I have been using everything put out by Driftwood in the past. However, I am more interested in 720 60p now in comparison to 1080 24p. Would Driftwood Moon T8 be the recommended setting for all around quality 60p? If not what others would you recommend?

@aklumix, so far I have found Moon T8 to be excellent for 60P, much better than the other hacks I've tried. Moon T8 is a winner for me.

moon t9 is nearing completion... apologies for delay - still fine tuning HBR.

I did re-upload the 24p Moon T4/T7/T8 comparison test:

http://wikisend.com/download/400472/TEST_MOON_T4_T7_T8.zip

If your browser still complains about security thread, mine did not. Original files, each 5 seconds.

BTW, i had recently camera freezes with Moon T7 in HBR-Mode/Pal on the recommended fast 64gig cards. Did use Pasadena Audio hack and 384kbs for audio bandwith.

@driftwood, that screen grab looks fantastic, I can't wait to try T9!

I did an interview shoot with T8 yesterday, and at ISO 250 I was getting some noise in the guy's black shirt. I'm beginning to think I need to do some higher ISO testing to see if there is something to what @Maya was saying a while ago about 1000-1600 (I think it was) being the sweet spot for T8. I played around with that a bit after I read Maya's comment, and I have to say it looked a lot better than I expected.

Any suggestions from anyone? There is a lot I love about my GH2 with Driftwood's settings on it, but sometimes it would be nice to see a bit less noise compared to the perfectly clean footage from the GH4 in the same shoot...

I was shooting with a Rokinon 85mm f/1.4 on the GH2 with T8, and as usual the client commented more favorably on the GH2 footage than he did on the GH4 footage... Lol. The GH4 had a Nikkor 50mm f/1.4 on a Vitaliy RJ Speed Booster, and I thought it looked fantastic, even though the client had more favorable comments for the GH2/Moon T8 footage. :)

EDIT: I was looking at the footage at the shoot on an old laptop the client had handy. Now that I'm looking at the footage on my good monitor, the noise in the black shirt is MUCH less than I thought, and most of the noise I'm seeing is in that normal red channel. It's not so bad. I do think I want to invest in some NeatVideo color panels though so I can shoot some footage of that every time and create my noise reduction profile for the specific setup I'm shooting.

The screen grab of T9 is with Vibrant profile, right?

I shot a little project for a friend a few days ago (I mentioned a few posts above this one), and I'm starting to put it together. The Moon T8'd GH2 had the benefit of a Rokinon 85mm lens at about 1.8, while the GH4 shooting 4K had a Nikkor AIS 50mm 1.4 at about 1.8 on an RJ Speed Booster. The old Nikkor just isn't as sharp as the Rokinon, and it also suffers from some chromatic aberration. I did my best to de-fringe the GH4 footage, but it still looks a bit of a mess -- I need a more current 50mm lens... At any rate, here are a couple of screen grabs for comparison:

I think you are probably right about that, but I also didn't like a lot of what my attempt at defringing was doing, so here is a comparative screenshot from the GH4 without the defringing:

I don't think Driftwood can improve the GH2 much more. I haven't switched a hack for sometime now, that's how satisfied and confident I am with my GH2.

@Gardner: "I don't think Driftwood can improve the GH2 much more."

Since Moon T9 is coming, obviously there is some little more improvement possible. But I agree with you that it will be not something significant. And that's because all the hard work was spent unilaterally for the GH2 codec and bitrate at all. The significant improvements should've come if a work was spent for GH2 profiles and their parameters! I appealed about such an idea two years ago, but was a voice in a desert.

@driftwood good news ya. please do release a bitrate lowered version of ALL-I frame Moon t9. i am looking for bitrate around 100mbps. 140mbps is too much to handle. other releases are not doing all i frames. please do release a alter version.

I don't think anything significant can be done on the GH2 again except as @producers said, work on profiles with new parameters. Paired with some good lenses though, I am still using and enjoying Intravenus II and Moon T8. But I am gonna see what Moon T9 is gonna offer.

On another note it will be really cool if there was that kinda Magic Lantern hack on the GH line. I know, I know it's something quite different lol. Wishful thinking...