@B3Guy @RRRR That actually ties in nicely to a concept I'd leaned into but not developed.

The piece is called "19 Days and 1 Sheet". It's a fragmented series of memories of an unseen protagonist, that's only seen through a solid color sheet (hadn't decided on black or white, yet) as he "recalls" moments from "his" life (mostly waking or readying for sleep) spanning times across the world.

The piece could be easily unified through the use of the sheet and different actors could be used since their faces would not be seen. Even certain filming differences could play with the theme of the subjectivity of the recollections and questions about the reliability of the narrator.

Here are some of the visuals I'd brainstormed so far.

Vignette 1) Standing by a city apartment window in the late evening/early night we get a sense of an older city and a man struggling to admit his own age to himself. The city evokes "Paris" but could be any European city.

Vignette 2) He sits on the log, starring out the sun setting. There is no wind and he seems not to notice the people walking by, as he fixates completely on the single point that is the sun, almost oblivious to even the water itself.

Vignette 3) He is chased down the staircase [lets avoid hurting any actors on this one] to the sound of men yelling after him.

Vignette 4) He sits next to a man playing guitar, beneath a bridge, as no one is there to hear him.


Anyway, there were a few others, but I mention it since the concept seems closely related to what you described.

But I think the project would be best with 1 writer and 1 master script but several directors choosing parts of that script.

And the script should be completed before any shooting begins. That's a pet peeve of mine - I've edited novels and short stories in English and Swedish for various writers, been the editor in chief for various small newsletter and magazines and coming from a family of writers, I hate movies with "optional" scripts. :)

Yes, script first. But before a script, brainstorming. I was hoping for something fairly narrative, especially as the tendency among DSLR shooters seems to be "slice of life", which is a pretty one-trick pony.

I'd personally be quite tickled to do something with suspense. I also have a big soft spot in my heart for films with a couple really good twists at the end.

Perhaps we could capture some of the non-camera side of Personal-View. I'd say that at the least there's a fairly universal understanding that much of the world is in trouble one way or another. We could amplify those fears to create a near-future dystopia. Assume everything that could go wrong does go wrong, and its ten years later or something like that.

@B3guy, you are right, brainstorming first, perhaps, if anyone wants to update the first post, please write:

basic for the idea:
-the idea

idea for the workflow:
-the idea

idea for storyline
-soryline

5-10 lines each

(this is to be more organized, and also having all the main ideas closely together may bring up some new ones)

nope, i´m mean by basic for the idea:

i´m mean what are the restrictions in therms of production that we must follow in order to everyone in the community can participate on the shooting, so being those restrictions part of the production, those lines must be taken in consideration for the storyline to be developed

:p i´m changing the basic for the idea to restrictions on production for the storyline to be less confusing

I agree, ideas on the table everyone!

I was thinking that it would be nice if the concept entailed both something particular and something generic which ties it all together. If I elaborate, the particular could be a sheet of paper (although this would have to be made particular - by it's colour, a print or something else - as described by palalias), it could be the lead or whatever one comes up with. The generic could be coffee, a certain type of clothing, work, cars, food - take your pick but the point about both the generic and the particular "Common" is introducing some kind of meaning - the main point, the antagonist or simply introducing a different theoretical dimension to what the story does. The particular and the generic can also be in conflict with each other.. it's all up to what you come up with as an idea for a script.

Just to clarify, I mean this as a conceptual condition for the script / story.

I like the duality idea by @RRRR and I think each of the writers should try to explore it.

@RRRR Yes, I completely agree.

Also, if we could get a list of directors (with their locations) as the script is still in progress, it could help to limit the script options appropriately.

"Reality Unveiled"

Dang, that was fast @lolo. :)

@lolo : maybe it was more a guideline than a "rule".. so perhaps there should be a section for that? All the technical issues to take into account..

Maybe later we can make an "assets" list - where people can make notes of their location, equipment and such..? For script development purposes if necessary. It could also be helpful for project management.

@RRRR I agree - several of them are script dependent. A script that explored "role" vs "identity" (which would be different than the ones suggested so far) could make good use of having different voices, with the similarity springing more from the situations instead.

Sorry, that wasn't the clearest but basically, a different script idea could use a different unifying element.

"If the script so requires" sounds fine.

Also a more comprehensive "assets list" seems more useful than the less extensive one I proposed. I'm behind that.

@RRRR hahahahhahah sure, but perhaps a more generic one could be listed, instead of XXX mic model branded in XX city, someone can say directional mic on urban argentina or whatever

so @driftwood what you are sayng is for

WORKFLOW:
1) Preproduction
Paypal? for crowd funding? Aye for the ones that can donate some money?

and also

ASSETS LIST
1)driftwood team on europe?