PR
Go everywhere and see everything exactly how you want it with the Atomos Shinobi - a high brightness 1000nit 5-inch HDMI monitor that’s perfect for vloggers, creatives and photographers. When you’re shooting video on mirrorless cameras and DSLRs, the Shinobi gives you the perfect view and is packed with the latest features, but is small and light enough to take anywhere – weighing in at a mere 200g (7 oz). Shinobi shares the same HDR 1920x1080 display and color processing found in the multi-award-winning Atomos Ninja V monitor/recorder. With a professional 1000nit brightness screen it can be seen clearly even in daylight. It has an impressive pixel density of 427 PPI (pixels per inch) and is factory calibrated for color accuracy. Shipping today, the Shinobi costs just $399US / €399 plus local taxes.
The polycarbonate body is lightweight and durable. It has ¼” - 20 mount points on the top and bottom to allow flexible mounting. A headphone jack on the side allows users to monitor audio from most cameras even if it doesn’t have a built-in one. Clear on-screen audio level meters give users confidence that their audio is set correctly.
Shinobi can run for up to six hours on a single Sony NP-F750 type battery, already commonly found in most video shooters’ kit bags. A clear on-screen battery gauge shows the status of the battery and when it is running low. The central position of the battery mount on the rear of the Shinobi ensures good balance when mounted to mirrorless cameras.
Atomos is well known for its AtomOS 10 system with simple to use touch-screen interface. The Shinobi has the latest monitoring features of AtomOS 10, allowing users to quickly and easily check and adjust image settings to best capture their creative intent. In moments they can magnify the image or engage peaking to check focus, pull up false color, a histogram, zebras or waveform to gauge exposure, or add guides or markers to aid composition. The interface has clear, yet unobtrusive icons which allow the image to be the focus of attention – and with a simple swipe all the menus go away for a totally clear view. These features allow the user to really concentrate on their shot and its framing. Vloggers will especially value the flip-screen function which mirrors the image when you are filming yourself talking to your audience.
Atomos CEO Jeromy Young said, “Our single biggest customer request has been a stand-alone Photo and Video monitor – Shinobi answers that call. We’ve taken our pro color and HDR processing and designed a super lightweight monitor that any YouTuber or IGTV creator can afford.”
For broad compatibility the Shinobi’s HDMI port can accept signals up to 4K (4096x2160) at 30fps, or HD video up to 60fps. The screen can also perfectly display 10+ stops of dynamic range when being used with Log or HLG HDR outputs. Atomos’ advanced color science gives a complete range of in-built gamma presets to match popular cameras when shooting Log or HLG.
Creative users who want to see their Log or flat images with a creative look applied can easily load LUTs directly into the Shinobi’s built-in memory. Simply place a compatible LUT onto a SD card and pop it into the Shinobi, then load it into one of Shinobi’s eight internal preset LUT memories. Once done any of the eight LUTs can be recalled immediately for speedy comparison. In addition, countless more LUTs can be kept on the SD card and loaded in when needed. The same SD card slot can also be used to install any future firmware updates.
For more advanced uses the Shinobi features a new multi-tool Analysis view that simultaneously shows the image, plus waveform, histogram, vectorscope and audio-level meters. In addition, there are multiple options inside each of these tools. This give the operator a complete picture of what is going on in the image at any time.
Although the Shinobi is designed primarily for smaller cameras, its advanced features mean that users of larger cine cameras, traditional camcorders or other Atomos monitor/recorders may also find it an excellent additional monitor for their needs. It also enables operators on multi-camera shoots to have the same high quality HDR monitoring on additional cameras.
If shooting Log or HLG HDR the Shinobi features the Atomos HDR engine that allows the operator to see more dynamic range on screen at once. Users simply engage a dedicated preset for their camera and around 10 stops of dynamic range are shown, giving an accurate representation of the image in HDR while shooting. It can also be used to give a much better indication of what the image can look like after post production. You can also connect the Shinobi to your Mac or PC for use as an extra monitor while editing – even in the field.
A major benefit of Shinobi is that it can be properly color-calibrated using free Atomos software and the X-rite i1Display Pro probe. All monitors’ colors drift over time and routine calibration ensures that the colors remain as accurate as when they originally left the factory.
Photographers can also benefit from using Shinobi for their work. Instead of composing and assessing an image on the small built-in camera LCD screen the Shinobi affords photographers a larger, clear view of their all-important shot. Having a Shinobi and your camera in live-view gives a color accurate preview, plus instant review of composition, exposure and focus during a shoot. Landscape and studio photographers in particular can benefit from this way of working.
The Atomos Shinobi is available now from authorized Atomos dealers.
This would be a great compliment to the a7 III, except that the Sony loses face detect when attached to an external monitor.
Our interview
And now SDI version
Atomos introduces Shinobi SDI
A super-lightweight 5” 4K/HD HDR monitor with HD-SDI and 4K HDMI at just $499
Melbourne, Australia – 28 March, 2019: Atomos is pleased to announce the introduction of the Atomos Shinobi SDI on the back of its successful March 2019 Shinobi launch.
The super-lightweight Shinobi SDI is the go everywhere professional 5” HD-SDI and 4K HDMI camera-top monitor for any production. It’s highly color accurate calibrated display makes it the ultimate compact HDR and SDR reference monitor. The monitor is suited to the professional video creator that uses or owns a variety of cameras and camcorders and needs the flexibility of SDI or HDMI, accurate high bright and HDR, while not requiring external recording capability.
Shinobi SDI features a compact, durable body combined with an ultra-clear, ultra-bright, daylight viewable 1000nit display. The anti-reflection, anti-fingerprint screen has an impressive pixel density of 427 PPI (pixels per inch) and is factory calibrated for color accuracy, with the option for in-field calibration providing ongoing accuracy. It is usable in almost every video situation thanks to the
HD-SDI input and output, plus a 4K HDMI input. This makes Shinobi SDI the perfect companion for high-end cinema and production cameras, ENG cameras, handheld camcorders and any other HD-SDI equipped source.
“Our most requested product in recent times has been a stand-alone SDI monitor. We are thrilled to be bringing the Atomos Shinobi SDI to market for professional video and film creators,” said Jeromy Young, CEO of Atomos.
Perfect for broadcast and Pro AV
The Shinobi SDI is perfectly suited to broadcast and Pro AV as a great option for every camera that needs a monitor. In the field its daylight viewability is essential for news and sports applications. It is also the ideal confidence monitor for live crosses and interviews.
Lightweight and flexible
Weighing in at just 226g/7.8oz (exc. batteries) Shinobi SDI is light enough to sit comfortably on top of a camera, or on an arm out in front of the operator in place of a viewfinder. Because it is so easy to rig it can be used with gimbals, stabilizers, jib arms or as a secondary monitor on larger camera setups.
Right tools for the job
DPs, camera operators and technicians will all appreciate the wide range of monitoring tools available on the Shinobi SDI. The on-board AtomOS 10 tools allow users to expose correctly, frame shots perfectly and ensure things are in focus. There is a full suite of scopes – waveform, RGB parade, vectorscope and audio-level meters, combined with focus peaking, 4:1 / 2:1 / 1:1 zoom, customizable zebras, false color, frame guides and broadcast safe markers.
Shinobi SDI also features an innovative new multi-tool ‘Analysis mode’ that shows the image, plus waveform, histogram, vectorscope and audio-level meters all at once. This gives the operator a complete picture of what is going on in the image at any time, ensuring the creative look is maintained and look profiles and LUTs can be loaded via the in-built SD card. Cinematographers will also find the anamorphic de-squeeze option useful.
The Shinobi SDI is available now for $US499 / €499 plus local taxes from authorized Atomos dealers.
Now we need a 5" SDI recorder (Ninja Vs?), which will permit RAW recordings in 4K 120p from the FS5...
Well, just wait a little.
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