Slightly off topic. But still I want to share it with you. I`ve been traveling for the last seven months. On board was a GH2 and a GoPro Hero 2. During the last seven months a lot of awesome fine tuning happened. I would have loved to use the new settings, but when you are traveling, your head is somewhere else and sometimes you even forget to turn on the GoPro. Well in this short I used driftwoods (old) "boom" setting (at least that's what I remember). For the next project I will try out Moon T7. Thx for all the effort!

@thepalalias @Craig_R @Jim_Simon

Thank you for providing feed back on the cards. I originally looked at the larger cards but thought that it would not work. Good to know that it works, bummer about the cards being super thin though. I guess if you use the usb port to transfer footage you wouldn't have to worry about wearing out the sd card. But that would take really long :( Tradeoffs = Cheaper larger cards with slower transfer rates, or faster smaller cards that are not only faster but probably more reliable with @driftwood/@bkmcwd higher end patches.

@rlima The 32 GB card is known not to span with these high bitrate patches. It sounds like that's the problem you weer having. Stick to using the 64 GB or 128 GB cards instead. They both work just fine with these demanding patches.

@driftwood sorry for that it was moon7 set e I was referring

@soundwizard99

Why wouldn't you just use Moon T5 for your "sharper" stuff? It's been as reliable as stock firmware for me on 720 60p and 1080 24H modes. Is there something else about T7 that T5 doesn't do for you?

@Driftwood. Excellent Job on EVERYTHING that you do. Would it be possible to have a version of Moon T7 with the sharpness matrix of Moon T5 for TV work or instances where a sharper image would be appreciated. This would be great.

@JuMo and @nobbystylus Thanks much for the reply.

Unfortunately the power down, power up trick doesn't work. Tried that a few times. Even tried shooting a quick clip at the end (as recommended when trying to span) even though I wasn't shooting long clips. Camera doesn't lock up but can't playback OR delete the file. Have to format card to delete the data.

Again this is with Moon T7 Set "e" with the SanDisk 64GB 95Mb/s Card.

@cjdincer Please refer to a setting. Which setting? moon, DREWnet, Nebula?

JuMo / maddog15 - Yes i had exactly this issue, turned off and on again and then everything was available in camera again. Bit worrying for a moment but all seemed fine.

What i'm getting is that any attempt to do 80% slow shots is saying it can't write to the card sadly (using a 32GB 45mbs) so i might have to get a better card for any slow stuff.

@maddog15 Yes, this just happened to me the other day with T7. Power cycling the camera fixed the problem (I may have taken the battery out, I don't remember), afterwards I was able to watch the footage in camera, but on a couple of occasions during the shoot all the footage would go back to unreadable until I power cycled.

Moon t7 setD 24p.

@Butt You're absolutely correct. The combination of these new Cluster settings put EVERY h264 codec implementation out there (Canon, Nikon, Samsung, etc) to shame. The quantisation results are often stunning. Indeed some people may call them quasi RAW (lets face it, we're doing bloody well out of an 8 bit), but indeed I am very happy with the results of Cluster over each GOP setting. You know even hi bitrate Pro Res provided by ML RAW DNG converters (and from a lot of what Ive seen from Black magic stuff) are often very soft.

My advice to all is, RAW is great but if you don't require the hassle of a RAW post workflow/hd space/long takes etc... then DON'T sell your old GH2 just yet.<
@driftwood thanks Nick for Feedback - and agree full

What was the qp range for each in all modes? @Zaven13 Also more recent work has been done on DREWnet, Nebula and now Spizz on non 24p modes over moon T7 - so look for improvements in T8 on 1080i/HBR and 720.