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NAB 2016
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  • Any news from Sony regarding Sony Vegas pro ? Is 13 the last one ?they moving on to a new software or will they keep the Sony Vegas pro line ?

  • Am I alone in thinking NAB 2016 is just a lot of "meh" this year?

  • Lilliput monitors is the booth number that I'd been given for Neway ... who isn't in the program. Lilliput guys were of course happy to talk about their items ... seem to be nicely made, competitive price and features with a number of others there. That external small monitor market is crowded and competitive.

  • Edelkrone Jib Plus

  • also it seems MustHD will present new monitors too https://www.musthd.com/news/musthd-will-attend-nab-2016-in-las-vegas-48.html

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  • Lilliput new monitors

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  • CAME-TV has a range of DSLR rigs including a weighted scissor-style expanding lift that is a bit unusual at their price-range. The most interesting thing to me ... and to several of the other guys working with their stuff ... was the CAME mini-3, a two-handled gimbaled rig sized for say a GH3/4 that was USD $1188, and comes with a very nice and smooth control unit that does a great job of both tilt and pan of the camera on its gimbals. After looking at a LOT of similar rigs, this was tempting especially for the price.

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  • LanParte markets the typical range of DSLR camera cages and rigs, but they have an emphasis on working with the very small 'hero' type cameras, either on hand-held stabilizers or as shown on the mannequin, a strap-on but stabilized rig.

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  • Saramonic was an intriguing booth ... they had some mics from other companies that they sell packaged with some of their gear, but their specialty is incredibly small but tough metal-cased audio mixers and pre-amps (all those little red boxes) that are designed to mount directly to the now-standard shoe-mount hard-points either on top of a camera or on a rig. They have shoe-mounts top & bottom, and offer a range of capabilities, from a simple two-in/stereo-out (all 3.5mm jacks) with pan mixer that's around 2cm tall and deep and 7.5 wide, and weighs but a few ounces to one with several ins an an amazing array of small push-button controls and dials.

    Their gear seems to stress tough as metal miniaturization. Spent some time even with language difficulties checking their gear out. And in the second pic, look at their setup on a smartphone! This stuff is small, light, but tough.

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  • Now, to iFootage ... their stuff is medium-duty pro location gear, not the most inexpensive at the show but built a LOT tougher than the less-expensive competitors. While designed to be usable with DSLR workers, this stuff is clearly heavy enough for the C300 or other mid-size pro video cameras. The sliders are massive and smooth, designed for full motors and automation, and even the small slider with manual controls was impressively smooth. The control wheel is impressively heavy, with a silky smooth touch. At around USD $500 as shown, without motor, it's not inexpensive, but seems built for a LOT of hard work.

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  • Stopped by a few booths today ... Let's start with Varavon.

    They make quite an array of dslr and quad-copter camera gimbals and stabilizing systems, but the most intriguing was their Birdycam Lite ... it's a small rig that looks like a shoulder-mount for run & gun, with a couple extra handles ... and is a gimbal setup that can be swung down from the shoulder to trail the ground with smooth and constant camera control. Easy and fast to use, and at around USD $1500 for price, well within competitive range, especially as it's a pretty decent shoulder rig before you even start raising it over-head or swing one-handed to sweep the floor with it.

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  • Black magic press event

  • Z-Camera is following the release of the (so far) disappointing E1 camera with some additional cameras and software... copied and pasted from the email they sent out earlier:

    Z Cam P1 & C1 Compact Camera Modules Our first announcement - and something we are very proud of - The Z Cam P1 & C1 series of camera modules. This product line is designed for drones, virtual reality capture, and array systems.

    The P1 series is equipped with Sony IMX117 Exmor R™ and the C1 is equipped with a Sony IMX159 Exmor™ image sensor, both are capable of recording 4k cinematic video.

    With the new Z Cam Docking Station, Cx 1 supports ethernet connectivity, which allows easy data transfer from the C1 to a computer or network server.

    Z Cam Sync Corresponding the release of our Z Cam P1 and C1 compact camera modules is the Z Cam Sync solution. Gone are the days of expensive control over large numbers of expensive DSLR cameras. With Z Cam Sync we enable a new realm of possibilities. Easily control up to 200 Z Cam devices with a high degree of precision. Perform precise shutter synchronization and preset, with frame sync tolerance down to an incredible 1 millisecond.

    Z Cam Action 1 Action 1 is probably the world’s longest operating time handheld gimbal. One charge lasts up to 5 hours! Action 1 is equipped with a MFT cinema quality 4k image capture system. Stabilize any action shot on 3 axis while recording amazing high definition footage. A built in 1.8" touchscreen allows easy point and shoot making Z Cam Action1 an ideal choice for professional video makers.

    Z Cam Surround 1 Our most advanced product yet, the Z Cam Surround1, probably the most affordable virtual reality capture system at only $999.00 USD. It’s equipped with 4 high quality fisheye lenses and 4 Sony IMX117 Exmor RTM image sensors. The Z Cam Surround1 provides four 4K HDMI video output, which can then be composed into a 360 degree surround VR video, by means of either the optional Z Cam video stitching software or any other third party solutions.

  • Edelkrone StandPLUS

  • Quiet Nab? I think that big companies are still developing a new generation of sensors...maybe in 2017 we will be a "quantum leap". InVisage said two of the three major DSLR camera manufacturers (mayby sony and nikon) have chosen to use the QuantumFilm sensor...

  • AJA Rovocam

  • ZEISS Lens Gears

  • Will the Future of VR and 3D Capture a Light Field?

  • Sony Press Event

  • Neil, you're 100% right. Very utilitarian show: real world data storage, management, transcoding, etc. Not a lot of gear at all. But like you, I keep finding a lot more practical solutions. Some really good stuff being pitched.

  • @kurth @Vitaliy_Kiselev

    This is sort of a ... make it actually work? ... year from the feel here. There's been all sorts of hype & hullabaloo the last couple years on HDR, 4600K (joking), "fast" data transfer, all that ... but it wasn't really all ... functionable. All sorts of gear with hot new specs ... but things didn't actually play well together without TONS of futzing around.

    This year, the tools have been I'd guess more refined than re-imagined ... and the emphasis seems to be on how to use what's out there to actually DO real-time HDR, 4k-+ editing AND delivery/stream & etc, real-time VR production at realistic cost & labor needs.

    This is a very much more "practical results" NAB. Actually far more useful, as this time ... they're showing how to actually like, really and realistically DO what the gear supposedly had the specs for last year.

  • Panasonic Camcorders

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    LAS VEGAS, NV (April 18, 2016) – Panasonic today announced a new UX series of professional 4K camcorders, successor to the company’s AVCCAM series of professional AVCHD camcorders. Two models are currently under development and scheduled for release in the fall of 2016: the UX Premium Model AG-UX180, with a 1-inch (effective size) MOS sensor, optical 20x zoom and UHD 60p recording capability; and the UX Standard Model AG-UX90, featuring a 1-inch (effective size) MOS sensor, optical 15x zoom and UHD 30p recording. “With an increasing demand for 4K video content, Panasonic is introducing the UX series to make 4K acquisition even more accessible to video professionals,” said Steven Cooperman, Senior Product Manager, Panasonic System Communication Company of North America. “UX camcorders will provide high-mobility shooting and workflow equivalent to our existing professional integrated-lens handhelds.” The UX series will support recording up to 4K (4096x2160, 24p only) and UHD (3840x2160). (The AVCCAM series allowed recording up to FHD/1920x1080.) UX camcorders will use the SD Memory Card1 as recording media. The UX Premium Model AG-UX180 supports, in addition to 4K and UHD, dual codec recording (UHD2/FHD), IR recording in low light, and 3G SDI/HDMI2.0 output. The UX camcorders’ 1-inch (effective size) MOS sensor ensures sensitivity equivalent to that of conventional handheld cameras. Variable frame rate (VFR) recording functionality (2-60 fps) is planned in FHD mode. The suggested list price (SLP) of the AG-UX180 is expected to be under $4,000.00, and the SLP of the AG-UX90 under $3,000.00. The availability of these new UX models later this year will bring the company’s line-up of professional 4K cameras to six, including the flagship VariCam 35 and VariCam LT cinema cameras for HDR production in 4K resolution, the AG-DVX200 4K, 4/3” large-sensor camcorder and AK-UC3000 4K camera system.

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