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Canon Cinema 1D, rocking 4K camera
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  • 4K 25p just announced in a firmware update for April.

  • This camera is nonsense for me. We are in the Scarlet price range, and what Scarlet offers is simply uncomparably better. The only vantage of the 1DC is the sensor size, but who really would choose a DSLR with video capability with a professional complete video tool just for having a 30% out of standard sensor? (compared to S35)

  • Thank you !
    I am not an expert but the general questions for me are: 1) Does the line skipping work ? My answer, not well. 2) Does the 1DC cmos reading technique work ? It seems very well from the first impressions on the web 3) Why other manufacturers of full frame reflex do not follow the 1DC cool concept ditching, at the same time, the line skipping ? this is a mistery to me. I really do not understand.
    And in fact when Canon has decided to make a very high quality video reflex has abandoned the line skipping judging the technique not up to the task, at least this is my belief. And also, why not adopt the same technique also for the existing 5D if technically feasible of course ? From what I understand is mostly a matter of different firmware and some hardware modifications, nothing that could not be done and quite easily I imagine, but if I am wrong tell me please. To go on with a "fundamentally" flawed approach (i.e. line skipping) sounds even perverse to me. I think we cannot honestly ask to Canon to change their commercial policy, but I would expect that other brands like Nikon for instance will adopt this reading technique and provide extremely high performing video reflex. I think they could do that without particular problems and even at a lower price than that of 1DC, as Nikon does not have camcorders' line sales to defend. In the end it seems that the difference between the 1DX and 1DC is just a different FW, from what I read. A very expensive FW indeed. To end, my feeling is that the video market is not completely developed, differently from the photo market. Nevertheless I think this 1DC will show the way and others will follow, pretty soon. Thank you very much again for your technical advice. Regards, gino

  • @lumiere61 You don't have to line-skip when you output a crop of the full-sensor resolution. :)

    The C300 and 1DC use very different approaches, different sensors (and sensor sizes) and start and end with different maximum video resolutions.

    The strength of the 1DC is in the 4K output, not the 1920x1080P output. Also, as mentioned, the 1DC does not use the full sensor - it uses a 4K crop out of an 5K full-frame sensor (18.1 MP). The C300 outputs 1920x1080 from an a S35 sensor (around 8.85MP to start with) that uses a downconversion approach (not line-skipping) that has more in common with the GH2 (both in terms of pros and cons) than with many other cameras. You can see the similarity reflected in many benchmarks.

    The 1DC is a cool concept and has some very real potential. The official line from Canon from a while back was that it required some modifications from the 1DX design to handle the additional heat, etc. of operation in that mode. But it faces stiff competition from the RED Scarlet for a relatively similar price.

  • Hi ! I think it is an extremely interesting product this 1DC, as a concept I mean. If I understand well Canon has abandoned the line skipping technique used in the full frame 5D for a different strategy of reading for the cmos sensor. And it pays a lot, at least so it seems. This is a very nice achievement. Regarding the price I think that quality level is a little subjective, certainly more than price of course that is very objective. Canon must also defend their own camcorder models, like the c300, just to avoid an internal fight. The 1DC should be priced just lower than the c300. So I assume that the video quality is almost equivalent. But the very very interesting outcome for me is that a really high video quality is indeed possible from photocameras, if correctly designed for video of course. If only this original cmos reading strategy were more widely used the world would be better Line skipping is bad. Kind regards, gino

  • @ahbleza Sharing/embedding has been disabled, but your original link:

    http://www.hurlbutvisuals.com/blog/2012/04/the-next-gen-in-digital-film-capture-canons-4k-1dc/

    works and the short 'The Ticket' may be viewed from there. Read the comments for info about how the film was lit, etc.

  • @ahbleza When I open that page, the video on it says ""the creator of this video has not given you permission to embed it on this domain" and I cannot play it. Is anyone else having that issue?

  • @Xenocide38 I see what you mean, but only up to a point. The difference is a lot bigger at the price points right above and below it, including 1080p 60fps from Sony at close to half that price, or the GH2 at a 1/3 to 1/4 of the price. And for a little above $2500 the ISO performance has drastically improved (and for a little more than that you have the FS100).

    The biggest differences during that time frame have been seen in the $500-1,500 bracket and the $4,000-10,000 as opposed to the space between them.

  • Moores law anyone?

  • So 4 years ago we got a camera that did 1080p 30fps 4:2:0 H264 video for $2500. Today for $2500 I can get...practically the exact same thing. 4 years and every "upgrade" means an upgrade in cost as well. Everyone has a price bracket and guaranteed people will buy items in that price bracket if something NEW is offered (ex. new iphone every year, same price, new features).

  • Sorry boys I may be speaking from ground zero - but 2k 4k who gives a flying fuck - if you're talking about film - you're not on this forum alone .. sorry :/ It isn't a game - it's not a job centre - it's not a festival of uber cock - the thing I love about this lot, and being here for years is - u have an uber forum of real pros, hackers, sound, picture, all of it what a joy - get on with it - work hard - be good, make your job - may be presumtious but I'm sure a lot of my compatriots who, like me made a lot of fucking amazing tea, wouldn't want you to miss that skill - came in handy for me today lol:) There's no shortcut - tech or talent - gotta put in the hours - get on with it - fkin ell its fun nowadays! /hats off to VK and Nick moved a hell of a lot of people to make good stuff love it x

  • @DisneyToy Don't forget that 4K is only listed as a future upgrade for the Sony. It is quite likely that they will charge for it, like they did with their log mode on one of their other cameras recently. And the price for that upgrade and the external recorder it seems likely to require at this point is unknown - it could meet or exceed that $15,000 price, though it seems likely to be lower.

    As far as 2.5K, it is not sexy to market. HD, 2K and 4K all have marketing sex appeal. 2.5K sounds like an engineering term, and makes people wonder why they don't spring for 4K. :)

  • I think this is a fun time for us. The competition for true cinema quality 1080p and 4K cameras is immense. Remember we are yet to see the new 7D, or beloved GH-3. I think $15k is way too much for this camera. That Sony 700 @ $8k is a sweet spot for a pro quality 4k, with some bonus high speed shooting. Give us at least 10-bit. i can see banding in 8-bit. But I really doubt I could see the difference between a 10, 12 or 16 bit image.

    I wonder why no one is offering 2.5K? It would give extra space to reframe, image stabilize in post, and 2.5k can be viewed right now on most imacs. As far as I know, no one really has a 4k TV or monitor yet, except for high-end post houses.

  • Vitaly the info i posted is based on the canon oficial launch page.

    c500.jpg
    544 x 61 - 48K
  • In post even Avid seems to have seen the light - hardware less so!

  • About APS-H crop in 4K mode.

    1Dx sensor is 5184 × 3456, so crop is absolutely natural to have 4K horizontal pixels.

  • @Vitaliy_Kiselev What about the new design on the front? That big red C might cost a lot of money. ;)

    @bwhitz It is right before "About Canon U.S.A., Inc." in the link @leonbeas provided for the Cinema 1D.

  • Where is the pricing info at? I don't see it anywhere on those links?

  • You also ignore the fact that it could be that only difference to 1Dx is firmware :-)

  • Nonetheless, as others pointed out: no RAW workflow? Why?

    EDIT:

    • No articulating screen.
    • Screen has a 3:2 aspect ratio.

    Overall, the C500 seems a lot more exciting, unless there is a very noticeable advantage in high ISO video performance for this model.

    @No_SuRReNDer Well said.

  • Yeah It seems to me that Canon should have up it to 12 bits 4:4:4 and then upped the priced to 18k/19k . From a marketing perspective the price vs features doesn't make much sense. Its too expensive to be pro-sumer and too cheap (sans critical needs) to be pro . Full frame would be nice though....that's my biggest gripe on the GH2 lens wise.