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135mm fast old lenses
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  • The 4/4 version of the 135mm 2.8 is the best. It's hard to identify, only by weight and dimensions. But it's quite sharp wide open, and the rare and expensive 2.0 version only reaches the same level when stopped down to 2.8.

  • About a year ago I picked up the MC Tele Rokkor - PF F2.8. I really enjoy using this lens - but it is too heavy for me to hand-hold well. Mine has an integrated lens hood.

  • I have several copies of the Rokkor 135, and they are just a bit soft, but there are many, many variants on these. I will try to make a test of whatever I have lying around, but the 135s have been thoroughly tested by better testers than me. I don't get sharpness like from a good 85, 90 or 105mm. I haven't tried the F2, though. My experience with all the 135mm I tried was that you have to go to F4 to get good results, but some people claim to do better wide open.

  • Minolta Rokkor MD 135mm can be found at f2.0 and at f2.8

    http://www.rokkorfiles.com/135mm.htm

  • If you have the lovely 55mm Vivitar macro you can get the 135 matching model. Also Komine made, it is a very nice, well built lens that has the slow spiralling extension like the 55mm. It is not as super sharp as the 55mm, however, but still nice. http://www.techtheman.com/2008/09/vivitar-135mm-f28-12-macro-from-komine.html

    If you don't want to wade through hundreds of 135mm lenses to find this one, you are looking for a serial starts with 28 (Komine) and a filter of 62. Most of them say "close focus" or some variant of that on the front but you can't always see it in the photos.

  • Some pics of the Sonagar from the Ebay listing. Seller says aperture has clicks.

    Sonagar 03.jpg
    1600 x 1153 - 393K
    Sonagar 04.jpg
    1192 x 1143 - 309K
    Sonagar 01.JPG
    640 x 480 - 22K
  • Flatter is better than crazy colors. Thanks @soundgh2

  • F2~wow that Soligor is kind of a cool lens, but pretty old. Good luck finding a cheap one. I tested a bunch of these and I was never that happy. The Sonnar 2.8 was good, but it is not 2.0.

  • I just bought the Sonagar 135mm F2.8...i will post results when I get it along with the right OM-M43 adapter! Pentacon was a little out of my price range for now.

  • Similar to Contax Zeiss colour wise slightly flatter colours but contrast is comparable.

  • It comes with clickless aperture? Awesome! Do you know if it gets close to color with any other glass you have, old or new?

  • Ill throw it on in the morning - super cheap too - clickless aperture nice colours good contrast and sharpness its a bargain

  • @soundgh2 That's a pretty cool looking lens! Do you have any examples from it?

  • I have the Pentacon 135 2.8 15 bladed aperture M42 and it's very sharp with lovely bokeh.

  • Vitaliy, it's been awhile since the last post on this topic, but I've just found some interesting 135mm lenses on Ebay:

    A Sonagar 135mm f2.8 (10 blade aperture), and the Meyer-Optik Pentacon 135mm 2.8 (15 blade aperture!).

    Anybody have experiences with either?
    The Meyer-Optik Pentacon is considered the 'bokeh king' in this realm, and the Sonagar is quite hard to find info on.

  • Applying varying ratio starting from 14mm...

    14mm * 1.40 = 20
    20mm * 1.43 = 29
    28mm * 1.47 = 41
    40mm * 1.50 = 60
    58mm * 1.53 = 89
    85mm * 1.57 = 133
    135mm

    something like that...
    very roughly...
    not so accurate...
    FOV topic is not fun...
    we should never talk about this again... haha
  • http://en.wikipedia.org/wiki/File:Angle_of_View_F_V_Chambers_1916.png

    Hmmm.... the change in FOV accelerates as focal length gets shorter!!!
  • I am saying that you compare lens FOV to your own FOV (or same with angle of view).
    Making such comparisons you see very large difference for wide, normal and medium tele lenses. As angle of view difference is large.
    In tele lenses you can have relatively large 1:2 difference, but FOV do not seem to be much different (if you compare it to your usual FOV).
    So, like 160/120 is very different to 100/120 and 60/120, but 4/120 and 10/120 are not much different.
  • So... you are saying varying ratio that is lower in wide and higher in tele would give about same FOV differences to most people?

    e.g. 25mm:35mm = 1:1.4
    50mm:75mm = 1:1.5
    85mm:135mm = 1:1.6
  • >1:1.35 that is 35% difference in FOV which is not a huge difference. That's like difference between 20mm and 27mm.

    For most people difference between 20mm and 27mm will be much larger than between 100mm and 135mm.
    Because people do not compare them relatively, they compare them to their FOV.

    http://en.wikipedia.org/wiki/Angle_of_view
    http://lens-reviews.com/Technical-Talk/Technical-Talk/lens-field-of-view-visualisation-tool.html
    http://www.sweeting.org/mark/lenses/canon.php
  • lpowell came up w/ a set based on 1.4 ratio.

    14mm
    20mm
    28mm
    40mm
    56mm
    85mm
    135mm

    Well... it's not exactly 1.4 ratio, but that sounded clever.

    Using 2.0 ratio,
    12mm
    25mm
    50mm
    100mm
  • The difference should be measured in a ratio. Since both lenses will have same crop factor, the crop factor becomes irrelevant. e.g. 25mm and 50mm has 1:2 ratio that is twice difference in FOV.

    100mm:135mm = 1:1.35 that is 35% difference in FOV which is not a huge difference. That's like difference between 20mm and 27mm.
  • Difference is not huge.
    But.
    Manual focus macro lenses prices in 90-105mm range are rising constantly. People sometimes become totally mad.
    Tamron 90mm, for example, is not worse than any of MF macros, it is lighter and sharper than most old macros.
    Only problem is that focus feel is worse on any AF lens.

  • I wonder how big a difference there is between a 135mm and a 100mm. These 100mm macro lenses seem very attractive as they are very very sharp and quite fast like this, but I don't know how they behave at infinity. The tamron 90mm is a bit shorter. http://www.kenrockwell.com/tokina/100mm-f28.htm
    I mean the difference on M4/3 is 70mm between a 135 and a 100mm but in practically, is there a huge difference? If I could afford both focal lengths, i'd get both but...
  • >In lowlight conditions and with shooting video you get the "long lens needs stabilization" problem.

    With good tripod or good rig it is not extreme problem (but still a problem, as holding steady picture with 270mm is not so easy :-) )
    All of the lenses mentioned in first post are real good if we start talking about building quality.