I got a chance to watch The Dig at the Los Angeles unveiling on Sony Studio's theater, and it looked fantastic there as well as their HDR monitors on the next stage where we got to handle the Venice. They have a real winner here, and as someone who works around ARRI Alexas, REDs, Sony F55s, and a few Blackmagic all day, I can't wait to see more from Venice.

That being said, I don't think Departure is that good at all. Just shows that you still need a great story, excellent director, and talented DP + Crew for any camera you have.

More videos

"The Dig" - short film shot by Claudio Miranda,ASC

Looks fantastic. Compelling camera and film. A hint of what may come in the future

https://www.dropbox.com/s/kamaj8er4rl6hxm/The%20dig%20shot%20on%20Sony%20Venice%20-%20hacked.mp4?dl=0

Looks like they are pricing it with the Alexa mini , lets see if its close or better in image to the mini (I doubt it )

PR

Basingstoke – 6 September 2017: Sony Professional Solutions Europe is unveiling VENICE – its first full-frame digital motion picture camera system. VENICE is the next generation of Sony’s CineAlta camera system, designed to expand the filmmaker’s creative freedom through large-format, full frame image capture of filmic imagery with natural skin tones and expressive dark areas. VENICE was designed through close collaboration and careful research with the creative community, fulfilling the various requirements from filmmakers and production professionals.

VENICE is officially unveiled globally on 6th September with events in Europe at Sony’s Digital Motion Picture Centre at Pinewood Studios with renowned cinematographer Ed Wild B.S.C., and in the USA at the Cary Grant Theater, Sony Pictures Studios. At both events Sony will also screen footage produced with the new camera, directed by Joseph Kosinski and shot by Academy Award winning cinematographer Claudio Miranda, ASC.

“The launch of VENICE demonstrates our strong relationship with filmmakers around the world, and our commitment to developing tools that support directors, DOPs and cinematographers in bringing their vision to the screen as they originally intended it,” said Sebastian Leske, Product Marketing Manager, Cinematography, Sony Professional Solutions Europe. “We’ve not only focused on features to deliver the most true to life images, including colour reproduction for natural skin tones. We also thought about the best usability and operability, without compromising on quality. We’re looking forward to seeing how VENICE will be used to create Emotion in Every Frame.”

Full frame sensor and wide range of lens compatibility to visualize the image of filmmakers

The camera combines a newly developed 36x24mm full-frame sensor and compatibility with a wide range of lenses, including anamorphic, Super 35mm and full-frame PL mount for a greater range of expressive freedom with shallow depth of field. The lens mount can also be changed to handle E-mount lenses for shooting situations that require smaller, lighter, wider and more characteristic lenses. User-selectable areas of the image sensor allow shooting in Super 35 mm 4 – perf. Future firmware upgrades are planned to allow the camera to handle 36mm wide 6K resolution. Fast image scan technology minimizes the so-called “Jello” effect.

New color management system and established workflow for flexible post-production

A new color management system and wide color gamut gives users more control and greater freedom to work with images during grading and post-production. VENICE also has more than 15 stops of latitude to handle challenging lighting situations from low-light to harsh sunlight.

VENICE achieves high quality and efficient file-based production through Sony’s established 16-bit RAW/X-OCN and XAVC workflows using the portable memory recorder AXS-R7. VENICE is also compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).

Intuitive design and refined functionality to support smooth on-site operation

VENICE has a fully modular and intuitive design with refined functionality to support smooth and efficient on-site operation. It is the film industry’s first camera with a built-in 8-stage glass ND filter system, enabling to reduce the replacement work of the external ND filter and make shooting progress efficient. The camera is designed for easy operation with an intuitive control panel placed on the left and right sides of the cameras. A 24 V power supply input/output and Lemo connector allow use of many standard camera accessories and make use in harsh environments easier.

License options for individual production requirements

With VENICE, Sony is giving users the option to customize their camera by enabling the features needed, matched to their individual production requirements. Optional licenses will be available in permanent, monthly and weekly durations to expand the camera’s capabilities with new features including 4K anamorphic and full frame, each sold separately.

The VENICE CineAlta digital motion picture camera system is scheduled to be available in February 2018.

Yes - hope to. Taking care of a newborn family member so may or may not be able to make it

Even better - event invitation:

https://www.eventbrite.com/e/attend-the-launch-of-sonys-next-gen-cinealta-camera-tickets-37040272452

I don't know why Sony isn't just skipping full frame and going straight to medium format. That would make it much easier to build larger photo-sensors.

Plus they could introduce another mount that would cause even more market fragmentation.

Obviously Medium Format will become the next battle ground after Full Frame is standard.

Possibly Fujifilm will jump at this chance?

@alcomposer

Yes, 8K seems like organic fit.

Lol