If there is enough interest, I can begin to expand the profiles to support more video modes and various hacks beyond Moon T8.

I created a profile for each ISO setting, including secondary settings for the ISO bugged modes (up to 2500 ISO for those) ("clean" is normal, "dirty" is with the bug in case you forget to fix the problem and shoot with the ISO bug)

These profiles were created using the Smooth film mode at -2 -2 -2 -2, though they will probably still work with other modes. What is being picked up here is mostly sensor ISO noise since Moon T8's bitrate is so high.

The end result is that I have been able to recover about 1 - 1.5 stops of extra detail in the shadows on my shots as opposed to it looking like a total mess of noise. If you shoot at crazy high ISO settings, it can't make a shot at 12,800 ISO look like 200 ISO, but as long as your footage is reasonable, you can greatly expand the usable dynamic range of the camera and color grading is that much better.

These profiles should be used FIRST before doing any other processing such as grading, sharpening, scaling, or color correction. Etc...

The 1080p24 profiles seem to work fine on footage shot in variable mode, for example, if you use the 80% mode for slight slow motion.

Here is a link to an Imgur gallery showing what the profiles are capable of: Gallery

Download links:

1080p24 24H

1080p24 24L

1080p24 EX24H (Ex. Tele Convert Mode)

720p60 SH

What's so good about all these new Cluster X settings? In simple terms, after looking at the rate control, quantisation and scaling matrices found in the GH3, Nikon D800 and Canon 5DMKIII I decided upon a radical approach to find out if the GH2 was capable of getting near their very low QP values (which range from predominantly 1 to 30 depending on the detail and luminance of the subject).

What I found was (and this had me concerned before) was that Panasonic's implementation / or ptools labelling!) of rate control using the GH2's quantisation parameter isn't too clear. I needed a way of having a minumum Quant and a desired maximum quant. Strangely with Initial Quantizer = 30, Quantizer for 1080 modes = 3 (+-2 can offer a QP of 1 !) and Quantizer for 720 modes = 30 I could sortof achieve this!!!!

With 720 using B frames (switched on in the 720 encoder 1 settings as = 3) Quantizer for 720 modes seems to work as a highest Quantisation setting (high is worse, low quant is best) together with Initial Quant of 30 (don't worry about such a high starting value here - after the first frame it settles straight back to lowest achievable (best) for the scene. Subsequently, Quantizer for 1080 modes = 3 gives me my lowest desired (best quant) for each opt 24p, 1080i, HBR and 720 modes.

This quantizer rate control now seems to work as in newer High Profile Level 5 (5.1) cameras such as the 5DMKIII and Nikon D800 (and seemingly the GH3) and when matched with a new softer looking matrix - as analysed on the Canon 5DMKIII (with adjustments) - brings a degree of softening to the over sharpe Pany lenses.

I'm also sure that 1080i/FSH?HBR modes work better with half the coded picture buffer size of 720p modes (indeed I switched off 720 Bottom setting (the buffer amount as in automatically works it out) whilst offering a fairly low buffer in bitrate settings in 'patches for testers'.

In summary, the range of QP will be (certianly in 1080p24 modes) from 1 to 30 - often staying very low (less than 10) all round. I believe (although only tested by myself) that the result offers extremely good looking 720p modes (probably the best ever), certainly superior 24p with Intra & Long GOP, and great looking HBR/FSH and iA mode control (though further strenuous tests may well be required). High dynamic functions work it seems too.

All the new Cluster X series settings for each GOP attached below have been tested on the notoriously sharp Pany OIS lenses. Give me feedback.

Its as simple as A, B, C, D, E, F ! Each .ini setting in ptools for Cluster X Series will equate to setA ('DREWnet' 12/15 GOP), setB ('Nebula' 6 GOP), setC ('Spizz' 3 GOP), setD ('Moon' 1 GOP/3 GOP). Any updates will stay on these sets.

"Cluster X Series isn't for pussies!" Driftwood 2013

If you enjoy these settings please don't forget to donate to personal-view by clicking on the link above. Gratitude and thanks to Vitaliy Kiselev.

DRIFTWOOD 'moon T8' - 23.976p/29.97p/ 59.94p After interpreting some of the GH4 stuff in mp4 files AVCHD, and fine tuning the matrices, lowering the GOP Related stuff (to achieve more power in non death chart situations and subsequent higher bitrates) this setting should achieve better IQ with a stronger matrix to knock out any artefacting that people may be suffering with moon T7 on HBR/50p/60p modes.

Subsequently, you get a finer low frequency matrix that strives to knock out artefacting at the expense of QP and higher bitrates.

Ive settled on a QP rate control centre point of Q14 and the matrix adapted from the GH4 and improved has been tweaked to the max. However, its untested outside of me and needs your input.

Let me know how you get on.

Peak bitrates for all modes means only the best SD cards should be used. I doubt this will work in iA modes and iDynamic.

140Mbps to 148Mbps Intra 24p 52Mbps to 68Mbps 720p Upto 88+Mbps FSH/HBR

This is a TEST and report back setting!

Just Released: 5th Aug 2014 - Driftwood Spizz T7 - The Comfortable Setting!

101 Mbps Max 23.97fps(24p) 50Mbps Min-80Mbps Max 25p/30p 50Mbps Min-77Mbps Max 50p/60p

Very good IQ. Check it.

*** THIS IS A CONTINUATION THREAD FROM SERIES 1, 2, 3, 4 & 5 WHICH CAN BE FOUND BY CLICKING ON THE LINKS BELOW - ALL EARLIER DRIFTWOOD SETTINGS CAN BE FOUND & DOWNLOADED ON THESE LINKS ON PAGE 1***

Series 1 Link

Series 2 Link

Series 3 Link

Series 4 Link

Series 5 Link

The old Intra VY Canis Majoris Link

ALL Settings require Panasonic firmware v1.11 & ptools 3.64D '200212' OR 3.65d required). Settings for GH2 & GFx Lumix cameras.

DRIFTWOOD NEWS

21/12/2012 NEW Driftwood Canis Majoris Day AM GOP1 with 720p 50 at GOP3 and 720p60 at GOP6 - Featuring the 'mid freq' matrix See below under Canis Majoris settings to download.

17-07-2012 NEW Driftwood 'Apocalypse Now' GOP1 and Long GOP variations - More news soon Featuring Chris 'cbrandin' Brandin matrices

CREDITS

These settings are dedicated to VK @Vitaliy_Kiselev (master in control) and Chris Brandin @cbrandin (thee font of information).

IF YOU LIKE THESE SETTINGS PLEASE PAYPAL DONATE (ABOVE) TO VITALIY FOR HIS BRIILLIANT & TIRELESS WORK ON GIVING US THE HACK.

Since this patches are all a bit dated, I wanted to know if I they would work well on a 170MBps or faster Sand Disk card, like a SanDisk SDXC 64Gb 170MBps or faster.

Thanks in advance

Have a nice weekend

*** THIS IS A CONTINUATION THREAD FROM SERIES 1, 2, 3, 4 & 5 WHICH CAN BE FOUND BY CLICKING ON THE LINKS BELOW - ALL EARLIER DRIFTWOOD SETTINGS CAN BE FOUND & DOWNLOADED ON THESE LINKS ON PAGE 1 OF THEIR RESPECTIVE THREADS***

EXPERIMENTAL SERIES 1 - Apocalypse Now Series & Boom! Also the place to find Cluster v7 settings with cbrandin 444 matrix and sharp variation.

Series 1 Link

Series 2 Link

Series 3 Link

Series 4 Link

Series 5 Link

The old Intra VY Canis Majoris Link

ALL Settings require Panasonic firmware v1.11 & ptools 3.64D '200212' OR 3.65d required). Settings for GH2 & GFx Lumix cameras.

DRIFTWOOD NEWS

11-01-2013 NEW Cluster v8 'DREWnet' 'cbrandin Cinema Smooth' setting 12/15 GOP released. See below.

12-01-2013 NEW Cluster v9 'DREWnet' 'Boom 4444 matrix' setting 12/15 GOP released. See below.

PLUS New Cluster X in trial amongst the thread. Nebula versions (6 GOP) of all three Cluster 12/15 settings will appear here soon.

CREDITS

These settings are dedicated to VK @Vitaliy_Kiselev (master in control) and Chris Brandin @cbrandin (thee font of information).

IF YOU LIKE THESE SETTINGS PLEASE PAYPAL DONATE (ABOVE) TO VITALIY FOR HIS BRIILLIANT & TIRELESS WORK ON GIVING US THE HACK.

I'm extremely sorry to be reporting any negative to this AMAZING hack/setting, but I went out on a FREE (Thankfully) Band Shoot last night with my GH2 under the Cluster v6 DrewNet patch. I'm using a SanDisk Ultra 64gb card (30 Mbit/sec) and I set the GH2 to the Lower of the two settings both for disc space and extra stability. With these settings I'm getting 2 Hours and 55 Mins on the card with a 50 Mbit/Sec Data Rate (equivalent to 100ish...Yay!)

After the first set I shut the camera down, and when I re-powered on for the second set (with still an Hour and 50 mins left on the card) it gives me this VERY unpleasant response when I hit the record button...

CANNOT RECORD. FILE NUMBER EXCEED LIMIT

I gave it my best "college try" with powering down, card in and out, in a desperate effort to get it to record again, but alas it just laughed at me. (and a hacked GH2 has a very unpleasant laugh, let me tell you)

I'm DESPERATELY hoping there's something silly I'm doing, or a work-around that will fix this, as the v6 Cluster was SPANNING LIKE A CHAMP! I've tested it out to almost THREE HOURS more than once and it's doing it. But I've never shut down then tried to resume as I did last night.

If the only solution is to bend over on the price of an Extreme Card, I would gladly do that if it WILL solve this, but I get the feeling it won't and I'll be stuck paying WAY too much for a card that will go for $50 at some point down the road. (That always P's me off...the Ultra 64gb was $45 and it was working FINE other than this new glitch...and I'm not sure it's the card necessarily...I'm under the 60M point...)

Anyhow, I again apologize for reporting less than great news, and I'm truly hoping someone has a solution out there in the land of innovative photographic genius!

Take Care, Erik

PS: With an old Nikkor 50mm f 1.4 lens on the GH2, and in a DARK restaurant - it was like I had a LIGHTING CREW on the band...UNBELIEVABLY nice!

http://www.internationalmovietrailerfestival.com/all-trailers/middleman/

Please let me know, if there's any questions. Thank You

• Panasonic GH2 Body only: $350.00 + 3 batteries, two chargers. Two battery are genuine Panasonic. Other is off brand. $70 for 2nd Panasonic and $40 for off brand. (Original Box is available if you'd like
• Nikon Nikkor 50mm F1.8 AIS: $70.00
• Nikon Nikkor 24mm F2.8 AIS: $150.00 - protrusion filed down to fit RJ Lens Turbo. Operates perfect! Original buying price. $250
• RJ Lens Turbo - Nikon F/G reducer speed booster turbo adapter to m4/3 mft GF5 GF6 GX1 EM5 EM1 BM - $100 (Comes in original box)
• Lowell Pro SlingShot 102 : $60.00 TOTAL: $860

Original price for all totals over $1000.

You can opt to BUY ALL for $700. I'll put it all in the Lowell Pro Sling Shot 102.

PM me if interested. US only. Paypal only. Buyer pays shipping. All equipment is well taken care of and maintained. Here are some videos I've made with this little powerhouse!

I have been extremely busy recently touring my ROAD film (www.driftwoodroad.co.uk) made with a Lumix GH4 around the UK arts and culture festivals.

Recently we entered into the Frequency Festival of Culture in Lincoln, UK and received some tremendous reviews.

We borrowed a DZ13K 17:10 projector & the amazing D75LE6 lens to create a > 200" screen and built a cinema around it, finishing off the auditorium with a car chair ripped out of an old Austin, placed directly in front of the screen (to represent the windscreen vision that the Panasonic GH4 was placed behind).

We received hundreds of really encouraging comments regarding the film which traverses 5 states of the American South West (California, Utah, Arizona, Nevada, Colorado) to show a half hour cut from 32 hours of constant road footage. We constructed it as a series of Movements, working closely with musical composer Kevin Matthews: Palm Springs; Wipers; Monument Valley; Night Trucks; The Chase; Utah; Vegas; Death Valley and Big Sur.
We wanted to recreate that perfect feeling of freedom that you feel on a road trip, almost meditative - alone but in perfect harmony with the world around you.

It also gave me the chance to experiment with my new 'Chromarithm' algorithm - mapping music midi controller values from YUV picture values and motion vectors. More about this soon as I get further down the line with version 2.

All in all, I was gobsmacked by how well it was received by both festival attendees and the press alike. Indeed it was a wholly encouraging experience as I never assumed arts & culture festivals would generate great feedback, ask lots of questions, and were as interested in the technical as well as the creative.

Hopefully the film will be shown at other up and coming festivals around Europe soon - hope to see you there!

Reviews:

Design Week: https://t.co/lQlGYi8T6M

The Telegraph: https://t.co/4AvHwnr0BR

Fused: https://t.co/7opowWYybE

New Scientist: https://t.co/UfTyzsgtfy

www.driftwoodroad.co.uk

In my most recent shoot I was using a 95mb/s Extreme Sandisk and 24H mode.

I played the video on my computer when I got home to find it looks grainy. I used 400 ISO throughout the entire shoot and according to my meter I was properly exposed.

Attached is a photo. I've seen shots from other people's moon t7 footage that are far more crisp. Any ideas?

After receiving over a thousand replies in the last 8 weeks in the previous thread we continue the series here from the following link:-

http://www.personal-view.com/talks/discussion/5806/cluster-x-series-1

Whats it all about? Achieving the best looking overall pictures around - throughtout the popular GOPs. The great thing about Cluster X developments is you can mix and match some of the settings to combine into your favourite setting (e.g. GOP1 for 24p and 25p/FSH, GOP 6 For 1080i60/30p and 12/15 for 720p etc...). Slipstream settings do this for you (mixed and matched and with spanning capabilities where we can plus 80% modes on H & iA mode support).

This has been a tough (and still ongoing) challenge, each setting (and ptools patch change) takes an age to check & measure. Its exhausting work - even with 4 cameras on the go. The measuring to check Quantisation, frame sizes and stability adapting one change at a time is pretty debilitating on mental energy. I hope people appreciate waiting for each setting to appear.

All the new Cluster X series settings for each GOP attached below have been tested on the notorious 14-140 Pany sharp lens. Give me feedback.

Its as simple as A, B, C, D, E, F ! Each .ini setting in ptools for Cluster X Series will equate to setA ('DREWnet' 12/15 GOP), setB ('Nebula' 6 GOP), setC ('Spizz' 3 GOP), setD ('Moon' 1 GOP/3 GOP), setE (Slipstream 1) & setF (Slipstream 2) setG (Slipstream 3) and finally setH (Redshift). Any updates will stay on these sets.

"Bitrate is King. Who needs hi powered scaling matrices when enough Bitrate (if you have it) can drive the quantisation..." Quote from my conversation with Dark Shikari - X264 dev 2012

If you enjoy these settings please don't forget to donate to personal-view by clicking on the link above. Gratitude and thanks to Vitaliy Kiselev.

.

Friend and genius, K Matthews performs his political hit ' Queen: I'm Your Mouse'.

[GH4 + Shogun + Voightlander Nokton 25mm]

Utilizing a proprietary system based around an "axisymmetric free-form-surface lens," the camera could shoot video at horizontal and vertical viewing angles of 360-and-50-degrees, respectively; the images could then be projected in the same range by a separate unit.

That was back in 2007 and nothing has ever materialised from them.

I am trying to help a company involved in the events sector to seek and find a current solution where they could offer a walk-in 360 arena (tent or whatever) and immersive world for an audience to view a dramatic show utilising 360 degree projected switchable backgrounds.

Does anyone know of where this technology is going (is it doomed?) or of any other viable solutions that could be made and put together using today's technology?

Cheers,

D

Lenses used: Jupiter 3 50mm f1.5, and Jupiter 9 85mm f2.0 M39 mount adapted to M4/3 A few clips were colored with FilmConvert. Edited in Sony Vegas. Enjoy!

Let me know what you guys think. The compression on youtube and vimeo is awful, so if you want to see it for real, you can download the file from vimeo. There's also an annoying glitch at the end that I couldn't fix. i uploaded the video several times and every time it did the exact same thing.

It looks a lot better if you download it from vimeo.

I know the GH2 hack topic has been discussed extensively on this forum and thanks to @driftwood for the great work, but as a noob I was hoping someone can help break down some of the benefits of the following Hacks that seem to be very popular. I want to get the best quality video and stills possible without compromising stability.

From my research these seem to be some of the most popular hacks out there: TerraQuake, Mysteron, Sedna, Quantum...

My main reason for purchasing the camera is to shoot a music video in the park. Lots of greens and earthy colors during the daytime. Yet I want to create my own versatile Cam for great video and stills while being stable.

Not sure if any of the patches I mention can produce stunning images and video in this setting. Would that same patch be good for shooting low light indoor settings? Also, maybe a silly question but do these hacks work with video and stills?

Quantum 9b looks like it does great with lowlight:

Please keep in mind I will be using a 64 GB SDHC Class 10 UHS-1 Flash Memory Card 95MB/s.

I found this link very useful, for noobs attempting to hack their GH2: http://www.sam-mallery.com/2011/11/an-ez-guide-to-hacking-the-panasonic-gh2/

I'm looking for experienced filmographers who can direct me accordingly - pros and cons.

Any help would be extremely appreciated and help relief a lot of anxiety accompanying this process ; )

Thank you all!!

Details to follow. Currently in Falmouth.

Thanks in advance guys

This is a re edit of a horrorshort i made 2 years ago. Shot with panasonic GH2: drifwood's Canis Majoris night hack (class 10 45mb/s card) With Voigtlander Nokton 25mm F0,95 lens

1. I put everything in the same "hack" folder. Including the setd.ini file for "moon t5" hack
2. I opened ptools
3. loaded firmware that i got from Panasonic website
4. click green letter (i think it was "D")
5. save as "GH2__V12" (old firmware was called GH2__V11)
6. Put knew firmware in sd card
7. load in fully charged camera
8. hit play and it updated to the new one.... and that's it.

But the file size still seems small to me even though my time got shorter. I'm using 16gb 95mb/s SD extreme Pro card. Which gave a 13 minutes and 48 seconds recording time when camera is set to 24P CINEMA (24H).

a 10 second clip came out to 52mb in size. Then i imported the MTS file into Premiere CS5 and looked up the properties of the native clip and this is what i got:

File Path: /Volumes/NO NAME/PRIVATE/AVCHD/BDMV/STREAM/00000.MTS Type: MPEG Movie File Size: 50.3 MB Image Size: 1920 x 1080 Pixel Depth: 32 Frame Rate: 23.976 Source Audio Format: 48000 Hz - compressed - Stereo Project Audio Format: 48000 Hz - 32 bit floating point - Stereo Total Duration: 00:00:09:22 Average Data Rate: 5.1 MB / second Pixel Aspect Ratio: 1.0

Then I also imported it into VLC and got this (check attached pics)

I don't know what else to do. I know nothing about this but i'm trying to learn. It's hard when i don't have a PC and i'm always working (wine doesn't work on my mac). I've attached another link to download a 10 second MTS file. I hope I gave you guys enough info to help me out.

Download link http://we.tl/OtuyqtkhLV

THanks,

MadMAx