Tagged with to - Personal View Talks

Best way to edit 4K footage to HD output Premiere Pro iMac

webarchitect — Wed, 14 Sep 2016 16:33:10 +0000

Greetings, and thanks to all who contribute here. I learn something almost daily. While I've read posts in several places on this topic, I've not found consensus, but have run into issues. Here's the scenario:

I'm shooting 4K with the GH4 for all the benefits including punch in, pans, etc. Final output is 1080p. Occasionally I'll mix in some HD footage.

The last project I did was 6.5 mins, but much to my surprise was really dragging down my computer. I wonder if some of you with more experience can suggest a better workflow. I'm hoping to avoid buying a new computer for another year, but will do what I must when I can. Here's what I'm working with:

Premiere Pro CC iMac (Retina 5K, 27 inch, Late 2014) 3.5 GHz Intel Core i5 16 GB 1600 MGz DDR3 AMD Radeon R9 M290X 2048 MB

To create a sequence, I've simply dragged the the first 4k clip to the timeline and let Premiere handle the settings accordingly. I edit, then export as HD.

Thanks in advance for any thoughts and advice!

60p to 60i

fran — Fri, 18 Mar 2016 09:18:19 +0000

Hello, We are going to shoot a tv show for Japan, here in Spain. We got FS7 on NTSC 60i as they want it, but is imposible to shoot interlaced on A7sII. I' m wondering about to put the small A7S II on NTSC 60p and leting them interlace in post the footage. What do you think? Would be a total mess or will work for them? Thanks

PHOTOfunSTUDIO 9.7 PE

Scot — Sun, 18 Oct 2015 13:06:20 +0000

My question or observation in need of confirmation is on the format conversion function. I need to convert my G7 4K footage to either FHD MP4 or MOV but I'm having an issue. The first is that my 24 fps footage is being converted to 30 fps and I see no way to stop that. Is this the way it is or a bug anyone else notice it? The other issue is I converted to both MP4 and MOV and the MOV file seems to be identical to the UHD file visually but the MP4 version definitely has increased contrast. Can anyone explain this? Looking for any solution or suggestions. I'm using Resolve 12 to edit which on my system has a very difficult time with the UHD files which is why I need to convert.

GH3 NTSC to PAL

nicneg — Mon, 29 Apr 2013 15:34:41 +0000

Hello everybody! My name is Nicu (Nikolay) and I'm new on this forum. Today I recieved my GH3 camera from US, and I realized that this is NTSC version, but I'm living in Moldova, and I need PAL mode. So, my question: Is it possible to modify the firmware (v 1.1) to change from NTSC mode to PAL? Thanks in advice!

Shotgun mics directly to the GH2 with the 448kbps hack. Choices and Advise

hexagonal — Mon, 30 Jun 2014 04:35:08 +0000

Hi everyone,

I accidentally started a conversation on the Driftwood patches thread on audio straight into the GH2 with the 448kbps audio patch.

I am a documentary photographer and recently joined the PV forum after deciding that a GH2 is the tool to have for my work.

I had two queries regarding spanning and in-camera playback and they both have been answered in the Driftwood patch thread: 64GB SD Sandisk Extreme Pro 95mb/s is the only card that spans with Moon T7 reliably and the 448kbps audio patch will make any clip non playable in camera.

Now, to the reason of this thread.

My needs are to simplify the gear I carry with me. I used to work with Rode Videomics plugged to my 5DII and that was that. The audio from them wasn't great.

Now, with the 448kpbs hack, the GH2 can be a great audio recorder without the need for an external recorder like an Edirol or a Zoom.

The conversation as left in the Driftwood patch forum relates to these two tests I found for shotgun mics (most of which can be plugged straight to the GH2) which are outdoors and at two distances.

The distance from where I work and from where the mics would be to my subjects is in between those two tests, both indoors and outdoors.

So far, through my DT770 32ohm which is fed by a Dragonfly, the MKE600 is a bit bassy but very good and the AT897 and the MKH 416 perform similarly at a distance. Close up, the differences are far more obvious.

Also, there has been a suggestion of using an ISK CM 60 which is battery powered:

http://www.swamp.net.au/isk-cm-60-battery-powered-condensor-microphone.html

However, I am unable to find a sample from it. @oto02 said he is getting one and getting ready to test it.

Also, @Jim_Simon mentions that the GH2 can record really good audio so I have hopes that I can work out this rather simple rig for documentary work (TV, festivals)

Many thanks for all contributions in advance.

EDIT: I just heard the tests again with my Sony V6 and still, the AT and the 416 sound roughly similar on both. I am not sure if the MKE 600 equalized would be similar to the 416 raw or if one can up the bass a bit on the AT and make it sound less flat. Both, At and 416, sound crisp.

Google search?

oscillian — Mon, 20 May 2013 06:11:03 +0000

I'm having problems with my computer. Can anyone please tell me how to do a google search to find a solution?

Shipping gear from USA for use in Europe

DrDave — Sun, 20 Apr 2014 13:56:41 +0000

I have a big gig coming up in Germany, and I am going to need to ship some gear ahead. Anyone with experience in this matter, your advice, please!

Main questions:

Customs fees--how to avoid--at the other end

Shipping camcorder batteries or batteries for monitors, etc

Insurance

Preferred Carrier: USPS flat rate, FedEx, UPS etc.

Return shipping

Is anyone planning to hack the DMC-G6 in the next months???

FREDfilms — Mon, 13 Jan 2014 14:48:52 +0000

Is anyone planning to hack the DMC-G6 in the next months??? So,if not,is there a guide or something so i can help to hack it ? I know programming languages like C++,pascal,assembly...i don't now if i can help..i hope so! Federico.

FS: Leica M to m4/3 adapter

spacewig — Thu, 31 Oct 2013 13:11:48 +0000

Novoflex Leica M mount to micro four thirds adapter made in Germany. Sells for $250+ at B&h photo...

$175, buyer pays shipping.

Cheers

GH2 - Iphoto Mts to Mov quality?

taipan — Thu, 10 Oct 2013 15:13:53 +0000

I just found out that Iphoto converts MTs to Mov, the quality seems good to me. I was wondering what were your thoughts about this? What do you think of the quality? I was using 5dtorgb but it was a bit of a hassle to do that for every movie and then organize the files.

Also I started using Driftwoon X t8 and it is amazing,,, I am wondering if anyone has had spanning issues with a sandisk 32gb 45mb/s.

thanks for the help

Free AVCHD to Mov for Mac

Azo — Sat, 31 Aug 2013 14:35:11 +0000

Hey Guys,

I found this on the Apple App store check it out.... It is a free program for Mac users to convert AVCHD footage to Mov files. I tried it out on a couple of clips seems to work out fine especially for free :-) Just do a search for it in the App store.

Best Regards

WOLLENSAK Vintage lenses, for GH2

club_irate — Thu, 25 Jul 2013 05:36:09 +0000

I want to know what is the difference between a WOLLENSAK CINE RAPTAR 17MM F 2.7 and CINE RAPTAR WOLLENSAK 17MM F/2.5 LENS except the aperture and price. Is it a good wide angle lens option on a GH2? the 2.7 is around 80$ and the other over 200$! will a regular C to M4/3 mount work well with this? (i dont want vignettes).

Also, my budget for a good wide is around 200$. if anyone can suggest me a better vintage/new/used lens i would be thankful.

Thanks!

23.98 to 29.97 or HBR30P Which is Better?

Azo — Thu, 11 Jul 2013 18:57:23 +0000

I have a shoot coming up that requires 29.97 footage. This is how they want the footage delivered.

Preferred file specifications: Quicktime .MOV file Apple ProRes 422HQ Codec Frame rate: 29.97 FPS Audio: AAC 44.100 rate HD Dimensions:1920x1080

I would like to shoot this video with the best quality possible. That being said I know 24p is the best setting for the GH2 and if I shoot in 24p I will probably use Moon T5 or Intravenous Boom. The question is would it be better to shoot the video in 24p and then use compressor to export to 29.97 or just shoot in HBR30p mode and be done with it.

The patch that I would probably use is either Valkyrie TZ3 or Cluster X Nebula for the HBR30p mode. The video will consist of and interview and will also include car polishing with an orbital buffer.

I read an article that stated that shooting in 24p is the best way to deliver to multiple formats. Please chime in with your thoughts and suggestions.

Any and all input is greatly appreciated.

Grading MTS vs. ProRes converted files on OS X: is there a concensus?

Alienhead — Wed, 19 Jun 2013 11:14:14 +0000

I just started grading my footage with Premiere CS6 after using Final Cut Pro for a long time. I had been converting all my files to ProRes using 5D to RGB, which was the original recommendation of Andrew Reid on EOSHD. Then more recently he said it wasn't necessary to do that anymore because there's a fix in Premiere where you increase input and output levels to 15 and 235 respectively http://www.eoshd.com/content/8612/mac-avchd-gamma-issues-the-fix

In an AVCHD timeline in Premiere Pro CS6, I imported two clips, one the original MTS and the other a converted ProRes of that clip. But the result was not fixed by only 15 and 235 input/output adjustment, it required something closer to 40 and 215. And that did not mean that the result was the same, there was still more blue in the highlights and shadows in the MTS vs. the ProRes. Further adjustment would be needed, but the ProRes conversion was more balanced.

This was just my first test, and I'm no expert in this, but it seems like conversion to ProRes still makes sense. What are other people's take on this?

Transferring Super 8mm Film: Best GH2 picture mode for accurate color reproduction?

powderbanks — Thu, 28 Mar 2013 22:18:12 +0000

I have collected several reels of Super 8mm film over the years and I finally picked up a transfer 'box' from eBay. Most of the footage is color and general 'home video' stuff (Christmas, somebody's wedding, some kid's birthday, etc), so what is the best picture profile on the GH2 to accurately reproduce the original color of the film?

I typically shoot with 'Smooth' all at -2, but that's so I get a very flat, gradable image. I will probably transcode the AVCHD files straight to an internet ready H.264 file, but I have no plans of grading any of it.

Vimeo Tip Jar feedback

apefos — Wed, 13 Mar 2013 12:28:21 +0000

Since 5 months I went Plus and I am using vimeo Tip Jar feature in all my 54 videos. In this time I got 25400 plays but I got nothing on Tip Jar, NADA!

My main videos with most plays was the anamorphic project, neatvideo tutorial, super8 telecine tutorial, also lenses tests.

Please share your feedback about Tip Jar, did you get something?

and what do you think can motivate people to send Tip Jar to a video?

Visual ideas for shooting live music performance

Mark_the_Harp — Sun, 13 Jan 2013 08:35:42 +0000

I think this is a great example of a simple video of a performance. I'm guessing it was probably done in more than one take, but what I really love is the use of focus pulls, particularly where several "planes" are involved, and also the shots of the performers at the start of the video. It captures perfectly what goes through your mind as a performer before starting a piece.

This is a link to the facebook page - I can't find out where the original source video is so you'll have to visit the page to see this. Well worth it, though, for anyone considering doing video of performance, just for some ideas.

http://www.facebook.com/photo.php?v=232639466870299

While you can do an imaginative video using all sorts of locations and parallel stories, I think it's a challenge to do an interesting video of performers which just concentrates on them throughout. I really like what they've done here and would be interested in seeing any other examples of video which is confined to the one location.

WTB: contact zeiss set

christianhubbard — Wed, 09 Jan 2013 15:54:20 +0000

Just like the title says. Couldn't find much at Keh, don't trust eBay too much. Trying to avoid the "ninja bokeh"

25p for NTSC gh2 (from USA)

tomek123 — Wed, 17 Oct 2012 15:57:23 +0000

Hi,

I have a brand new GH2 (couldn't wait for GH3) form B&H for cheap.

I installed Apocalipse Now patch and I can't find a way to shoot in the best quality at 1080 25p (progressive). Looks like there's some option for 1080 25i, but not in HBR mode (as I understand this is the best quality mode) . In HBR it can make only 30p.

Is it possible to record in HBR mode in 25p? I could'n find the exact answer around.

Well, if it's no possible to shoot 1080 25 progressive , maybe I have to sell it... :(

Is there some hope for my case?

Thank you in advance.

Rainbow -mm-48mm H6X8 C-Mount to GH2 (or Other Mcro 4/3) Lens for Sale

questech — Mon, 16 Jul 2012 16:18:13 +0000

This is a brand new lens that I adapted to use with my Panasonic GH2.

It is a non-destructive modification, unlike some that you may have seen on the web.

In order for the C-Mount to M43 adapter to fit on this lens, some modifications, including removing a plastic housing were required.

I have included more information, photos, and a video in my eBay listing.

This is a great little lens that feels like a quality product in your hands. It's FAST at f1.0 and versatile.

It requires the use of ETC Mode on the GH2, or similar functions on other cameras, or a teleconverter.

Because I'm going to refer you to my eBay listing, if you have any questions, you can reach me through eBay and I'll respond to you.

The "Buy it Now" price is $245 and the starting bid is $155.

Thanks!

http://tinyurl.com/6vhm9hr

GH2 hacked vs original side to side comparison

lolo — Sun, 02 Oct 2011 12:32:16 +0000

Hello, i´m starting this thread so that we can see some side to side comparisons between the hacked gh2 and the unhacked gh2.

This first test was made to see if there where any banding improvement, and are stills taken from video.

patch:
mpgxsvcd
AVC-HD High settings. 42 mb/sec 1080p AQ = 4 and 34
mb/sec 720p AQ = 2. Gop default. No other AVC-HD
changes.

settings:
-iso:320
-mode: vibrant
-shutter: 25
-wb: 3400k

with a Canon FD 50mm 1.4,
shooted at f2 with a macro conversion ring
(i shooted in macro because thats the only time when i can see any banding issue, at least in the lcd of the gh2)

to get the unhacked firmware, pass the panasonic original firmware through the ptools, selecting no patches, and save it with a higher last number, so that the camera will update the firmware once it gets loaded on the sd card (it doesn´t work directly to the sd card)
please, those that will post other comparisons, please remember to type all the settings as i did above.

Stable setting (B-frame in 720p, max quality and max bitrate up to 34Mbit, typical Class-10)

JohnyDoe — Sun, 22 Apr 2012 06:30:04 +0000

Can anyone suggest any of the experienced testers for request below? Settings not for postproduction. Only for recording and storage. Max quality for general scenes.

I only have typical cards, class-10 (Transcend, real speed - 16Mbyte to write and 16Mbyte to read). I almost do not do postproductions, but only store the original recorded video, as it is. Can you recommend the best settings to PTools? :

720p/50fps c B-Frames with bitrate up to 34Mpbs with the best quality.
1080p/24fps with the best possible quality with two options - 24Mbps (24L) and 34Mbps (24H)
1080p/25fps with the best possible quality with bitrate up to 34Mbps (HBR)
1080p/30fps = 1080p/24fps on the quality of each frame, but just with more frame rate and bit rate - up to 34Mpbs(HBR).

I tried switch to B-Frames in 720p, but always have error messages for bitrate limit exceeded (I set max bitrate to 34Mbps). Although the recording with bitrate up 36Mpbs with a 1080p/24 error does not happen.

Maintaining best quality while transferring HD to SD

bostonmike — Mon, 09 Apr 2012 13:45:23 +0000

I have a question maybe some of you more seasoned people can help me with. A friend asked me to enter one of those 48 hour film contests with him. The problem is I typically shoot in 1080p 24fps..in cinema mode on my GH2. The rules for submissions are as follows:

... a self-contained SD Quicktime file with no proprietary codecs on either: - data DVD - USB flash drive miniDV playable DVD

I'm editing and rendering on Vegas Home Studio HD 11.0. I'm wondering if I should be changing the settings on the camera BEFORE even filming, to easier convert to SD..There are also so many output options on Sony Vegas that I'm at a loss on what the best transfer would be to maintain the best quality in standard definition. Wondering if a USB flash drive would maintain better quality than a playable DVD?...it seems like rather than forcing filmmakers to downgrade their finished product, the contest staff should be upgrading their equipment to handle HD...these are only 4-7 minute videos after all. The finished videos will be screened in a full size theater..something tells me they are going to look not so good.

Thanks for the help.

New to ALL of this...

MisterBink — Mon, 26 Mar 2012 15:49:22 +0000

Im about to buy the Panasonic GH2. The hack info that I've found so far astounds me, especially the high bitrates, the 4K, and the 4x3 aspect because I shoot with anamorphic lenses and the 16x9 aspect is too squashed. Anyway, I'm trying to do all this for the first time, and coming from a Canon Magic Lantern background, I'm really keen to try. Anyone got some helpful tips and advice out there? Sorry for the huge NUBE sticker on my forehead! Thanks in advance everyone!

SOLVED: GH2 Firmware upgrade - No Valid Picture to Play error

wastedthelight — Wed, 21 Dec 2011 19:41:38 +0000

For those having the issues...I bet you did the same thing I was doing over and over again (for downloading premade patches such as Driftwood).

When you open pTool and load the firmware, at the bottom you should see a letter somewhere between A and J in green, click it. This now loads the presets. NOW click "Version Increment" (first option in the option tree). Then change the Increment to something such as 10.

The key issue here is that I was changing the Version Increment BEFORE clicking the presets. So as far as the camera was concerned, no new firmware was on my card.

"No valid picture to play" can´t load hack

veronica — Thu, 20 Oct 2011 15:29:44 +0000

I´ve been trying to hack my gh2 but its impossible...I´m using ptools 3.62D

I´ve cheked increment value to 10 and can´t install, I´ve put 1 and nothing.
I´ve formatted my card and nothing.

Can somebody heeelp me