills and vid respectively.. Not to mention detail when it comes to video. (short DOF was the saving grace for first gen full frame & aps-c dslrs)
OK. rant over. Im sure you don't subscribe to dpreviews ideas and conceptions wholeheartedly so some of the stuff above had nothing or little to do with our discussion! ;)
If Panasonic could make a proper 1.4 converter like this http://www.canon.co.uk/for_home/product_finder/cameras/ef_lenses/extenders/extender_ef_14x_ii/index.aspx then we would have a whole range of options from the new x series too, ie constant f4's 30-90 and 90-250 with OIS.
I have big doubts that this 1.4x converter works good with anything except few long lenses, mostly primes.
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