I've created over 2000 tracks of original music and sounds that you are welcome to freely use in your projects. All I ask is to be attributed as indicated on my website:

https://soundimage.org/

I sincerely hope some of my efforts are helpful! :-)

So far I did no color grading - just plain cut with Edius.

Any feedback appreciated.

I have a GH2 with MD rokkor vintage lenses, im gonna shoot mainly music videos (with a lot of moving shots, slow motion, low lights and exterior) and some short films in the future. 30min of clips is enought for me I need quality but i really like the vintage look, im lost there is too much patch and informations, so i call your experience, what is the best possibility for me ?

Thank you for your help

news here:

https://www.soundonsound.com/news/sonar-now-free-renamed-cakewalk-bandlab

link here: https://cakewalk.bandlab.com/

Seems to require registration of a bandlab account

What do you use or recommend?

Thanks in advance.

Cheers,

D

"One, two, three, I need you! Who is my hero? Who comes to help me?"

"I do not care about what people talks about me, talk bad or good, but talk about me!"

M-Audio Keystation Mini 32

http://www.m-audio.com/products/en_us/KeystationMini32.html

This is the one I currently use. Great compromise between portability and control. The keys are actually very musically to play! You can choose between different velocity curves (I personally find #0 to be great playing the piano). The range of 32 keys is also very good. Pitchbend controller/expression buttons works surprisingly fine with adjustable bend time. Sustain latch button and rotary controller adds to a very complete and affordable package. I can't actually find anything to complain about :)

Akai LPK25

http://www.akaipro.com/lpk25

Up until the keystation arrived, this was my choice of mini keyboard. But compared to the Keystation the keys are spongy and having just 25 is a bit claustrophobic.

Korg Microkeys 37

http://www.korg.com/microkey

This is the one to get if you hate mini keyboards ;) Great key action that allows very rapid playing and controllable, consistant velocity. Only downside is bulky size (won't fit easily into my laptop bag) and the keyboard lacks any sustain control (the 25 version has a sustain button, though)

Korg Nanokey

http://www.korg.com/nanoseries2

This was my first venture into mini keyboards. Don't get this. You get better control playing on your laptop keyboard ;)

I shoot with a hacked Panasonic GH2, mostly Flowmotion V2. My upload codecs are usually h264 .mp4 varying from 24fps to 50fps. Nothing too extreme. When rendered and exported everything is pretty much synced. But on Youtube they are off.

I work on a Macbook Pro Retina (late 2014) 2.2 Ghz Intel Core i7, 16GB RAM

Does anyone know why or how to fix this? Or is it just me and am I going crazy.

I have many recorded songs that I would love for people to use. In addition, I am not opposed to writing and recording music specifically about a topic someone would request or specifically to suit a certain artistic feel. Most likely most people will simply post music here that people can apply to their movies as they see fit.

I would suggest that anyone who uses songs posted here should give credit to the artist, and that if the motion picture that uses these songs should happen to blow up and make a bunch of money, then there should be some reasonable expectation that a deal should be worked out between musician and movie maker.

I am also not clear as to what the best storage method should be for songs. Nearly all the songs I have recorded are in .wav format and would require a fair amount of space to store. It would also be nice to find a place to store .mp3's of the tracks so that people can listen to them and decide if they want to use the .wav.

Also, this topic can be used as a place to discuss best audio formats for motion picture. I almost feel like this should be a category because there are many sub topics I could see branch off.

Note 1. Bandcamp provides a HTML code that supposedly creates a player. The player does not seem to function on this site. Bandcamp does allow for high quality .wav storage and download, and allows you to set it up so that people can download for free, or name what they want to pay which includes 0.

What do you guys think? Feedback will be much appreciated.

I basically used a GH2 for the wide shots, AC90 for the close-up shots and edited using Premiere Pro CC 2014. You can read the description in the video for get a little story about the video.

Please have a look and let me know your thoughts. Thanks!

We´ve just released our 2012-short to public viewing on youtube and I´d like to invite you to take a look!

It´s a film mainly shot on GH1 which eventually became hacked. Since we shot additional footage up until 2012 there´s also GH2 material in it. It was a long journey and today we´d of course make a few things better and/or differently.

Nonetheless we´re very happy with the result. But see for yourselves!

A few facts:

• shot on GH1(3), GH2
• audio recording via H4N + Rode NTG-2
• mainly Minolta MD lenses, Oly 12-60mm F2,8 and one Vivitar 135mm
• original score with some stock elements here and there
• post production on Adobe CS(X), color via Colorista I & II

As for language: A Persian woman wrote on facebook "it´s so strong you don´t even need to understand the words". Maybe it´s better when you don´t speak German?! :D Anyways, there´s not much dialogue...

panasonic lumix gh2, gh3 and gopro hero3 etreetsoi

   
 
TRACKLIST
 
   • extract from Mystery Train (John Lurie)
   • Rebecca Gates and the Consortium - Dangerous
   • OST intro The Wild One
   • Pink Floyd - Time
   • Django Django - Default
   • Jeni Suk - Wildfire (live looping rendition)
   • Mogwai - Burn Girl Prom Queen
   • Sixto Rodriguez - It Started Out So Nice
   • Miniature Tigers - Female Doctor
   • Scout Niblett - It's Up to Emma
   • Hammock - Little Fly_Mouchette
   • Sabina - Toujours
   • Kelvin Jones - Call You Home
   • extract from Mystery Train
   • Barzin - All The While
   • Pink Floyd - Wish You Were Here
   • Jenny O. - Automechanic
   • Rhye - Open
   • spun OST - Corgan&Co.
   • Junip - Line of Fire
 

monkey photo by Jasper Doest 

✾

R.I.P. Malik Bendjelloul (36), Searching for Sugar Man

                  gashô                   gashô                   gashô   

a word of caution: it is german. Also: who can spot the 2 GoPro shots? (easy)

I would love to hear what you think, other than your opinion on the music itself.

Cheers,

D.

My name's Per Lichtman. Most of you know me as @thepalalias, the creator of the audio settings used in the majority of settings available for PTool in recent years. I think PV is a great resource and joined in 2011. I also compose , produce and engineer music professionally, have my B.A. in Music Theory/Composition, have consulted for several music tech companies and am editor/contributor at http://www.soundbytesmag.net and before that at Wusik Sound Magazine (WSM).

There are users in the forum that have worked in music longer than I have and have great things they can contribute to the discussion so hopefully they'll chime in, too. Either way, we're about to help you get your feet with making music.

Part 1: An Introduction to MIDI and to MIDI Keyboards

What is MIDI?

Before we get to the really fun stuff, there's a few terms to get out of the way - and the big one is MIDI. For the past few decades, writing music on a computer has most often involved MIDI. The name MIDI is an acronym: Musical Instrument Digital Interface. During the 80s the standard was created to make sure that products from different manufacturers could communicate with each other. A MIDI signal does not carry a sound (unlike a headphone cable, for instance) but instead carries musical information - for instance, what pitches to play, how long to hold them and how loud they should be.

The thing I use MIDI for the most is to record the notes I play on keyboard into a program called a DAW. You may already have a DAW like Garageband, Reaper, Sonar, Cubase, Logic, Studio One or ProTools, but we'll cover those in a another post. The important thing about a DAW for the way we use MIDI is that it both lets you edit what you record - so that you can change notes, move them around or delete them, etc. Another important thing is that a DAW can use plug-ins to turn those notes into sounds and audio recordings. In fact you can do it all on your computer with just a mouse and computer keyboard if you want - but a lot of people (myself included) prefer to be able to play the notes in on a MIDI keyboard at least some of the time. So since you want to use the MIDI keyboard to "control" your DAW, all you really need is a MIDI "controller keyboard."

What is a MIDI Controller Keyboard?

All a MIDI controller keyboard has to do is send MIDI to another device (in our case, a computer). They do not necessarily have to be able to make sound on their own, though many do (like my old Yamaha P-60 "digital piano"). Since (generally speaking) a computer is more flexible in regards to adding new sounds than a keyboard is, I do not recommend spending more on a keyboard to get more sounds. That's for people that want to use their keyboard on stage and we'll talk more about it later. Just don't let a salesman convince you that you need an expensive keyboard with lots of sound to get realistic sounds on your computer. If you have a keyboard already, start by using that - the more you know before you spend money, the better you'll know what you actually need.

*Different Types of Keyboard Feel

MIDI controller keyboards are typically made to look like either pianos or organs, which are two instruments that feel entirely different to use. Many organs use what's called an unweighted keyboard, where the keys give virtually no resistance to your finger and our very easy to press down and play quickly. Acoustic pianos vary greatly in their feel but consistently use what's called a "weighted action" where there is a significant resistance against your fingers because the keys are actually moving hammers that strike strings - and those hammers weigh something. MIDI keyboards come with both weighted and unweighted feels, as well as a common compromise between the two called semiweighted. Finding out which of the three keyboard types is right for you is the first step in picking a keyboard.

The Pros and Cons of Different Keyboard Feels

Different people are going to want different things out of a keyboard so I'll try and explain the pros and cons instead of making a blanket recommendation. First, I'll cover weighted keyboards.

If you want to go back and forth between playing your keyboard and playing a real piano, then I would advise you to get a heavy, fully weighted keyboard. These keyboards are designed to mimic the feel of a piano and the heavier they are, the easier it is to build and maintain muscles (and muscle control) that will translate into your playing on a real piano. These keyboards are generally heavier to carry than either unweighted or semi-weighted models making them less ideal if portability is an issue.

Semi-weighted keyboards are designed to have a touch that doesn't directly emulate a piano, but still provides some resistance. If you don't plan on playing an acoustic piano much or just happen to like the feel of a semi-weighted keyboard better, then these can be a great option. This is the middle road and you'll find a huge number of options available.

Unweighted keyboards are the cheapest to manufacture, the lightest to carry and can be made much smaller than other models. For all these reasons, many people get them as either their first keyboard, or as a second "travel keyboard". These keyboards feel nothing like a real piano at all and tend to frustrate pianists looking for "something to practice on". I know this from experience. ;)

The keyboard weight also affects how you play. Some professional stage keyboardists have commented that they find it easier to play quick ornaments, like trills, on unweighted and semi-weighted keyboards than on weighted ones, especially in certain popular genres. Conversely, most pianists I've talked to find it much more difficult to play classical music on anything other than a fully weighted keyboard.

A Few Thoughts on Keyboards I've Used

Within each feel there's going to be a lot of variation, not only from manufacturer to manufacturer but also from model to model. In terms of the heaviest feels, I would to certain models by Yamaha and Roland (more on that in a future post), while my experience with lighter feels is less extensive. I still use a Yamaha P-60 that I received as a gift over a decade ago, so it's not like buying a digital camera. If you get one you like, you can keep it a long time.

One of the lightest keyboards I've personally used is a Korg Microkeys with a very limited range. This is not a keyboard I play because I like the feel - it's a keyboard I use when I want something light and tiny to take with me somewhere. It's inexpensive, so I don't worry about breaking it or having it stolen in the same way I would with a "favorite" keyboard, so there's something to be said for that, too.

*How Many Keys?

The length of a keyboard is primarily determined by two things: the number of keys and the size of the keys. A normal full size piano has 88-keys so MIDI keyboards normally max out at 88-keys. 88-keys covers a range of 7 octaves and two semitones in standard western tuning. There are also 76-key (6 octaves and 2 semitones), 61-key (5 octave), 49-key (4 octave), 37-key (3 octave) and 25-key (2 octave) keyboards.

The fewer keys there are on the keyboard, the less space it needs to take up. At the same time, as the number of keys decreases, so does the range you can play in. Many acoustic instruments (including the human voice) have ranges that exceed three octaves, so if you're using a 25-key keyboard, you may find that you start your melody line on one end of the keyboard and then hit the other end before you reach the top of your line. That's why many small keyboards use transpose buttons.

Transpose buttons let you change the range your keyboard plays in at any time. This is a helpful workaround, but it still means one of your hands off the keys to change the setting - and we haven't even gotten into adding chords to that melody. For that reason, I would say that unless you really need to save space (or are very tight on money), that it's easier to play on keyboards with a minimum of 49-keys.

Key Size

As mentioned before, another big size factor is the size of each individual key. Standard or full size keys are designed to fit the size and spacing of a concert piano. However, some keyboards use keys that are a fraction of full size. If you're used to playing on an acoustic piano, these will feel cramped and you'll have to adjust your technique every time you go back and forth between full-size and reduced size. These are the big disadvantages.

The advantages of the smaller keys are that keyboards that use them can be manufactured to be smaller, often at a lower cost (which sometimes translates into a lower price for the consumer). If money and/or space are the biggest part of your decision making process, then feel free to consider them. But if you have the goal of eventually playing piano, you can give yourself a headstart by choosing full-size keys.

How do MIDI Keyboards Connect to A Computer?

The simplest way to connect a MIDI keyboard to your computer is to get one that can use a USB cable to send notes to the computer. Many new keyboards support this method and it means you won't have to buy any additional hardware. Devices that use this approach typically either use a standard USB driver or come with one you'll have to install. As long as you have a compatible driver for the operating system you use, you can take the keyboard and a USB cable and go from one computer to another without additional hardware.

Some keyboards have MIDI cable ports instead of USB cable ports (or in addition). The simplest way to connect these to your computer is to get a combination cable/MIDI interface, like the Roland UM-One, M-Audio Uno or Art M-Connect. I haven't used any of those models, but they run $30-50 USD a piece and allow you to connect your device directly to any computer with a USB port and operating system that the product's driver support.

MIDI ports can also be connected to a MIDI interface within certain audio interfaces or to a dedicated MIDI interface. If you already paid money for a professional or prosumer audio interface that has these ports, you can just a standard MIDI cable - which start as low as $6-7 USD.