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50-135mm wide aperture lens
  • Anybody have any recommendations for a lens between 50-135mm with wide aperture?

    All the panasonic zoom lenses have a lowest f setting of 4.0 (can't afford 35-100 x lens!!)

    Looking for something that wont break the bank and a well made converter that wont break!

  • 38 Replies sorted by
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  • https://www.lenstip.com/473.1-Lens_review-Sigma_A_50-100_mm_f_1.8_DC_HSM-Introduction.html

    Not cheap, still prone to flare due to huge amount of glass inside - yet much less than any of the older Sigma & Tokina non cinema zooms.

  • Tokina Cinema introduces the new 50-135mm T2.9 MKII cinema lens.

    An update to the original 50-135mm T3 Telephoto zoom lens, it has received an all new metal mechanical housing featuring industry standard 0.8 MOD cinema gears, 300 degree focus throw, updated T2.9 iris, and 95mm front diameter for common cinema accessories.

    The new 50-135mm T2.9 MKII is designed to match the mechanical and optical properties of the popular Tokina Cinema 11- 20mm T2.9 zoom. The 50-135mm T2.9 MKII retains optical design features similar to the 11- 20mm T2.9 including parfocal design to retain focus while zooming, limited focus breathing, and low distortion.

    Featuring an interchangeable mount between PL, EF, Sony E, MFT, and Nikon F mounts.

    https://www.tokinacinemausa.com/50-135-t29-mkii

  • 50-135mm T2.9 MKII cinema lens

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  • Tokina Cinema AT-X 50-135mm

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    50mm sharpness:

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    150mm sharpness:

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    Those who are committed to high-end digital video work will appreciate the handling and features of this lens as well as the way it performs. It produces images with relatively low distortion, falloff and high levels of sharpness

    https://www.ephotozine.com/article/tokina-cinema-at-x-50-135mm-t-3-lens-review--27937

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    At 50mm and maximum aperture, sharpness approaches excellent levels in the centre of the frame, and falls just short of good levels towards the edges of the frame.

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    Finally at 135mm, sharpness falls just short of very good levels at maximum aperture and clarity towards the edges of the frame is fair. Stopping down just one stop to f/4 results in outstanding performance in the centre of the frame.

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    http://www.ephotozine.com/article/pentax-da--50-135mm-f-2-8-ed--if--sdm-lens-review-2567928ePHOTOzine+Reviews%29

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  • A little update after finally receiving both a 50mm 1.4 and a 135 2.8 Canon FD.

    So glad I went down this route. It has given me a lot more confidence in using manual lenses and these two are going to be very useful for certain situations. With 2x ETC the 135 is staggering how long it is.

    Lenses are both very sharp, even wide open and also very pleased with the overall characteristics of the image too.

    Thanking a lot of different people here for helping me out.

  • There is also the M42 Kenlock 135mm f1.8 and the Sankyo Kohki Komura f1.8

  • @tetakpatak Mine seems to be an export version, the name is written in Latin and it says "Made in USSR" on the barrel. Sorry to hear you've got that problem, maybe you can find a clamp-on version that fits?

  • @Sph1nxster
    new lens for your new topic name ;-)) if constant aperture f/3,5 is fast enough for you, try excellent Nikkor Ai-S zoom 50-135mm, one-ring, parfocal. IQ is for video excellent straight from f/3,5 not yet tack sharp but good. For stills, f/3.5 has kind of lot of CA for my taste, but it's unnoticable in the video, one can see its CA only in the crops. This MF lens was produced only for 2 years and was discontinued, it was released together with first AF models. Therefore it never got so famous, although it is excellent lens. At f/5,6 onwards gets very sharp and excellent contrasts.

  • @nomad Lucky you, my Jupiter-9 is made 1962 in LZOS Lytkarino factory. Filter thread has 49mm diameter, but only 0,5mm width (instead of standard 0,75mm). 0,5mm was used by Zeiss for 40,5mm diameter since ever and it is still standard for that size. But not for 49mm.

  • I recently picked up an old version Sigma 50-150/2.8 EX zoom, Nikon mount. With an inexpensive Fotodiox Nikon G adapter, it is a fast tele zoom that is small enough to not require support, parfocal, constant aperture, internal focusing, non-extending, and so far appears to be more than sharp enough for my needs.

  • I agree that it's flare prone – coating is the weak point of early Russian lenses.

    While it's very difficult to find the original hood, I didn't have any trouble finding a replacement on Ebay: just went for those folding rubber hoods, they come in all sizes, including 49mm. My Jupiter-9 is from 1964, though. Could be that earlier lenses have a different thread. I never tried on the first J-9 I had in hand (from 1959) since I didn't keep that because of severe yellowing and grinding focus thread. The one I have now is a wonderful piece.

  • Yes, I agree with nomad - and if you go for great Jupiter-9 try to get it with original lens hood as that lens is unusable without the hood. Finding proper hood later is sometimes real nightmare as many earlier samples have narrow filter thread 49 x 0,5mm. It is out of standard, so only push-on 51mm or click-in 49mm hoods work.....both very rare to find!

  • Or the Jupiter 9, great Russian lens with lots of blades = always round aperture.

  • Helios 85mm f1.5. Soft around the edges, but bright and low price, plus m42 mount which equals very cheap adapters all over the place. Got my m42 adapter for $10 I think. http://www.photozone.de/pentax/149-helios-40-2-85mm-f15-m42-to-pentax-review--test-report

  • okay so i've ventured away from where i started the topic.... i'll give you that, but i must admit i had not seriously considered old glass before so maybe i should change the topic. :)

    I like the samyang 85mm but it was still 4/3rds and i would still need to get a converter anyway. So then when i saw some of the prices for what are described as great condition lenses, i'm thinking i could save a fair amount of cash here.

    Why have Panasonic not made some decent telephoto prime 1.8-2.8 lenses?

    The nearest is the Olympus 75mm 1.8 but some £500-600 in uk is just not doable for me.

  • i've ended up going for some old manual Canon FD lenses, 50mm 1.4 & 135mm 2.8.

    This perfectly compliments topic title - search for a 80-100mm wide aperture prime lens for MFT .

  • i've ended up going for some old manual Canon FD lenses, 50mm 1.4 & 135mm 2.8.

    Got an FD to mft converter as well.

    All in all came to around £130 including shipping from the US for two low-light lenses albeit with manual focus/aperture.

    For the shots i need them for (tri-pod mounted) this will not be an issue and i'm looking forward to what kind of 'look' i get with these. I've heard the canon lenses can be a little bit softer than the panasonic ones, anybody heard or know differently?

    Thanks to the advice from this topic this has definitely got me into looking at vintage lenses!

  • I have two older Nikons both pre-ai, the 85mm 1.8 and the 105mm 2.5, and they are both are a joy to use and not that expensive. I have used the Samyang/Rokinon 85mm, and I prefer the Nikon.

  • although if i buy two this wont be so bad...... hmmmmmm :D

  • came across this website

    http://www.keh.com/

    wish there was a UK equivalent, i'm looking at $33 dollar lenses that will cost $60 to ship :S

  • There is some good advice already. Nikkor, FD or minolta are the most popular of the not so expensive vintage lenses. Try to find tests online to see what is more close to your taste. They have different characteristic on color rendition, bokeh, flare, etc. But if you like sharp image (you ve mentionned the 12-35 pana) it s'difficult to beat modern lenses : olympus 75mm or the less pricey samyang 85mm.

  • @astraban thanks for clearing that up and no i did not know all of that so appreciate the insight. Care to share some suggestions for vintage lenses?