• 1" sensor, 201.MP
• 24-90mm F2.0-2.8 lens
• 4K 24p video
• EVF
• swivel touch screen
• build in ND filter
• Auto lens cap
• July 16 announcement
• Price around $800

I've tried to found any info in internet, unsuccessfully.

thanks

and this is some background music for it:

VisionColor has just come out with a new set of 3D LUTscalled "ImpulZ". They have a profile set up for the GH4's Cinema D. Any preliminary thoughts on the value of these LUTs?

http://www.colorgradingcentral.com/impulz

Thanks

Panasonic has already shown two new concept lenses that it plans to launch this year – a 35-100mm and a 12-35mm, both of which will feature a constant f/2.8 aperture across the zoom range. 'We are very good at making aspherical lenses,' Kitao told AP. 'And when we use them in our optical designs we can reduce the number of elements we need, and thus produce better optical quality.

the company is able to produce aspheric elements of up to 30mm in diameter, but that soon it will be possible for the factory to produce larger - paving the way for faster apertures.

The GF series is a step-up from compact cameras, but we want the GH and GX cameras to be seen as quality products.

We will define more clearly what GH and GX means this year, so consumers have a better idea of what their characteristics are

We are also trying to improve the readout speed of our sensors and the speed at which the focus information is processed so that lack of sharpness is detected more quickly and focus can be found in less time. We are convinced that contrast detection is a better method for mirrorless systems

We already have lenses from 14mm to 300mm, and we've already introduced nine camera bodies, but now we will make faster lenses and more compact pancakes.

Via: http://www.amateurphotographer.co.uk/news/panasonic_plans_highend_csc_to_fend_off_canon_threat_news_311439.html

Does the GH3--or could my lens--have a motor that runs even when the camera is in manual mode (even for stills), set on manual focus, and is simply sitting there, pointed at a surface with a constant exposure?

I've got the OIS switch turn off on the lens, as well as every camera function I can think of.

The only time that the sound goes away is when the camera is in "Scene" mode--but as soon as a scene setting is "set," the noise comes back.

I have updated the camera to the 1.2 firmware.

I've never worked with a DSLR before, and I'm a bit of a newbie in general (most interested in video). Is this normal?

Any help appreciated!

Thanks!

i was using the 14-42 lumix x power zoom, and i wanted to change the lens so i turned off the gh2, waited for the lens to shrink, then i take the lens off the camera body, but the thing is that i then realized that i didn´t wait for the camera to completely turn off before removing the lens, the green LED was on when i deattached the lens off the camera

after i did this, the camera just died, it doesnt turn ON by any means, i tried with different batteries, with completely charged batteries, with ac power, nothing

any ideas? :P

• is the full 60-1/4000 shutter speed range available in electronic shutter mode or is the slowest speed limited to 1 second like on G5? ( Answered: it is limited to 1 second. )

• what are the options in built-in intervalometer? Can the interval be lower than one second? Is there a setting for unlimited number of images or is 9999 maximum it will allow?

• what is the fastest burst mode that allows automatic exposure between frames?

• what is the save delay in burst mode and can it save previous shot while taking next one? In practice, can the equivalent of 360 degrees shutter angle be achieved at any shutter speed?

The two cameras are similar in size, and also more or less in price (after selling the GF6 kit lens). Also intend to be using an ND filter with either to help get the correct exposure for aimed frame rates. If getting the GF6, I'd be using the 14mm + ND both of which I already own (until I get hold of a Sigma 30mm DN to replace the 14mm, same filter size).

At 1080/25p, both seem to cap the video at 20Mbps, but not sure if the compression efficiency is similar?

Does anyone have any practical experience with these, mainly with regards to video quality?

Do they both have adjustable color modes for video like the GH3? Vivid, natural, etc? Can you tone saturation down, etc?

How nice is the LX7 lens? And how does one attach a filter to it? Do you just unscrew the lens cover, and that's it? Or do you need some sort of adapter? I've googled and youtubed, but still a bit confused about how to use those 37mm filters on the LX7...

I've compiled the following "pluses" for each of them:

• LX7: Internal ND filter, slightly more pocketable, fast lens, slow-mo@100pfs.
• GF6: Adjustable LCD, bigger sensor, changeable lens.

Any inputs? Which one you'd rather get?

Thanks!

Can anyone confirm these things will work on GH2: RW-221 wireless shutter remote and Yongnuo RF-602 for triggering my Nissin 466 flash?

I have a couple Nikon lenses (50mm f1.2, 70-300 f.4 and Metabones Speedbooster N m43) and an Oly Pen F 25mm with m43 adapter as well as the kit Panny lens, nothing I couldn't sell or transition with.

Portability, quality, and ease of use are primary considerations for photo HDR brackets for panoramic's mostly, shooting a video of an interview with a WWII vet w natural lighting, but nothing professionally, $1000 to $2000 range. If camera isn't worth fixing, is it worth anything?

Any recommendations?

It seems that some people say that it's possible with Viera Link turned off and resolution set to AUTO, but other say that doesn't work. I have some live shoots coming up where I'll need to feed a mixer 24p, and need to decide if something like an Atomos Connect is necessary for pulldown removal. I don't need SDI for run length, so I'd only be using these (in a practical sense) for pulldown removal.

Can anyone tell me if this is necessary with the most up to date firmware?

I went to film racing event last weekend with my GH3. I've remembered playing with this option on my GH2 but then never require it really. I wanted to give it a go on this event.. and it dosen't activate. I mean it's available and goes to "ON" mode in menu but does not affect picture at all (it's still same focal distance being displayed.)

I have being played it with different manual recording modes and while in preveiw and actuall recording mode. Tried different codecs and resolutions. I've swaped and tried 3 different lenses (20mm lumix, 35-100 lumix and 45olympus). I went to menu and used "Reset" option to bring camera to factory settings. No result

Is there something I'm missing any advices before getting myself introduce to Panasonic customer service :) ?

Thanks

long time PV user - first time poster.

I'd like to ask some opinions - Here in the UK Panasonic are about to launch a spring promotion (it's a bit hush hush) the deal is, you buy a GH3, and get the battery grip and a 22mm 1.4 Panny lens thrown in for good measure. (could be a 24mm though) anyway, I currently shot with a G6 making music videos and youtube stuff, but I do occasionally shoot higher end stuff. Do i trade in the G6 (and pray it then doesn't get hacked the week after) and trade up to the GH3, or stick with the G6?

I like the weather sealing feature, and the higher bitrates, but i'll miss peaking...

I read somewhere that the GH3 has a smaller sensor - is this right?

Will i see a big jump in quality? And if not is this deal too good to miss?

Thanks in advance,

Matt