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Nikon D5500 topic
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    Specs

    PR

    A vari-angle monitor for which a touch-screen interface has been adopted

    The D5500 is the first Nikon digital SLR camera for which a touch-screen interface has been adopted. This enables simple and intuitive operation by those who frequently use smart devices. It is equipped with a large and wide, 3.2-inch, approximately 1037K-dot TFT LCD vari-angle monitor with wide viewing angle. In addition to preserving more than sufficient visibility, the side-hinged vari-angle monitor opens up to 180° to the left, and can be rotated up to 90° clockwise, or up to 180° counter-clockwise while it is open. This ensures flexible shooting from a wide variety of angles, whether low or high, and even when capturing self portraits.

    Touch Fn

    One of eight frequently used camera settings (Focus-point selection, AF-area mode, Aperture, ISO sensitivity, etc.) can be assigned to this function for use with viewfinder shooting, enabling immediate modification of the assigned setting, and achieving practical operation by simply tapping or sliding a finger across the monitor while looking through the viewfinder.

    A strong monocoque body, and the world’s smallest, lightest, and slimmest digital SLR camera equipped with a vari-angle monitor

    A monocoque structure, with which the exterior serves as a frame that protects the internal structure with great strength, has been adopted for the D5500. Use of a carbon-fiber composite material for the front body, where important mechanisms such as the imaging unit are incorporated, and the front and rear covers not only ensures a light weight, but also preserves great strength and durability. In addition, positioning of the integrated circuit board, on which electronic components are mounted, and the imaging unit in nearly the same place, as well as optimization of drive unit positioning have helped to make the camera significantly slimmer. This, in turn, has enabled a deeper grip that provides a firmer, steadier hold on the camera, making it more portable and easier to handle.

    A built-in Wi-Fi® function* that enables image transfer and remote shooting through collaboration with smart devices

    The built-in Wi-Fi® function makes two-way wireless communications with smart devices such as smartphones and tablets possible. Full-scale photographic works (still images) captured with this digital SLR camera can be uploaded to a smart device from which they can be transferred or shared on SNSs via the Internet. In addition, the live view screen can be displayed on a smart device, enabling use of the smart device for a variety of applications, including capture of self portraits and group photos, as well as remote photography.

    An effective pixel count of 24.2-million pixels, a Nikon DX-format CMOS sensor, and the EXPEED 4 image-processing engine enable superior image quality and excellent detail

    Offering an effective pixel count of 24.2-million pixels and equipped with a Nikon DX-format CMOS sensor with no optical low-pass filter, the D5500 is able to capture images that make the most of the superior rendering capabilities of NIKKOR lenses. In addition, the EXPEED 4 image-processing engine richly reproduces colors from those in the darkest portions of the frame to those in the brightest portions of the frame for smooth changes between bright and dark portions, which results in images with excellent detail and a three-dimensional appearance. The camera supports a broad range of standard sensitivities, from ISO 100 to 25600, making capture of images exhibiting excellent detail with little noise possible, even in dark surroundings.

    Even better functions and performance as a full-scale digital SLR camera

    The D5500 offers the superior performance and wide variety of functions that make the rich power of expression, possible only with a full-scale digital SLR camera, possible.

    Improved Picture Control System

    Support for the new Flat Picture Control, the new Clarity adjustment item (for still images only), as well as the ability to apply adjustments in finer increments, greatly expand possibilities for imaging suited to the subject or user intent regarding expression.

    Scene Recognition System

    In order to increase the accuracy of auto control functions, scene information is analyzed using the 2016-pixel RGB sensor and the image sensor. This makes it possible for the autofocus system to accurately track moving subjects, it enables exposure control that takes highlights into consideration, and it makes extremely accurate white balance control possible. In addition, information acquired from the image sensor is used to achieve greater accuracy with exposure and AF control in live view mode (including movie live view).

    High-speed continuous shooting.

    The D5500 supports high-speed continuous shooting at up to 5 fps* for a maximum of 100 shots (JPEG).

    Special Effects mode, to which Super Vivid, Pop, and Photo Illustration options have been added, for a total of ten effects that enable more creative expression

    The D5500 is equipped with a Special Effects mode, with which effects can be selected and applied with recording of both still images and movies. Preview in the camera monitor before shooting or recording begins allows users to confirm the results of effect selection in the camera monitor in real time. With the addition of Super Vivid, Photo Illustration, and Pop options, the D5500 offers selection from a total of ten special effects. This allows users to easily enjoy dramatic effects like those seen in art and the movies. This mode was adopted to respond to the creative intent of users searching for a way to express their own unique style and creativity.

    D-Movie function for recording 1920 x 1080/60p full-HD movies

    The D5500 is equipped with a D-Movie function that supports recording of smooth 1920 x 1080/60p full-HD movies. In addition to recording via the built-in stereo microphone, the optional Stereo Microphone ME-1 can also be used to record high-quality stereo sound.

    A built-in Vignette Control function that reduces illumination falloff at image peripheries

    The D5500 is the first Nikon DX-format model to offer the Vignette Control function, which processes images to reduce the drop in brightness at the edges of frames (illumination falloff) that sometimes occurs due to the characteristics of photographic lenses.

  • 43 Replies sorted by
  • Camera officially discontinued.

  • Nikon D5500 DX-format Digital SLR w/ 18-55mm VR II for $449 deal

    https://www.ebay.com/itm/322791409731

  • Nikon D5500 DSLR w/ 18-55mm and 70-300mm DX Lenses,Black w/Premium Acc Bundle for $646

    https://www.adorama.com/inkd5500bk2b.html

  • New v1.02 firmware

    • The camera would stop responding if the multi selector was pressed right with Add items > CUSTOM SETTING MENU > c Timers/AE lock selected in MY MENU.
    • The shutter would sometimes not be released in response to live view touch shutter controls if autofocus was used with an SB-800 flash unit attached.
    • Optimal exposure would sometimes not be achieved in photographs taken during live view with lenses that support both autofocus and electronic aperture control (type E lenses).
    • If image review was enabled during viewfinder photography, the camera would sometimes display shooting information in place of the most recent picture when the user removed their eye from the viewfinder after shooting.
    • The camera would sometimes fail to store the option selected for a Autofocus > a3 Built-in AF-assist illuminator in the CUSTOM SETTING MENU after the mode dial was rotated to another setting.

    http://downloadcenter.nikonimglib.com/en/download/fw/235.html

  • Nikon D5500 Firmware update v1.01

    • AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR and AF-P DX NIKKOR 18–55mm f/3.5–5.6G lenses are now supported. Vibration reduction can be enabled or disabled using the new Optical VR option in the photo SHOOTING MENU, which is displayed when an AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR lens is attached. The CUSTOM SETTING MENU now contains an a5 Manual focus ring in AF mode option that can be enabled or disabled when an AF-P DX NIKKOR 18–55mm f/3.5–5.6G VR or AF-P DX NIKKOR 18–55mm f/3.5–5.6G is attached.
    • The following issues have been addressed:
      • Noise would occur at four-second intervals in audio output to external recorders connected via HDMI in movie live view.
      • Choosing negative values for Exposure compensation in the RETOUCH MENU > NEF (RAW) processing display did not have the desired effect.
      • Selecting ON for Exposure smoothing during interval timer photography would result in all shots after the first being overexposed.

    http://downloadcenter.nikonimglib.com/en/download/fw/176.html

  • Interesting with the flat profile.

  • Shooting video with the D5500 is as easy the press of a button, as long as you are already in Live View mode. Just pressing the dedicated video recording button will start the recording, no matter what shooting mode the camera is currently in. All of the video settings are located in the record menu under the video tab, letting you setup the video settings ahead of time, so they are always ready. Our sample video plays smoothly on all medias, showing us great video quality, even in less than perfect lighting conditions. Audio with the built-in microphone leaves plenty to be desired, capturing all of the sounds closest to the camera. Fortunately, the camera has an audio input that works with an external microphone. This should greatly increase the overall audio quality. If you plan on shooting a lot of video with the D5500, this would be an excellent accessory to consider.

    http://www.steves-digicams.com/camera-reviews/nikon/d5500-dslr/

  • There's no crop in in any 1080p mode in D5500.

  • Hi guys, would like to ask also here about the crop factor in video mode.

    On 7200's OP i can read: Very bad video options - up to 1080p30 only, 1080p60 is available in 1.3x crop mode only (m43 sensor size)

    Is it the same for D5500? Is there a crop factor for video higher than simple "1,5x"? Thanks a lot

  • Cool thing for Nikon D5500

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    The Nikon D5500 raises the bar in Nikon's mid-level DSLR line-up, blending a smaller form factor with improved image quality, excellent dynamic range and improved performance in many areas. It ranks among the elite cameras for low light and high ISO performance in this class and price range, making it an intriguing option for shooters wanting to take their game to the next level, and also for a higher-end Nikon shooter wanting a capable back-up in their bag that they can depend on

    http://www.imaging-resource.com/PRODS/nikon-d5500/nikon-d5500A.HTM

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  • Good Lord, this thing is clean at high ISO. This 25600 iso clip looks insanely clean. Granted its moderately bright in the scene, but still. Come a long way.

  • I cant find any information about the video bitrate of the d5500. Is this available somewhere?

  • While video pros may pass on the D5500 due to its lack of aperture control and Auto ISO, the D5500 still outputs pleasant-looking video that's low in noise and free of artifacts. It supports Full HD at both 24p and 60p, and now has the same 'Flat' Picture Control as other recently announced Nikon cameras that allows for easier color gradation in post. If you want to output video to an external recorder, the D5500 can do so over HDMI.

    http://www.dpreview.com/reviews/nikon-d5500

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    Viewed against DSLRs in the same price bracket, the D5500 is pitched as you'd expect. Canon's rival EOS T6i / 750D costs almost exactly the same, shares (essentially) the same size sensor with the same resolution, features a fully-articulated touch-screen, the same sized viewfinder, same 5fps burst shooting and built-in Wifi. Dig down and you'll discover the D5500's screen is a bit larger and it has a built-in interval timer, but the EOS T6i / 750D focuses more confidently and quietly in Live View and movies, and also has NFC for easier Wifi configuration on compatible phones. Canon also offers the slightly more sophisticated EOS T6s / 760D for those who want a slightly bigger step-up from entry-level models. Only you can weigh-up which features are more important, but personally speaking as someone who shoots a lot in Live View, I find the quieter and better continuous AF of the Canon preferable.

    http://www.cameralabs.com/reviews/Nikon_D5500/

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    The D5500 is a competent camera that can meet most of the needs of its target market. Upgrading to the D5500 could be justified for buyers who skip a couple of generations, as well as owners of two or three year old D3*** models.

    The main benefit of the D5500 over its predecessor is the touch screen interface, which is convenient but rather clumsy and slow. The size and weight differences between the D5500 and D5300 bodies are marginal but the new camera gives you much better battery capacity and a few additional in-camera processing options. But it lacks the in-camera GPS provided with the D5300.

    http://photoreview.com.au/reviews/dslr-cameras/entry-level/nikon-d5500

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  • So far had no problems with the camera until this morning. It seems that the lens-flare issue with the D750 is also present in the D5500.

    UPDATE: Just saw this same streak in other pictures at other angles, it seems to be a contrail in the sky.

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    Worthy upgrade is its revised 24 MP APS-C CMOS sensor which manages to deliver a full stop improvement in image-quality. Photographs from the Nikon D5500 are highly usable and can be printed very large at the bottom levels of the ISO range.

    http://www.neocamera.com/camera/nikon/d5500/review

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