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Canon C200 Camera
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    • 9.84 megapixels total/8.85 megapixels effective S35 CMOS sensor
    • Dual Pixel CMOS AF with touch control and extensive shooting functions
    • Dual DIGIC DV6 LSI
    • Cheap 1.77M dots EVF
    • Cheap 1.23M dots LCD
    • Internal 4K recording with Cinema RAW Light and MP4 format
    • Bitrates - 4K Cinema RAW Light 1Gbps VBR, MP4 4K 150Mbps, MP4 1080p 35Mbps
    • Wave Form, Peaking, Zebra
    • Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
    • Up to 15-stops dynamic range (Cinema RAW Light), 13 Stops (Canon Log3)
    • Professional High Quality image and audio
    • Easy operation and flexible configuration
    • ND filter - Clear, 2, 4 ,6, 8, 10-stop
    • Price is $7,499 in US and £7,699 in the UK

    Preorders

    Also exist C200B - stripped down version without monitor, viewfinder, grip or handle. It will retail for $5,999 US.

    More specs at http://cvp.com/index.php?t=product/canon_eos_c200_ef_camcorder


    Offering exceptional creativity and flexibility, the new 4K compact digital cinema camera is perfect for a broad range of imaging professionals.

    As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0™ card.

    Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.

    Capability drives creativity

    The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0™ card. It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.

    Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.

    The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.

    An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.

    Advanced operability and ergonomic design

    Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.

    The EOS C200’s lightweight body of just 1.4kg is designed for comfortable hand-held shooting and will benefit those who are filming for long periods. The compact size also makes the camera suitable for mounting onto a drone or gimbal.

    Built-in Wi-Fi and Ethernet connectivity allows for browser remote control and the ability to transfer files via FTP, whilst the camera’s compatibility options mean new and existing accessories can be used, including Canon’s electronic viewfinder - the EVF-V70.

    Cinema RAW Light for next generation workflows

    Canon has worked with several partners to ensure Cinema RAW Light is integrated with various software programs[i]. As a result, editing and grading of the Cinema RAW Light video format will be supported in DaVinci Resolve of Blackmagic Design. Editing will be possible in Media Composer from Avid Technology, using Canon RAW Plugin for Avid Media Access[ii]. This format can also be processed using a Canon application, Cinema RAW Development[iii].

    Support for Cinema RAW Light is also scheduled for EDIUS Pro, Grass Valley’s editing software, during 2017. Additionally, a future version of Final Cut Pro X from Apple Inc. will support Canon’s Cinema RAW Light, using Canon RAW Plugin for Final Cut Pro X[iv].

  • 84 Replies sorted by
  • It's usual to have several monitor on set. 1 for focus puller, 1 for director/DP, 1 for client, 1 for makeup/hair dresser/script girl

  • @IronFilm

    Well, buy tiny splitter, what is the problem?

  • I still want to find logic in this. You want to have local monitor on HDMI and same time long cable towards bigger monitor?

    Yup! Plenty of instances when you'd want two (or more) monitors at once. This is quite normal on many shoots.

  • But still, not as big a flaw as the weird SDI/HMDI thing on the C200.

    I still want to find logic in this. You want to have local monitor on HDMI and same time long cable towards bigger monitor?

  • On high end productions it is needed.

    But still, not as big a flaw as the weird SDI/HMDI thing on the C200.

    Reminds me of the C300mk2 all over again, but worse.

  • What a big kick in the face for any professional production. (as if the lack of timecode wasn't bad enough)

    What is so bad with "lack of timecode". Just get one of plenty of solutions for this, they are cheap.

  • Crazy.

    I just discovered that C200 has HDMI and SDI (but only one of each) however.... ONLY ONE WILL WORK AT A TIME!!

    What a big kick in the face for any professional production. (as if the lack of timecode wasn't bad enough)

  • New firmware

    Firmware Version 1.0.5.1.00 incorporates the following enhancements and fixes:

    1. A Continuous Recording function has been added allowing for nonstop recording.*1
    2. Peripheral illumination / chromatic aberration correction has been added for the following lenses:
      • EF Cinema Lens: CN-E20mm T1.5 L F
      • EF Lens: EF 70-200mm f/4L IS II USM
    3. For LUTs that can be applied to output footage, official support for the ITU-R BT.2100 standard and ITU-R BT.2408 report have been added for the following terminals:.\
      • SDI terminal\
      • HDMI OUT terminal\ Changes have been made so that the [HDR: PQ] and [HDR: HLG] base luminance corresponds to Diffuse White (100%) being 203nits*2.
    4. Support for the [Reset] function that resets the clip number when the reel number is set, has been added.
    5. When using an assignable button, the White Balance setting will be maintained after the power has been turned off.
    6. Fixes a phenomenon that occurs on cameras with firmware versions 1.0.3.1.00 to 1.0.4.1.00 in which resolution appears to be reduced in SD card recordings and in external outputs when shooting with specific menu settings*3.
    • 1 When using the continuous recording function, only MP4 format/1920x1080 resolution is possible.
    • 2 The HLG output is the brightness in the case of displaying on a 1000nits monitor.
    • 3 Specific menu settings:
      • When [Resolution/Color Sampling] is set to [3840x2160 YCC420 8 bit].
      • When [Resolution/Color Sampling] is set to [1920x1080 YCC420 8 bit], and [Slow Motion Recording] is activated.
      • When [Resolution/Color Sampling] is set to [1920x1080 YCC420 8 bit], and the digital tele-converter and EF-S lens correction are activated.

    https://www.usa.canon.com/internet/portal/us/home/support/product-advisories/detail/firmware%20notice%20eos%20c200%20-%20c200b%20firmware%20version%201.0.5.1.00/

  • Hey guys! I dont know if you have seen this but Adorama has a limited offer to all EOS C200 lovers. Please see attached pic. The offer includes "free expedited shipping" too.

    EOS C200 8.85MP EF Mount 4K UHD Digital Cinema Camera with Prime Lens Bundle

    Canon EOS C200 + Prime Lens Kit

    Price: $10,499.00 Regular Price: $12400.00

    Screen Shot 2018-08-17 at 12.00.56 PM.png
    2212 x 1324 - 668K
  • Firmware Version 1.0.4.1.00

    Fixes image quality degradation, such as color misalignment or edge distortion, may occur in the recorded footage when using the following combination of settings:

    • recording format XF-AVC
    • frame rate 59.94i / 50.00i
    • 1920×1080 resolution

    Optimizes the Black Gamma compensation when Normal 1 to Normal 4 is set for Gamma in the Custom Picture settings.

    Optimizes color accuracy in areas of high brightness when Normal 1 to Normal 4 is set for Gamma in the Custom Picture settings.

  • Service advisory

    We have determined that a recording error may occur with the EOS C200 / C200B. The details of the phenomenon and support plan are described below.

    Preparations are underway to incorporate improvements/revisions for the phenomenon into the latest Firmware for the EOS C200 / C200B. Once this Firmware is available for download, we will make an announcement on our website.

    We sincerely apologize for the inconvenience caused to customers, and we ask for your ongoing patience.

    Phenomena

    Image quality degradation, such as color misalignment or edge distortion, may occur in the recorded footage when using the following combination of settings:

    • Recording format XF-AVC
    • Frame rate 59.94i / 50.00i
    • 1920×1080 resolution

    Workaround

    Users should use a configuration that does not include the settings listed above, although we acknowledge that this may not be possible for all users.

    Note: This Phenomenon only affects internally recorded footage. Output signals from the output terminals are not affected.

    Affected Products

    • EOS C200 / C200B Digital Cinema Cameras equipped with Firmware Version 1.0.3.1.00 are affected.

    Support

    Firmware Version 1.0.3.1.00 has been removed from Canon's Web site. The new Firmware is scheduled to be released mid-June 2018.

    If you have not already done so, please register the EOS C200/C200B. By registering, we will be able to notify you via email about future announcements.

    This information is for residents of the United States and its five territories only. If you do not reside in the USA or its five territories, please contact the Canon Customer Support Center in your region.

  • Upgrading from mirrorless

  • New v1.0.3.1.00 firmware

    1. XF-AVC format recording has been added1 2* 3* 4.
    2. Retrieval of lens metadata, such as focal length, is now supported during XF-AVC recording.
    3. Hybrid Log Gamma HDR ITU-R BT.2100 output has been added.
    4. Sensitivity adjustment has been added for the LM-V1 LCD Monitor.
    5. LPCM 24-bit audio recording has been added when recording in the Cinema RAW Light format*5.
    6. 4X magnification has been added.
    7. A PsF output function from SDI and HDMI has been added during progressive internal recording.
    8. A digital tele-converter function has been added (1.5x, 3.0x, and 6.0x).
    9. Auto IRIS support has been added for the following lenses:\ -- EF-S 35mm f/2.8 Macro IS STM\ -- EF 85mm f/1.4L IS USM
    10. Peripheral illumination/chromatic aberration correction has been added for the following lenses:\ -- EF 70-300mm f/4-5.6 IS II USM\ -- EF 16-35mm f/2.8L III USM\ -- EF-S 18-55mm f/4-5.6 IS STM\ -- EF-S 35mm f/2.8 Macro IS STM\ -- EF 85mm f/1.4L IS USM
    11. The reproducibility of bright areas has been enhanced when the gamma setting is from Normal 1 to 4.
    12. Browser remote setting options are retained after switching off the camera.

    https://www.usa.canon.com/internet/portal/us/home/support/details/cameras/cinema-eos/eos-c200?subtab=downloads-firmware