@CFreak Actually you can make open face tungstens work -- you need to get some cinema foil and snoot them down. Shape the light. It's not ideal, and it can be time consuming, but you can make them work. Fresnels are way way way better, but you pay way way way more.
@brianluce Good thought. I doubt if I'll actually ever use the 1000w lamps at full power. I wanted them because I heard that they can take 650w bulbs, etc...making them more versatile. Plus there is a good price on them are pretty good. Look at these two kits:
@jaecjaec That looks like a nice kit, anyone familiar with the brand? Good quality? Original Arris cost a lot more than that! I wouldn't mind owning the 650 kit. Very versatile, free shipping, just need some scrims.
There are two LED Fresnel models on the market: Litepanels Sola ENG and Dedolight LEDzilla. Both are around $600-700 and fully focusable. Sole ENG has more output to be a really versatile fill/portrait light. No battery socket and fan noise, though. LEDzilla's output is too weak in fill mode, so it's primarily a portable light-weighted portrait light with quite expensive accessories.
The question is: where are these Chinese copycats when they are needed badly?
These are not studio lights which is quite clear from the ENG name. And for reporter's needs Sola ENG has plenty of output. 3900 lux from 4ft in spot mode - that's a MASSIVE overkill for most interview situations. TV studios are typically lit at 1000 lux. http://www.litepanels.com/language/pages/sola_eng.php
Ledzilla is surely not quite as powerful.
Litepanels has powerful studio models in Sola line as well. Quite expensive, though.
I have the 312AS and the DN2 900LED lights from the same source and they are pretty good. So, it would be very interesting if the Fresnel is the same quality.
@LPowell I agree with you. If portability is not an issue, fluorescents are the way to go. I guess LED fresnel would take some time to get cheaper and good enough.
My suggestion would be to find a couple of 650s and a 300. If you get the right case, they will be pretty portable. Make sure that whatever you get, get doors and scrims for all of them - a home run as we call it on set or at least a full double and full single that will help you before you start dimming and changing the color temp. Tweenies (650s) as many people have pointed out are the fave in the industry. 1k s are great if you need a lot of fc, and can be nice with a chimera, but that's about it. If you plan to hold onto them forever, spend the money on Moles. They take a beating that even arris cannot. Trust me, I am sure that I have used Moles from the 1970's or before! If you want to use them for a key, you can always make a book-light with white bounce card and hang some light diffusion between it and your subject. BEAUTIFUL- it's dated, but it still looks great. The only issue is power consumption - don't overload the breakers and wrap time when you have to build in a little extra to let them cool. I've G&E'd about 100-150 commercials/promos/tv shoots. LOVE the tweenie. tho!
As lpowell says heat is an issue. I get decent results with Blue Max CFLs. They range up to 50 watts. The bulbs have a filler that is bound to the Mercury in case you break a bulb. They are quiet enough to mount near a microphone. The CRI on these is 93+, and I have to say it appears that the colors do look better. I don't like fluorescent light as a rule, but these are decent. My LED lights don't light up the room like these do. http://www.fullspectrumsolutions.com/23w_powercompact_65_prd1.htm
Might not be as perfect spectrum wise, but they have 3 times the impact than the largest Blue Max. One is about 500 W Tungsten, add 3 together and you get some serious light output. And they are freaking cheap.
@Meierhans wow, that's cheap for the amount of light. Wonder how well they work for video. Also, what kind of lamp socket is apropriate for this kind of bulb? Any suggestions? :)
This is just the most common socket you know, any will do. Its more the question of the right reflector. I own a 70 W version of these, its already oversized.
They work very well, made for foto but no flicker, even at 24 Fps.
@Meierhans ok. I've noticed that many of my lamp sockets are rated for 100W or less. But I guess it shouldn't be a problem finding some that will be ok with 150W. Will keep looking :)