CMMM

maxr

Please take/picture this thread as for 5 year old exchanging crayons, ok?

Big BIG Thank you to Matt Fezz, see video at the end

Code name: Panatomic-X
Manufactor: Kodak
ASA: 32
Type: B&W negative

LUT type: .cube / size 33
Generated: Davinci Resolve Lite
Missing: Grain

Here's what I did, SOC footage imported into DR, 1 node for very quick&dirty CC (to my taste), 1 node for LUT, 1 node for curves. Panatomic-X had an ASA 32, thus very fine grain. I Added curves, microcontrast and grain just to see how it would look pushed.

It's the very first thing I really "do" in DR. LUT correspond to 3rd still.
BTW, GH3 camera -5 -5 -2 -5 with custom WB; see more on the subject on @maddog15 's neatly conducted thread GH3 Best Video Settings

Feel free to abuse it, the LUT I mean =)

gashô

Adendum (which is like an everlasting Gollum)

This is the fishing kit, so that you can LUThem all ,-)
Works in DR 10 Lite too, you can also use EXR files. Actually you can use almost anything, as long as it carries accurately the info and is 16bits; then convert it to a DPX file. From photoshop you'll have to rename ".cin" (cineon) files to ".dpx". Tested with AE, LR and PS exports.

As complementary info, Moving Looks from Resolve to SpeedGrade

Free resources
• BM DaVinci Resolve Lite - it is said that L. Davinci invented the first camera obscura, motherLUTer!! je je
• Red Giant LUT Buddy
• 3D LUT/CUBE to LOOK - Downloadable flash - I cannot make it work though, if you do please let me know
• AE also has an built-in LUT importer and speedGrave a Look exporter/converter

A little off-topic
HitFilm Express very very nice NLE and compositing program, 149$ worth free till February the 4th.
For more info see HitFilm thread

maxr

Code names: Neopan / Scala / HP5 Plus
Manufacters: Fuji / Agfa / Ilford
ASAs: 100 / 200 / 400
Type: B&W neg / B&W positive (aka reversal)

LUT type: .cube / size 33
Generated: Davinci Resolve Lite
Missing: Grain

I discovered Agfa Scala film for diapositives too late, but was an intense passion and, despite having to send to develop abroad, a cheap drug. Just imagine... being able to project huge images of naked women in an insanely rich array of grey tonalities and infinite gradients with deep-as-sin-blacks for almost nothin' {monkey dreaming of B&W slide monkey pictures with even more monkey smooth asses, ahhhh} Such good BS ,-)

So there you go, 4 iconic rolls of 4 main film manufacturers: Kodak, Fuji, Agfa and Ilford =)
Now it would be of an absolutely unseen awesomeness if someone could replicate (film) grain conditions to test it with these.
For quite some time I've also been thinking how could grain size smaller than a pixel be achieved, perceptually, clar.

Neopan 100

Scala

HP5 Plus 400

And recap, Panatomic-X

maxr

Wowwww... {monkey with eyes like flufy tender crystal balls in anime imaginary creatures} what a lot of input

Ok, new batch, if intended to use make some tests, try them out, watch specially for posterisation

Code names: Agfa_APX_25 / Fuji_NPS_expired_tweaked / Granfather_Calotype / Granfather_Daguerotype / Granfather_Wet_plate / Ilford_SFX_200 / Kodack_HIE / Kodak_Tech_pan / Kodalith / Konika_750 / Polaroid_55 / Polaroid_polapan / Tmax_100
Manufacters: Agfa / Fuji / Ilford / Kodak / Grandpas of imaginery
ASAs: 25 on till infinity... and beyond of course
Type: B&W neg / B&W positive (aka reversal) / Hermaphrodites

LUT type: .cube / size 33
Generated: Davinci Resolve Lite
Missing: Grain / Blur / Glamur Halation / Infra-dirt FXs

So here's the footage grab

Babies (very compressed jpeg!!!)

maxr

{singing} Giving away one's soul for freeeeee, becauseeee just becauseeeee {heavy watter drop distorsion}

Ejem, hello, 1, 2, 1, 2; BCS_HC-64 is a LUT I just made out of fuzz.
It stands for Bipolar Cool Sunset _ Highlight Clip and it's intended for semi-flat images, mainly involving water, clouds and kind of warmly lights. Though it was developed for a very precise situation, as I was playing with other images I liked the way the LUT rendered them. Blues and cyans drift into dreamy emeralds (watch for the sky celestes as they get surreal), greens whiff and contaminate, reds get really hot and yellows go diffused and merge into an unicorn's fart of light. General sepiaish worms take over.
As its name indicates it can clip highlights if used carefree. @VK link 2 drive 'cause too fat 4 igloo =)

BCS_HC-64 download

In the zip package above you'll find 7 items:

BCS_HC-64.cube ------------------- which is the LUT tested in PS / AE / Davinci Resolve
BCS_HC-64_in_AE.png ------------ image showing intended use in AE / 32bpc linear light
BCS_HC_01-64_forPS32bits.3DL ---------------------- LUT for 32 bits images only / PS
coversion__Convert_Rec709toSRGB.cube --------------- conversion LUT by Oleg Sharonov
coversion__Convert_SRGBToRec709.cube --------------- conversion LUT by Oleg Sharonov
zega_chart_sRGB.png -------------------------------------- put-together chart / sRGB
zega_chart_sRGB_BCS_HC_01-64_applied.png - put-together chart with BCS_HC LUT applied

BIG BIG thanks to master blaster Oleg Sharonov - daddy of 3DLut Creator

Feel free to use and modify it. Feedback and samples are always welcome.
If you share it just link back to PV's forums, allraich? - option 2

gashô

PS
A couple more photo examples, LUT always below, minimal luminance curve applied

artiswar

Really liking the BCS LUT. I'll give it a go this week on some A7S stuff.

maxr

@artiswar =)

SOUNDTRACK
Wonderful Nathaniel Rateliff - Right On
for the amazingly live Mahogany Sessions

Thanks to Ami, Ana, Biuli, Boris, Dani, Kant Remembers, Eleo, Juliana, Leo, Osirisinho, P.Sabroso, Shnupi, Tiberium, VP and the relentless Yago with his stick

For a BSC_HC-64 LUT test drive/ride I took a handful of 2/3-inch P&S shots... yeah why take something with good quality and make one's life easier? :P Anyway YT just annihilated any possible organic remains that could have existed, so...
In some shots I've directly applied the BCS_HC_01-64_forPS32bits.3DL version. The crow shot shows both.
Funny enough premiere's lumetri behaved differently from AE and AME, more like PS.
No sharpening, very basic CC and grain applied, all in prememé.

gashô

PS
The little baby raven died soon after on the jaws of a dog... yet, life goes on, ride on, ride on!!!

maxr

Oleg Sharonov's >> 3DLUT Creator >> new channel permutations batch
despite zip is not even 10MB, when expanded it'll get to 171MB

G-translated

You probably all know by now that channel mixer in blending modes Lighten and Darken can greatly remove or convert colors. I decided to go ahead and make a separate channelized lightening / darkening. As a result, I was able to (3 + 3 + 3) ^ 3 = 729 permutations of channel options and lighten / darken. I did pack Lutov that you can download and find among them those who will come to your photos. It's just a mathematical search of all possible options, so do not be surprised that many of the files will be given the green or purple face. I would be glad if you share your comments combinations found on your examples.

download

CMMM

List of contents

./CMMM_LUTs:
CMMM BdBdBd.3dl
CMMM BdBdBl.3dl
CMMM BdBdBn.3dl
CMMM BdBdGd.3dl
CMMM BdBdGl.3dl
CMMM BdBdGn.3dl
CMMM BdBdRd.3dl
CMMM BdBdRl.3dl
CMMM BdBdRn.3dl
CMMM BdBlBd.3dl
CMMM BdBlBl.3dl
CMMM BdBlBn.3dl
CMMM BdBlGd.3dl
CMMM BdBlGl.3dl
CMMM BdBlGn.3dl
CMMM BdBlRd.3dl
CMMM BdBlRl.3dl
CMMM BdBlRn.3dl
CMMM BdBnBd.3dl
CMMM BdBnBl.3dl
CMMM BdBnBn.3dl
CMMM BdBnGd.3dl
CMMM BdBnGl.3dl
CMMM BdBnGn.3dl
CMMM BdBnRd.3dl
CMMM BdBnRl.3dl
CMMM BdBnRn.3dl
CMMM BdGdBd.3dl
CMMM BdGdBl.3dl
CMMM BdGdBn.3dl
CMMM BdGdGd.3dl
CMMM BdGdGl.3dl
CMMM BdGdGn.3dl
CMMM BdGdRd.3dl
CMMM BdGdRl.3dl
CMMM BdGdRn.3dl
CMMM BdGlBd.3dl
CMMM BdGlBl.3dl
CMMM BdGlBn.3dl
CMMM BdGlGd.3dl
CMMM BdGlGl.3dl
CMMM BdGlGn.3dl
CMMM BdGlRd.3dl
CMMM BdGlRl.3dl
CMMM BdGlRn.3dl
CMMM BdGnBd.3dl
CMMM BdGnBl.3dl
CMMM BdGnBn.3dl
CMMM BdGnGd.3dl
CMMM BdGnGl.3dl
CMMM BdGnGn.3dl
CMMM BdGnRd.3dl
CMMM BdGnRl.3dl
CMMM BdGnRn.3dl
CMMM BdRdBd.3dl
CMMM BdRdBl.3dl
CMMM BdRdBn.3dl
CMMM BdRdGd.3dl
CMMM BdRdGl.3dl
CMMM BdRdGn.3dl
CMMM BdRdRd.3dl
CMMM BdRdRl.3dl
CMMM BdRdRn.3dl
CMMM BdRlBd.3dl
CMMM BdRlBl.3dl
CMMM BdRlBn.3dl
CMMM BdRlGd.3dl
CMMM BdRlGl.3dl
CMMM BdRlGn.3dl
CMMM BdRlRd.3dl
CMMM BdRlRl.3dl
CMMM BdRlRn.3dl
CMMM BdRnBd.3dl
CMMM BdRnBl.3dl
CMMM BdRnBn.3dl
CMMM BdRnGd.3dl
CMMM BdRnGl.3dl
CMMM BdRnGn.3dl
CMMM BdRnRd.3dl
CMMM BdRnRl.3dl
CMMM BdRnRn.3dl
CMMM BlBdBd.3dl
CMMM BlBdBl.3dl
CMMM BlBdBn.3dl
CMMM BlBdGd.3dl
CMMM BlBdGl.3dl
CMMM BlBdGn.3dl
CMMM BlBdRd.3dl
CMMM BlBdRl.3dl
CMMM BlBdRn.3dl
CMMM BlBlBd.3dl
CMMM BlBlBl.3dl
CMMM BlBlBn.3dl
CMMM BlBlGd.3dl
CMMM BlBlGl.3dl
CMMM BlBlGn.3dl
CMMM BlBlRd.3dl
CMMM BlBlRl.3dl
CMMM BlBlRn.3dl
CMMM BlBnBd.3dl
CMMM BlBnBl.3dl
CMMM BlBnBn.3dl
CMMM BlBnGd.3dl
CMMM BlBnGl.3dl
CMMM BlBnGn.3dl
CMMM BlBnRd.3dl
CMMM BlBnRl.3dl
CMMM BlBnRn.3dl
CMMM BlGdBd.3dl
CMMM BlGdBl.3dl
CMMM BlGdBn.3dl
CMMM BlGdGd.3dl
CMMM BlGdGl.3dl
CMMM BlGdGn.3dl
CMMM BlGdRd.3dl
CMMM BlGdRl.3dl
CMMM BlGdRn.3dl
CMMM BlGlBd.3dl
CMMM BlGlBl.3dl
CMMM BlGlBn.3dl
CMMM BlGlGd.3dl
CMMM BlGlGl.3dl
CMMM BlGlGn.3dl
CMMM BlGlRd.3dl
CMMM BlGlRl.3dl
CMMM BlGlRn.3dl
CMMM BlGnBd.3dl
CMMM BlGnBl.3dl
CMMM BlGnBn.3dl
CMMM BlGnGd.3dl
CMMM BlGnGl.3dl
CMMM BlGnGn.3dl
CMMM BlGnRd.3dl
CMMM BlGnRl.3dl
CMMM BlGnRn.3dl
CMMM BlRdBd.3dl
CMMM BlRdBl.3dl
CMMM BlRdBn.3dl
CMMM BlRdGd.3dl
CMMM BlRdGl.3dl
CMMM BlRdGn.3dl
CMMM BlRdRd.3dl
CMMM BlRdRl.3dl
CMMM BlRdRn.3dl
CMMM BlRlBd.3dl
CMMM BlRlBl.3dl
CMMM BlRlBn.3dl
CMMM BlRlGd.3dl
CMMM BlRlGl.3dl
CMMM BlRlGn.3dl
CMMM BlRlRd.3dl
CMMM BlRlRl.3dl
CMMM BlRlRn.3dl
CMMM BlRnBd.3dl
CMMM BlRnBl.3dl
CMMM BlRnBn.3dl
CMMM BlRnGd.3dl
CMMM BlRnGl.3dl
CMMM BlRnGn.3dl
CMMM BlRnRd.3dl
CMMM BlRnRl.3dl
CMMM BlRnRn.3dl
CMMM BnBdBd.3dl
CMMM BnBdBl.3dl
CMMM BnBdBn.3dl
CMMM BnBdGd.3dl
CMMM BnBdGl.3dl
CMMM BnBdGn.3dl
CMMM BnBdRd.3dl
CMMM BnBdRl.3dl
CMMM BnBdRn.3dl
CMMM BnBlBd.3dl
CMMM BnBlBl.3dl
CMMM BnBlBn.3dl
CMMM BnBlGd.3dl
CMMM BnBlGl.3dl
CMMM BnBlGn.3dl
CMMM BnBlRd.3dl
CMMM BnBlRl.3dl
CMMM BnBlRn.3dl
CMMM BnBnBd.3dl
CMMM BnBnBl.3dl
CMMM BnBnBn.3dl
CMMM BnBnGd.3dl
CMMM BnBnGl.3dl
CMMM BnBnGn.3dl
CMMM BnBnRd.3dl
CMMM BnBnRl.3dl
CMMM BnBnRn.3dl
CMMM BnGdBd.3dl
CMMM BnGdBl.3dl
CMMM BnGdBn.3dl
CMMM BnGdGd.3dl
CMMM BnGdGl.3dl
CMMM BnGdGn.3dl
CMMM BnGdRd.3dl
CMMM BnGdRl.3dl
CMMM BnGdRn.3dl
CMMM BnGlBd.3dl
CMMM BnGlBl.3dl
CMMM BnGlBn.3dl
CMMM BnGlGd.3dl
CMMM BnGlGl.3dl
CMMM BnGlGn.3dl
CMMM BnGlRd.3dl
CMMM BnGlRl.3dl
CMMM BnGlRn.3dl
CMMM BnGnBd.3dl
CMMM BnGnBl.3dl
CMMM BnGnBn.3dl
CMMM BnGnGd.3dl
CMMM BnGnGl.3dl
CMMM BnGnGn.3dl
CMMM BnGnRd.3dl
CMMM BnGnRl.3dl
CMMM BnGnRn.3dl
CMMM BnRdBd.3dl
CMMM BnRdBl.3dl
CMMM BnRdBn.3dl
CMMM BnRdGd.3dl
CMMM BnRdGl.3dl
CMMM BnRdGn.3dl
CMMM BnRdRd.3dl
CMMM BnRdRl.3dl
CMMM BnRdRn.3dl
CMMM BnRlBd.3dl
CMMM BnRlBl.3dl
CMMM BnRlBn.3dl
CMMM BnRlGd.3dl
CMMM BnRlGl.3dl
CMMM BnRlGn.3dl
CMMM BnRlRd.3dl
CMMM BnRlRl.3dl
CMMM BnRlRn.3dl
CMMM BnRnBd.3dl
CMMM BnRnBl.3dl
CMMM BnRnBn.3dl
CMMM BnRnGd.3dl
CMMM BnRnGl.3dl
CMMM BnRnGn.3dl
CMMM BnRnRd.3dl
CMMM BnRnRl.3dl
CMMM BnRnRn.3dl
CMMM GdBdBd.3dl
CMMM GdBdBl.3dl
CMMM GdBdBn.3dl
CMMM GdBdGd.3dl
CMMM GdBdGl.3dl
CMMM GdBdGn.3dl
CMMM GdBdRd.3dl
CMMM GdBdRl.3dl
CMMM GdBdRn.3dl
CMMM GdBlBd.3dl
CMMM GdBlBl.3dl
CMMM GdBlBn.3dl
CMMM GdBlGd.3dl
CMMM GdBlGl.3dl
CMMM GdBlGn.3dl
CMMM GdBlRd.3dl
CMMM GdBlRl.3dl
CMMM GdBlRn.3dl
CMMM GdBnBd.3dl
CMMM GdBnBl.3dl
CMMM GdBnBn.3dl
CMMM GdBnGd.3dl
CMMM GdBnGl.3dl
CMMM GdBnGn.3dl
CMMM GdBnRd.3dl
CMMM GdBnRl.3dl
CMMM GdBnRn.3dl
CMMM GdGdBd.3dl
CMMM GdGdBl.3dl
CMMM GdGdBn.3dl
CMMM GdGdGd.3dl
CMMM GdGdGl.3dl
CMMM GdGdGn.3dl
CMMM GdGdRd.3dl
CMMM GdGdRl.3dl
CMMM GdGdRn.3dl
CMMM GdGlBd.3dl
CMMM GdGlBl.3dl
CMMM GdGlBn.3dl
CMMM GdGlGd.3dl
CMMM GdGlGl.3dl
CMMM GdGlGn.3dl
CMMM GdGlRd.3dl
CMMM GdGlRl.3dl
CMMM GdGlRn.3dl
CMMM GdGnBd.3dl
CMMM GdGnBl.3dl
CMMM GdGnBn.3dl
CMMM GdGnGd.3dl
CMMM GdGnGl.3dl
CMMM GdGnGn.3dl
CMMM GdGnRd.3dl
CMMM GdGnRl.3dl
CMMM GdGnRn.3dl
CMMM GdRdBd.3dl
CMMM GdRdBl.3dl
CMMM GdRdBn.3dl
CMMM GdRdGd.3dl
CMMM GdRdGl.3dl
CMMM GdRdGn.3dl
CMMM GdRdRd.3dl
CMMM GdRdRl.3dl
CMMM GdRdRn.3dl
CMMM GdRlBd.3dl
CMMM GdRlBl.3dl
CMMM GdRlBn.3dl
CMMM GdRlGd.3dl
CMMM GdRlGl.3dl
CMMM GdRlGn.3dl
CMMM GdRlRd.3dl
CMMM GdRlRl.3dl
CMMM GdRlRn.3dl
CMMM GdRnBd.3dl
CMMM GdRnBl.3dl
CMMM GdRnBn.3dl
CMMM GdRnGd.3dl
CMMM GdRnGl.3dl
CMMM GdRnGn.3dl
CMMM GdRnRd.3dl
CMMM GdRnRl.3dl
CMMM GdRnRn.3dl
CMMM GlBdBd.3dl
CMMM GlBdBl.3dl
CMMM GlBdBn.3dl
CMMM GlBdGd.3dl
CMMM GlBdGl.3dl
CMMM GlBdGn.3dl
CMMM GlBdRd.3dl
CMMM GlBdRl.3dl
CMMM GlBdRn.3dl
CMMM GlBlBd.3dl
CMMM GlBlBl.3dl
CMMM GlBlBn.3dl
CMMM GlBlGd.3dl
CMMM GlBlGl.3dl
CMMM GlBlGn.3dl
CMMM GlBlRd.3dl
CMMM GlBlRl.3dl
CMMM GlBlRn.3dl
CMMM GlBnBd.3dl
CMMM GlBnBl.3dl
CMMM GlBnBn.3dl
CMMM GlBnGd.3dl
CMMM GlBnGl.3dl
CMMM GlBnGn.3dl
CMMM GlBnRd.3dl
CMMM GlBnRl.3dl
CMMM GlBnRn.3dl
CMMM GlGdBd.3dl
CMMM GlGdBl.3dl
CMMM GlGdBn.3dl
CMMM GlGdGd.3dl
CMMM GlGdGl.3dl
CMMM GlGdGn.3dl
CMMM GlGdRd.3dl
CMMM GlGdRl.3dl
CMMM GlGdRn.3dl
CMMM GlGlBd.3dl
CMMM GlGlBl.3dl
CMMM GlGlBn.3dl
CMMM GlGlGd.3dl
CMMM GlGlGl.3dl
CMMM GlGlGn.3dl
CMMM GlGlRd.3dl
CMMM GlGlRl.3dl
CMMM GlGlRn.3dl
CMMM GlGnBd.3dl
CMMM GlGnBl.3dl
CMMM GlGnBn.3dl
CMMM GlGnGd.3dl
CMMM GlGnGl.3dl
CMMM GlGnGn.3dl
CMMM GlGnRd.3dl
CMMM GlGnRl.3dl
CMMM GlGnRn.3dl
CMMM GlRdBd.3dl
CMMM GlRdBl.3dl
CMMM GlRdBn.3dl
CMMM GlRdGd.3dl
CMMM GlRdGl.3dl
CMMM GlRdGn.3dl
CMMM GlRdRd.3dl
CMMM GlRdRl.3dl
CMMM GlRdRn.3dl
CMMM GlRlBd.3dl
CMMM GlRlBl.3dl
CMMM GlRlBn.3dl
CMMM GlRlGd.3dl
CMMM GlRlGl.3dl
CMMM GlRlGn.3dl
CMMM GlRlRd.3dl
CMMM GlRlRl.3dl
CMMM GlRlRn.3dl
CMMM GlRnBd.3dl
CMMM GlRnBl.3dl
CMMM GlRnBn.3dl
CMMM GlRnGd.3dl
CMMM GlRnGl.3dl
CMMM GlRnGn.3dl
CMMM GlRnRd.3dl
CMMM GlRnRl.3dl
CMMM GlRnRn.3dl
CMMM GnBdBd.3dl
CMMM GnBdBl.3dl
CMMM GnBdBn.3dl
CMMM GnBdGd.3dl
CMMM GnBdGl.3dl
CMMM GnBdGn.3dl
CMMM GnBdRd.3dl
CMMM GnBdRl.3dl
CMMM GnBdRn.3dl
CMMM GnBlBd.3dl
CMMM GnBlBl.3dl
CMMM GnBlBn.3dl
CMMM GnBlGd.3dl
CMMM GnBlGl.3dl
CMMM GnBlGn.3dl
CMMM GnBlRd.3dl
CMMM GnBlRl.3dl
CMMM GnBlRn.3dl
CMMM GnBnBd.3dl
CMMM GnBnBl.3dl
CMMM GnBnBn.3dl
CMMM GnBnGd.3dl
CMMM GnBnGl.3dl
CMMM GnBnGn.3dl
CMMM GnBnRd.3dl
CMMM GnBnRl.3dl
CMMM GnBnRn.3dl
CMMM GnGdBd.3dl
CMMM GnGdBl.3dl
CMMM GnGdBn.3dl
CMMM GnGdGd.3dl
CMMM GnGdGl.3dl
CMMM GnGdGn.3dl
CMMM GnGdRd.3dl
CMMM GnGdRl.3dl
CMMM GnGdRn.3dl
CMMM GnGlBd.3dl
CMMM GnGlBl.3dl
CMMM GnGlBn.3dl
CMMM GnGlGd.3dl
CMMM GnGlGl.3dl
CMMM GnGlGn.3dl
CMMM GnGlRd.3dl
CMMM GnGlRl.3dl
CMMM GnGlRn.3dl
CMMM GnGnBd.3dl
CMMM GnGnBl.3dl
CMMM GnGnBn.3dl
CMMM GnGnGd.3dl
CMMM GnGnGl.3dl
CMMM GnGnGn.3dl
CMMM GnGnRd.3dl
CMMM GnGnRl.3dl
CMMM GnGnRn.3dl
CMMM GnRdBd.3dl
CMMM GnRdBl.3dl
CMMM GnRdBn.3dl
CMMM GnRdGd.3dl
CMMM GnRdGl.3dl
CMMM GnRdGn.3dl
CMMM GnRdRd.3dl
CMMM GnRdRl.3dl
CMMM GnRdRn.3dl
CMMM GnRlBd.3dl
CMMM GnRlBl.3dl
CMMM GnRlBn.3dl
CMMM GnRlGd.3dl
CMMM GnRlGl.3dl
CMMM GnRlGn.3dl
CMMM GnRlRd.3dl
CMMM GnRlRl.3dl
CMMM GnRlRn.3dl
CMMM GnRnBd.3dl
CMMM GnRnBl.3dl
CMMM GnRnBn.3dl
CMMM GnRnGd.3dl
CMMM GnRnGl.3dl
CMMM GnRnGn.3dl
CMMM GnRnRd.3dl
CMMM GnRnRl.3dl
CMMM GnRnRn.3dl
CMMM RdBdBd.3dl
CMMM RdBdBl.3dl
CMMM RdBdBn.3dl
CMMM RdBdGd.3dl
CMMM RdBdGl.3dl
CMMM RdBdGn.3dl
CMMM RdBdRd.3dl
CMMM RdBdRl.3dl
CMMM RdBdRn.3dl
CMMM RdBlBd.3dl
CMMM RdBlBl.3dl
CMMM RdBlBn.3dl
CMMM RdBlGd.3dl
CMMM RdBlGl.3dl
CMMM RdBlGn.3dl
CMMM RdBlRd.3dl
CMMM RdBlRl.3dl
CMMM RdBlRn.3dl
CMMM RdBnBd.3dl
CMMM RdBnBl.3dl
CMMM RdBnBn.3dl
CMMM RdBnGd.3dl
CMMM RdBnGl.3dl
CMMM RdBnGn.3dl
CMMM RdBnRd.3dl
CMMM RdBnRl.3dl
CMMM RdBnRn.3dl
CMMM RdGdBd.3dl
CMMM RdGdBl.3dl
CMMM RdGdBn.3dl
CMMM RdGdGd.3dl
CMMM RdGdGl.3dl
CMMM RdGdGn.3dl
CMMM RdGdRd.3dl
CMMM RdGdRl.3dl
CMMM RdGdRn.3dl
CMMM RdGlBd.3dl
CMMM RdGlBl.3dl
CMMM RdGlBn.3dl
CMMM RdGlGd.3dl
CMMM RdGlGl.3dl
CMMM RdGlGn.3dl
CMMM RdGlRd.3dl
CMMM RdGlRl.3dl
CMMM RdGlRn.3dl
CMMM RdGnBd.3dl
CMMM RdGnBl.3dl
CMMM RdGnBn.3dl
CMMM RdGnGd.3dl
CMMM RdGnGl.3dl
CMMM RdGnGn.3dl
CMMM RdGnRd.3dl
CMMM RdGnRl.3dl
CMMM RdGnRn.3dl
CMMM RdRdBd.3dl
CMMM RdRdBl.3dl
CMMM RdRdBn.3dl
CMMM RdRdGd.3dl
CMMM RdRdGl.3dl
CMMM RdRdGn.3dl
CMMM RdRdRd.3dl
CMMM RdRdRl.3dl
CMMM RdRdRn.3dl
CMMM RdRlBd.3dl
CMMM RdRlBl.3dl
CMMM RdRlBn.3dl
CMMM RdRlGd.3dl
CMMM RdRlGl.3dl
CMMM RdRlGn.3dl
CMMM RdRlRd.3dl
CMMM RdRlRl.3dl
CMMM RdRlRn.3dl
CMMM RdRnBd.3dl
CMMM RdRnBl.3dl
CMMM RdRnBn.3dl
CMMM RdRnGd.3dl
CMMM RdRnGl.3dl
CMMM RdRnGn.3dl
CMMM RdRnRd.3dl
CMMM RdRnRl.3dl
CMMM RdRnRn.3dl
CMMM RlBdBd.3dl
CMMM RlBdBl.3dl
CMMM RlBdBn.3dl
CMMM RlBdGd.3dl
CMMM RlBdGl.3dl
CMMM RlBdGn.3dl
CMMM RlBdRd.3dl
CMMM RlBdRl.3dl
CMMM RlBdRn.3dl
CMMM RlBlBd.3dl
CMMM RlBlBl.3dl
CMMM RlBlBn.3dl
CMMM RlBlGd.3dl
CMMM RlBlGl.3dl
CMMM RlBlGn.3dl
CMMM RlBlRd.3dl
CMMM RlBlRl.3dl
CMMM RlBlRn.3dl
CMMM RlBnBd.3dl
CMMM RlBnBl.3dl
CMMM RlBnBn.3dl
CMMM RlBnGd.3dl
CMMM RlBnGl.3dl
CMMM RlBnGn.3dl
CMMM RlBnRd.3dl
CMMM RlBnRl.3dl
CMMM RlBnRn.3dl
CMMM RlGdBd.3dl
CMMM RlGdBl.3dl
CMMM RlGdBn.3dl
CMMM RlGdGd.3dl
CMMM RlGdGl.3dl
CMMM RlGdGn.3dl
CMMM RlGdRd.3dl
CMMM RlGdRl.3dl
CMMM RlGdRn.3dl
CMMM RlGlBd.3dl
CMMM RlGlBl.3dl
CMMM RlGlBn.3dl
CMMM RlGlGd.3dl
CMMM RlGlGl.3dl
CMMM RlGlGn.3dl
CMMM RlGlRd.3dl
CMMM RlGlRl.3dl
CMMM RlGlRn.3dl
CMMM RlGnBd.3dl
CMMM RlGnBl.3dl
CMMM RlGnBn.3dl
CMMM RlGnGd.3dl
CMMM RlGnGl.3dl
CMMM RlGnGn.3dl
CMMM RlGnRd.3dl
CMMM RlGnRl.3dl
CMMM RlGnRn.3dl
CMMM RlRdBd.3dl
CMMM RlRdBl.3dl
CMMM RlRdBn.3dl
CMMM RlRdGd.3dl
CMMM RlRdGl.3dl
CMMM RlRdGn.3dl
CMMM RlRdRd.3dl
CMMM RlRdRl.3dl
CMMM RlRdRn.3dl
CMMM RlRlBd.3dl
CMMM RlRlBl.3dl
CMMM RlRlBn.3dl
CMMM RlRlGd.3dl
CMMM RlRlGl.3dl
CMMM RlRlGn.3dl
CMMM RlRlRd.3dl
CMMM RlRlRl.3dl
CMMM RlRlRn.3dl
CMMM RlRnBd.3dl
CMMM RlRnBl.3dl
CMMM RlRnBn.3dl
CMMM RlRnGd.3dl
CMMM RlRnGl.3dl
CMMM RlRnGn.3dl
CMMM RlRnRd.3dl
CMMM RlRnRl.3dl
CMMM RlRnRn.3dl
CMMM RnBdBd.3dl
CMMM RnBdBl.3dl
CMMM RnBdBn.3dl
CMMM RnBdGd.3dl
CMMM RnBdGl.3dl
CMMM RnBdGn.3dl
CMMM RnBdRd.3dl
CMMM RnBdRl.3dl
CMMM RnBdRn.3dl
CMMM RnBlBd.3dl
CMMM RnBlBl.3dl
CMMM RnBlBn.3dl
CMMM RnBlGd.3dl
CMMM RnBlGl.3dl
CMMM RnBlGn.3dl
CMMM RnBlRd.3dl
CMMM RnBlRl.3dl
CMMM RnBlRn.3dl
CMMM RnBnBd.3dl
CMMM RnBnBl.3dl
CMMM RnBnBn.3dl
CMMM RnBnGd.3dl
CMMM RnBnGl.3dl
CMMM RnBnGn.3dl
CMMM RnBnRd.3dl
CMMM RnBnRl.3dl
CMMM RnBnRn.3dl
CMMM RnGdBd.3dl
CMMM RnGdBl.3dl
CMMM RnGdBn.3dl
CMMM RnGdGd.3dl
CMMM RnGdGl.3dl
CMMM RnGdGn.3dl
CMMM RnGdRd.3dl
CMMM RnGdRl.3dl
CMMM RnGdRn.3dl
CMMM RnGlBd.3dl
CMMM RnGlBl.3dl
CMMM RnGlBn.3dl
CMMM RnGlGd.3dl
CMMM RnGlGl.3dl
CMMM RnGlGn.3dl
CMMM RnGlRd.3dl
CMMM RnGlRl.3dl
CMMM RnGlRn.3dl
CMMM RnGnBd.3dl
CMMM RnGnBl.3dl
CMMM RnGnBn.3dl
CMMM RnGnGd.3dl
CMMM RnGnGl.3dl
CMMM RnGnGn.3dl
CMMM RnGnRd.3dl
CMMM RnGnRl.3dl
CMMM RnGnRn.3dl
CMMM RnRdBd.3dl
CMMM RnRdBl.3dl
CMMM RnRdBn.3dl
CMMM RnRdGd.3dl
CMMM RnRdGl.3dl
CMMM RnRdGn.3dl
CMMM RnRdRd.3dl
CMMM RnRdRl.3dl
CMMM RnRdRn.3dl
CMMM RnRlBd.3dl
CMMM RnRlBl.3dl
CMMM RnRlBn.3dl
CMMM RnRlGd.3dl
CMMM RnRlGl.3dl
CMMM RnRlGn.3dl
CMMM RnRlRd.3dl
CMMM RnRlRl.3dl
CMMM RnRlRn.3dl
CMMM RnRnBd.3dl
CMMM RnRnBl.3dl
CMMM RnRnBn.3dl
CMMM RnRnGd.3dl
CMMM RnRnGl.3dl
CMMM RnRnGn.3dl
CMMM RnRnRd.3dl
CMMM RnRnRl.3dl
CMMM RnRnRn.3dl

maxr

Oleg Sharonov's >> 3DLUT Creator >> ripping of RPP, Exposure 7, DXO and VSCO LUTS,
plus some misc mushrooms :P Despite zip is not even 420MB, when expanded it'll get to 1,75GB!!!
Scotish upskilt drunk man: feast yourselves!!!

BIG THANKS TO OLEG

download

oleg_sharonovs_new_lut-rip_batch

List of contents

CMMM_LUTs
LUTs_from_Exposure7
RPP_lut
VSCO_C_LUTs
contents.txt
dxo5_luts
misc

./LUTs_from_Exposure7:
7eBW_AgfaAPX100.cube
7eBW_AgfaAPX25.cube
7eBW_AgfaScala200.cube
7eBW_FujiNeopan100Acros.cube
7eBW_FujiNeopan1600.cube
7eBW_IlfordDelta100.cube
7eBW_IlfordDelta3200.cube
7eBW_IlfordHP5Plus400.cube
7eBW_IlfordXP2Super400.cube
7eBW_KodakPanatomic-X.cube
7eBW_KodakPanatomic-X_Pushed1Stop.cube
7eBW_KodakPlus-X125.cube
7eBW_KodakProfessionalBW400CN.cube
7eBW_KodakT-MAX100.cube
7eBW_KodakT-MAX400.cube
7eBW_KodakT-MAXP3200.cube
7eBW_KodakTRI-X400.cube
7eBW_KodakTRI-X400_Pushed1Stop.cube
7eBW_KodakTRI-X400_Pushed2Stop.cube
7eBW_KodakTechnicalPan-Technidol.cube
7eBW_KodakTechnicalPan.cube
7eBW_Kodalith.cube
7e_AgfaRSX100.cube
7e_Agfachrome 1000RS.cube
7e_Autochrome.cube
7e_FujVevia100.cube
7e_FujiAstia100F.cube
7e_FujiPro160C.cube
7e_FujiPro160S.cube
7e_FujiPro400H.cube
7e_FujiPro800Z.cube
7e_FujiProvia100F.cube
7e_FujiProvia400F.cube
7e_FujiReala-Pushed1Stop.cube
7e_FujiReala-Pushed2Stop.cube
7e_FujiReala.cube
7e_FujiSuperiaX-TRA400.cube
7e_FujiSuperiaX-TRA800.cube
7e_FujiVevia100F.cube
7e_FujiVevia50.cube
7e_GAF500.cube
7e_GAF500Warm.cube
7e_Kodachrome Brighter.cube
7e_Kodachrome1936-1962.cube
7e_KodachromeII(1962-1974).cube
7e_KodachromeII(CyanShift).cube
7e_KodachromeII(Muted).cube
7e_KodachromeII_Slide.cube
7e_Kodachrome_Faded(creamy).cube
7e_Kodachrome_Faded(creamy-dark).cube
7e_Kodachrome_Faded(cyan).cube
7e_Kodachrome_Faded(cyan-orange).cube
7e_Kodachrome_Old.cube
7e_Kodachrome_SkinTone(brown).cube
7e_Kodachrome_SkinTone(warm).cube
7e_Kodachrome_SlideFrame.cube
7e_Kodachrome_Transparancy.cube
7e_KodakEktachrome100G.cube
7e_KodakEktachrome100GX.cube
7e_KodakEktachrome100VS.cube
7e_KodakEktachromeEES.cube
7e_KodakEktachromeEES_mid-1970s.cube
7e_KodakEktachromeEES_subdued.cube
7e_KodakEktar100.cube
7e_KodakGold100.cube
7e_KodakGold200.cube
7e_KodakGold400.cube
7e_KodakKodachrome200.cube
7e_KodakKodachrome25.cube
7e_KodakKodachrome25sharp.cube
7e_KodakKodachrome64.cube
7e_KodakPortra160.cube
7e_KodakPortra160NC.cube
7e_KodakPortra160VC.cube
7e_KodakPortra400.cube
7e_KodakPortra400NC.cube
7e_KodakPortra400VC.cube
7e_KodakPortra800.cube
7e_KodakUltraColor100UC.cube
7e_KodakUltraMax400.cube
7e_MiscFadedMagazine.cube
7e_MiscHandColored.cube

./RPP_lut:
RPP_A100F.3dl
RPP_A100F.cube
RPP_A25BW.3dl
RPP_A25BW.cube
RPP_Duo.3dl
RPP_Duo.cube
RPP_K64.3dl
RPP_K64.cube
RPP_K64PW.3dl
RPP_K64PW.cube
RPP_KL25BW.3dl
RPP_KL25BW.cube
RPP_LF.3dl
RPP_LF.cube
RPP_LFv2.3dl
RPP_LFv2.cube
RPP_Lx.3dl
RPP_Lx.cube
RPP_P160NC.3dl
RPP_P160NC.cube
RPP_P50BW.3dl
RPP_P50BW.cube
RPP_TC4.3dl
RPP_TC4.cube
RPP_TC4v2.3dl
RPP_TC4v2.cube
RPP_TP25BW.3dl
RPP_TP25BW.cube
RPP_V50.3dl
RPP_V50.cube
RPP_V50v2.3dl
RPP_V50v2.cube
RPP_colorimetric_gamma.3dl
RPP_colorimetric_gamma.cube
RPP_film-like.3dl
RPP_film-like.cube
RPP_gamma.3dl
RPP_gamma.cube

./VSCO_C_LUTs:
KodakMax800.cube
Kodak_E100G.cube
Kodak_E100VS.cube
Kodak_E200.cube
Kodak_Ektar100G.cube
Kodak_Gold100.cube
Kodak_Gold200.cube
Kodak_Portra160.cube
Kodak_Portra400.cube
Kodak_Portra800.cube
Kodak_Royal_Gold400.cube
Kodak_UltraMAX400.cube
Kodak_UltraMAX800.cube
agfaVista100.cube
agfaVista400.cube
agfaVista800.cube
fuji-FP100c.cube
fuji160.cube
fuji400h.cube
fuji800z.cube
fuji_FortiaSP.cube
fuji_Provia100F.cube
fuji_Provia400x.cube
fuji_Superia100.cube
fuji_Superia1600.cube
fuji_Superia400.cube
fuji_Superia800.cube
fuji_Velvia100.cube
fuji_Velvia100F.cube
fuji_Velvia50.cube
fuji_astia100F.cube

./dxo5_luts:
BW
Color

./dxo5_luts/BW:
Adox CHS 100 II.cube
Adox CMS 20.cube
Adox Silvermax 21.cube
Agfa APX 100.cube
Agfa APX 25.cube
Agfa Scala 200x.cube
Bergger BRF 400 Plus.cube
Foma Fomapan 100 Classic.cube
Foma Fomapan 100R.cube
Foma Fomapan 200 Creative.cube
Foma Fomapan 400 Action.cube
Fuji Neopan 1600.cube
Fuji Neopan 400.cube
Fuji Neopan Acros 100.cube
Ilford Delta 100.cube
Ilford Delta 3200.cube
Ilford Delta 400.cube
Ilford FP4 Plus 125.cube
Ilford HPS 800.cube
Ilford HPS Plus 400.cube
Ilford Pan 100.cube
Ilford Pan 400.cube
Ilford Pan F Plus 50.cube
Ilford XP2.cube
Kodak BW 400CN.cube
Kodak HIE Filtered.cube
Kodak HIE.cube
Kodak T-Max 100.cube
Kodak T-Max 3200.cube
Kodak T-Max 400.cube
Kodak Tri-X 400.cube
Polaroid 664.cube
Polaroid 667.cube
Polaroid 671.cube
Rolei IR 400.cube
Rolei Ortho 25.cube

./dxo5_luts/Color:
Adox Color Implosion.cube
Agfa Precisa 100.cube
Agfa Ultra Color 100.cube
Agfa Vista 200.cube
Fuji Astia 100F.cube
Fuji FF 100C.cube
Fuji Instax.cube
Fuji Pro 400H.cube
Fuji Provia 100F.cube
Fuji Provia 400F.cube
Fuji Provia 400X.cube
Fuji Sensia 100.cube
Fuji Superia 200 - Cross Process.cube
Fuji Superia 200.cube
Fuji Superia HG 1600.cube
Fuji Superia Reala 100.cube
Fuji Superia X-Tria 400.cube
Fuji Superia X-Tria 800.cube
Fuji Velvia 50.cube
Generic Fuji Astia 100.cube
Generic Fuji Provia 100.cube
Generic Fuji Velvia 100.cube
Generic Kodak Ekstachrome 100VS.cube
Generic Kodak Kodachrome 64.cube
Kodak E-100 GX Ektachrome 100.cube
Kodak Ektachrome 100VS.cube
Kodak Ektar 100.cube
Kodak Elite 100 - Cross processed.cube
Kodak Elite Chrome 200.cube
Kodak Elite Chrome 400.cube
Kodak Elite Color 200.cube
Kodak Elite Color 400.cube
Kodak Elite ExtraColor 100.cube
Kodak KodaChrome 200.cube
Kodak KodaChrome 25.cube
Kodak KodaChrome 64.cube
Kodak Portra 160 NC.cube
Kodak Portra 160 VC.cube
Kodak Portra 400.cube
Lomography Redscale 100.cube
Lomography X-Pro Slide 200.cube
Polaroid 669.cube
Polaroid 690.cube
Polaroid Polachrome.cube

./misc:
Film_-Kodak_Portra_160.cube
LogCUtil_Exp-1.cube
LogCUtil_Exp_1.cube
LogCUtil_WB_Cooler.cube
LogCUtil_WB_Greener.cube
LogCUtil_WB_Magentier.cube
LogCUtil_WB_Warmer.cube
Toning-Blues-MaskLimit.3dl
Toning-Blues-MaskLimit.luc
Toning-DevariateOranges2.3dl
Toning-Warm-CCBlueSaturation.3dl
Toning-Warm-CCBlueSaturation.cube
Toning-Warm-HeavyVanil.3dl
Toning-Warm-HeavyVanil.cube

maxr

New delivery, right at your doorstep, just watch your children {monkey inspecting ak47}

Again from Oleg Sharonov's very active forum =)

absoLUT pack

INDEX:

80`s.cube
Anti Green (WB).cube
BlueTree 2.cube
BlueTree 3 (B&W).cube
BlueTree.cube
CONVERT
Choco Tone.cube
Cinema A.cube
Cinema B (LOG).cube
Cinema B.cube
Cinema C.cube
Cold.cube
Day.cube
Flat.cube
Green Tone.cube
Neutral S.cube
Orange Sky (LOG).cube
Red Sky (LOG).cube
RedTree (B&W).cube
Sunset C.cube
Sunset M.cube
Town 2.cube
Town 3.cube
Town.cube
contents.txt

./CONVERT:
Canon C-LOG to LOG.cube
LOG to Rec.709.cube
Rec.709 to LOG.cube
Video to Log.cube

saLUT pack

Here's a explanatory video... in greek

INDEX:

60`s.cube
AVIATOR.cube
CINEMA21.cube
CINEMA22.cube
CINEMA23.cube
Convert Color Spaces for Video
GHOST - LogC.cube
HOLY 2.cube
HOLY.cube
LOMO.cube
OPU.cube
OTU.cube
PINK - VisionLOG.cube
PINK.cube
RIDDICK.cube
SALUT 2.cube
SALUT.cube
TEAL & ORANGE 2.cube
TEAL & ORANGE.cube
contents.txt

./Convert Color Spaces for Video:
ConvertHSBToRGB.3dl
ConvertHSLToRGB.3dl
ConvertLABToRGB.3dl
ConvertRGBToLAB.3dl
ConvertRGBtoHSB.3dl
ConvertRGBtoHSL.3dl
ConvertRGBtoTSL.3dl
ConvertRGBtoYUV.3dl
ConvertTSLtoRGB.3dl
ConvertYUVtoRGB.3dl
Convert_LinearToRec709.cube
Convert_LinearToSRGB.cube
Convert_Rec709toLinear.cube
Convert_Rec709toSRGB.cube
Convert_SRGBToLinear.cube
Convert_SRGBToRec709.cube
cineSpace

./Convert Color Spaces for Video/cineSpace:
Apple_Color_Gamma22-to-Log.csp
Gamma17-to-log.csp
Gamma22-to-Log.csp
Log-to-Gamma22.csp
REDLog-to-Cineon_1023.csp
REDLog-to-Log_685.csp
REDlog-to-gamma2.2.csp
REDlog-to-gamma2.4.csp
Viper-to-Log.csp
cgr-to-smpte.csp
linear-to-slog.csp
sRGB-to-Log.csp
slog-to-gamma2.2.csp
slog-to-gamma2.2_soft-clip.csp
slog-to-linear.csp
slog-to-log.csp
smpte-to-cgr.csp

@VK I know the images are too heavy, I'll remember to starve the pixels next time, swear on my son's life :P

maxr

LIGHTILLUSION 3 top notch Kodak Vision based free LUTs in all possible flavours
I like that they say c o l our

• Film Look for Log footage
• Film Look for TV Legal footage
• ARRI Log Look LUT based on ACES data

ARRI .3dl
Scratch .3dl
Autodesk .3dl
Flame .3dl
Lustre .3dl
Smoke .3dl
Resolve .cube
FSI .dat
Mistika .itx
Nucoda .cms
Nuke .3dl
Quantel .txt
Sony .lut
TVlogic .lut

So, direct DL - http://www.lightillusion.com/download_rOs-7s/Free_LUTs.zip

Source: http://www.lightillusion.com/free_look_luts.html

Pic & smile =)

maxr

4 size64 LUTs (velviaesque, portraesque, proviaesque and crossprocess) build on Petteri's nice fim simulation curves using IWLTBAP LUT generator. All merit and credit must go to Petteri Sulonen - http://goo.gl/0f2YTe

LUTs DL - https://goo.gl/ngtQTa

Lightroom version's direct DL - http://www.prime-junta.net/pont/How_to/100_Curves_and_Films/LR4_curves.zip
and GIMP's - http://www.prime-junta.net/pont/How_to/100_Curves_and_Films/gimp_and_digikam.zip

BCS_HC-64 download

CMMM

oleg_sharonovs_new_lut-rip_batch

absoLUT pack

saLUT pack

LUTs DL - https://goo.gl/ngtQTa

Howdy, Stranger!

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