Not to be confused with a ‘Stylized Look LUT’ – I created the BozBMDFilm_to_Rec709 Utility LUT out of a need to make my own color grading life easier when dealing with the Blackmagic BMCC / BMPCC Cinema Camera Film LOG and RAW files. And now I'm making it available to you.

Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/

The LUT brings out the contrast and color values captured by the BMCC / BMPCC in Film or RAW mode and strives to preserve highlight and shadow detail [more examples can be found on the download page]

Though it's not free, I think the small asking price of £3.00GBP (approx $3.80USD) is enough to take a leap of faith on. Made a difference to my work flow as I’m sure it will with yours :)

Download Page: https://bulentozdemirfilms.wordpress.com/downloads/bmcc-bmpcc-bozbmdfilm-to-rec709-lut/

Thank you.

Since the introduction of Digital Cameras it became easy to film and to learn making indie films, you just grab your camera and experiment with it. However the look of the digital footage(even color corrected and graded) still leaves amateur and domestic camera impression, the digital footage doesn't look as good as straight out of the film camera.

What is it about film that people like so much? Simple - it's color. Maybe some will say dynamic range, some will say the motion and flares. But the best feel about the film is that it looks unique and cinematic. People say that film has a unique color processing that can never be achieved by a digital camera. I take a more scientific approach and after many researches I found some breaking points in simple After Effects effects profiles and LUT usabilities and achieved unique fake color caps which gives that beloved film feel. The limited color brightness is one of the most important things when trying to emulate film look.

The hardest part in grading Digital footage is that it needs to be RAW or LOG, that means a flat footage taken out of expensive cameras. Then it is graded digitally by shifting colors of keyed parts, adding tints and editing curves. Amateur and Indie filmmakers sometimes doesn't have all those REDs and Black Magics and ARRIs and other beautifully named machines and anyway they want to look pro, so what we all indie filmmakers do is not called grading we just do the color correction - just create some interesting looks by shifting and tinting video. But there is certain points and colors that will leave that digital and domestic feel in the DSLR video even when it is color corrected. The colors overbright, and oversaturated areas doesn't change with color correction. Many of indie filmmakers lowers the saturation, but what happens is that they desaturate all areas of the footage so colors in shadows becomes undersaturated. I tried to fix it by collecting some unique braking points of Adobe After Effects CS6 as known as ColorGhear techniques but instead of doing it manually I tried to automate the process. The process is not grading nor color correction - it's something very different and unique and is used as a simple preset for After Effects CS6, which will be available soon for just a few dollars ($5-$10).

So I made some tests. At first I didn’t even think that I would come up with something interesting but now I actually need your opinion, it is usable? Does it really make a difference and most important – does it make the footage look like FILM (kodak). It does certain things to a simple footage: adds color bright limit, adds saturation limit ONLY to oversaturated areas, increases saturation to undersaturated areas, makes overbright colors(not whites) more visible and appealing on screen (for human eye).

There was a guy who tried to create and then disappeared his plug-in known as "Filmvision plug-in" I think he used similar techniques.

What do you think ?

Also I will make a video with just original color limiting process because the current video also affects the overall saturation and makes it more blockbuster Blue Orange type of thing.