I use my slider lots, never used the skater on 6 years. YMMV.
I just got a Pico Dolly with a 7" arm, and used it on a project this weekend with my GH2. I'm a little disappointed. I would have loved to mount the camera right in the middle of the dolly, so the lens was maybe half an inch from the ground... but the dolly's not long enough, and the central screw isn't easily removed.
Using the arm was difficult, as the weight of the camera was a bit much for it, and the 7" arm doesn't have a lot of play so that one might, perhaps, attach the camera via the hotshoe. It's also tricky to attach the arm, as you have to twist it on the screw at both ends-- attaching the arm to the camera on the tripod mount, and then, attaching the arm to the camera.
It's well made, and with a ballhead mount or a small monopod, it's great for shots where you can use a table for the "track." I'd hoped to get shows that were very close to the ground; and while I managed to do it, it was very difficult. I
If anyone has suggestions for getting those very-low dolly shots, let me know.
I have this kind of dolly (as pictured in the first post).
Not so happy about it. Micro vibrations transmits to the camera and I have to apply stabilization in post.
And yes, I had very smooth surface.
I'm actually working on a commercial for a Cinetics Cine Skater as I type this. I should be getting their MOCO rig, which uses this dolly as its basis perhaps, any day now.
I've also got the Pico Dolly, which I like a lot. I've been meaning to construct a stable, smooth track that I can elevate for it to do higher shots where a table or counter isn't available. I must admit, I wanted to smack myself in the head when I read the above post about using it on walls, poles, etc. and thinking outside the box. Great idears.
Here's the completed spot for Cinetics (FS700)...
...I did all of the "digital opticals", the glows and such, not the motion graphics which, AFAIK, were provided to the director by Cinetics themselves. I'm gonna have to talk to them about upgrading those, or at least their logo portion.
hi, 49 $ bit changed runs fine. Thanks for watching
I bought a neoprene mat made especially for table dollies. This on top of a simple plank of wood and some levelling wedges made from timber off cuts makes for great lo-level shots. I have a decent ball and socket mount on mine - found a magic arm a bit flimsy - and it's a great way to use a macro lens too.
I'd like to investigate the possibility of moving my table dolly using a small electric motor to winch the dolly along. This would be especially useful for macro work, where any variation in dolly speed really shows up. Ideally I'd be able to vary voltage and thus utilise different speeds. Splining the moves isn't important but a constant speed would be. I'm pretty clueless in terms of electrics, so any model hobbyists or similar out there who could chime in - much appreciated. I got as far as considering adapting the axle of a miniature slot racing car as one possible avenue..
new product to Monoprice, I dont think I ever seen any dolly listed close to $25, i will give one try, I have bought many cables for my recording studio via monoprice, they are located in my city, i will give this one a try , for only $25 this is worth the try
Plenty of them on ebay or amazon :-) Prices are low today.
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