Ricoh Imaging Americas Corporation today announced a new generation of high-performance Star-series lenses optimized for super high-resolution photography and high megapixel digital single-lens reflex (D-SLR) cameras. The first two lenses developed for the new-generation of Star-series quality—the HD PENTAX-D FA★ 50mm F1.4 SDM AW and the HD PENTAX-DA★ 11-18mm F2.8—will be on display as reference products at Photo Plus Expo 2017 at the Javits Convention Center in New York (October 26-28) and SALON de la PHOTO 2017 in Paris (November 9-13).

Premium-quality Star-series lenses deliver the highest performance among the PENTAX K-mount interchangeable lens series, and have been highly regarded by PENTAX K-Mount users since the days of film. In addition to the initial design concepts of optimum image quality and large apertures for maximum light transmission, the series has embraced the additional concepts of exceptional toughness and outstanding operability, achieved through the development of a dustproof, weather-resistant construction. The resulting lenses provide superior dependability in a wide range of shooting conditions, and are the perfect companion to PENTAX SLR camera bodies.

Although final names, specs and pricing will not be released until 2018, here are preliminary key features of the two lenses:

• HD PENTAX-D FA★ 50mm F1.4 SDM AW
• PENTAX K-mount covering the image circle of a 35mm-format full-frame image sensor
• Newly developed ring-shaped SDM (Supersonic Direct-drive Motor) for faster, quieter AF operation
• AW (All-Weather) construction to prevent intrusion of dust and rain and ideal for use in demanding shooting conditions
• Minimum shooting distance of 0.4 meters
• Note: this is an updated version of the reference product shown at CP+ 2017
• Availability: Scheduled for the spring of 2018

Lens will set new price record for category, as well as new MTF records for such lenses.

Lens will set new price record for category, as well as new MTF records for such lenses.

• Development announcement - late 2019 or early 2020
• Release - mid 2020 or early 2021
• Lens will set record in prices among same specs lenses
• Target will be record sharpness, lens will be aimed at new 60-70Mp FF sensors

• 9 elements in 8 groups
• Autofocus lens
• F2-F16 aperture
• 0.2m min focusing distance
• 46mm filters
• m43 mount
• Black and silver colors
• 130g weight

Irix, young company which successfully entered photography world just few years ago with innovative and properly designed products is reaching another level of evolution. Quality, durability and precision were always strong points of Irix. It has been just proven. Irix has been selected as cooperating company in exciting, high technology project.

Irix Team is proud to announce its participation in the project of the first Polish Earth observation satellite named Światowid. Nanosatellite equipped with the test platform of future Irix 300SR lens, on April 17, 2019, will be elevated to Earth's orbit.

The collaboration between the manufacturer of Irix lenses and SatRevolution company began in mid 2017. The result of this collaboration is the first prototype of the Irix 300 SR experimental lens, which, combined with the camera installed in the Światowid nanosatellite, will provide the best possible quality of Earth's images from space.

Irix 300 SR - the first Space Ready Irix lens

The technical requirements for the lens design were a real challenge for the Irix R&D department, as they included strictly defined optical parameters such as: focal length, f-number, optical resolution and very low level of optical aberrations. The design of the lens has to be also modular in order to provide the possibility of use with satellites equipped with cameras of a different resolution and specific diagonal size of the sensor. Such an optical system has to fit designed place for optical system in satellite’s construction. Maximum diameter, but what is more important in case of nanosatellites weight must be strictly controlled. (Światowid’s optical system limit is 300 grams / 0.66 lbs).

Very important for the success of the satellite’s mission are launching standards. Launching into orbit and working in open space is a complicated process. Extremely high standards of materials and technologies used must be fulfilled. The same requirements were applied to the Irix 300SR lens. Design and construction process must follow NASA guidelines for materials and technologies permitted for space flight. In other words, the Irix 300SR has to meet requirements much higher than lenses used on a daily basis by astronauts photographing from the board of the International Space Station.

Today’s launch is a first step in research project supported by EU funds (Polish National Centre for Research and Development). Irix R&D center in Poland for next several months will be preparing lens for next launch. Except optical performance which will be on highest level individual components of the lens as well as the complete lens will have to pass various tests. Among other things resistance to overload as well as mechanical and acoustic vibrations occurring during the launch of the rocket will be tested. The aging tests will verify the lens' resistance to a wide temperature range of -50°C to 150° (-58°F to 302°F), UV radiation and extreme vacuum conditions.

Knowledge and technologies of this project will be used in other lenses and products intended for the “civil” photographic market. In other words, Irix product will become even better and more innovative.

Ready for the mission

The satellite Światowid with the test platform of future Irix 300SR lens onboard will be delivered to the International Space Station via the NanoRacks operator as part of the Cygnus NG-11

Commercial Resupply Service. The launch of Antares 230 rocket is planned for April 17, 2019 at 4:46 PM EDT (20:46 UTC) from NASA's Wallops Flight Facility in Wallops, Virginia (US).

Irix Team cordially invites you to visit the special website dedicated to Irix 300SR lens available at https://space.irixlens.com We also invite you to visit the SatRevolution website at www.satrevolution.com, where you will find more details about the Światowid satellite project.

Specs

• Will be added tomorrow
• Preorder at https://www.adorama.com/ipc1260l.html

Specs

• Maximum aperture: F3.0
• Minimum aperture: F22
• Angle of view: 180 degrees
• Lens configuration: 11 pieces of 9 groups
• Shortest focusing distance: 0.1 m
• Mount: Canon EF-M / Fujifilm X / Sony E (APS-C)
• Focus: manual
• External dimensions: 64 x 62 mm
• Weight: about 240 g
• Price will be around $220 USD

Specifications

• 10 lenses in 8 groups
• Min focusing distance - 0.25 m
• Maximum magnification - x0,156
• Filters diameter - 52 mm
• Aperture range - f/2.4 – f/22
• φ 62.0 × 74.5 mm
• 393 g
• US 1299 dollars, EU 1299 euros, UK 1189 pounds
• Available for preorders at
  • US - https://www.bhphotovideo.com/c/product/1389169-REG/zeiss_000000_2218_783_loxia_25mm_f_2_4_lens.html
  • US - https://www.adorama.com/zilx2524.html
  • EU - https://photo-porst-neuwied.rf-webworld.de/shop/produkt/zeiss-loxia-2-4-25-universelles-weitwinkel-z2218-783

Vignetting and MTFs

Specs

• F-No. - F2.75
• T-No. - T2.9
• Image size - 24.84mm × 13.97mm(φ28.5mm)
• Minimum Object Distance - 1.2m (0.85m in macro)
• Number of iris blades - 9
• Filter diameter - 82mm
• Front diameter - 85mm
• Length - 206mm
• Weight - 980g

The Optical Devices Division of FUJIFILM has unveiled the MK Series of cinema lenses for E-mount cameras, which boast advanced optical performance, ultra-compact and lightweight design, as well as superb cost performance. The first in this series to be introduced, the FUJINON MK18-55mm T2.9, is a standard zoom with an 18-55mm focal length. It will be available in early March at a list price of $3,799. The entire “MK” series is designed with the ‘emerging’ cinematographer in mind, whether shooting a live event, online programming, documentary, corporate video, wedding, independent or short film production.

The next in the series, the FUJINON MK50-135mm T2.9*1, will be available this summer. With a combined focal length range of 18mm-135mm in the Super 35mm format, together the first two “MK” lenses cover the most frequently used range utilized by emerging cinematographers. The series offers fast lenses with T2.9 speed across the entire zoom range, enabling a shallow depth-of-field.

“The rapid growth in popularity of content produced by emerging cinematographers has expanded the use of cinema and digital photographic cameras,” said Tom Fletcher, Director of Sales, Optical Devices Division of FUJIFILM. “And the heightened need for programming has, in turn, boosted demand for high-performance cinema lenses, which are ideal to achieve a shallow depth-of-field and a beautiful bokeh. However, since they are typically large, heavy and expensive, those involved in online and other lower cost productions often opt for interchangeable lenses for digital cameras, which have been more affordable and mobile. The problem is that interchangeable lenses for digital cameras are designed primarily for shooting stills, and therefore prone to focus shift and optical axis shift while zooming.”

The “MK” lenses are designed to maintain consistent color temperature with all FUJINON cinema lenses, which simplifies color grading2. The series also inherits the FUJINON cine lenses’ advanced edge-to-edge optical performance and low distortion3, while boasting compact and lightweight design as well as outstanding cost/performance. The MK18-55 and MK50-135mm weigh in at a light 980 grams/2.16 lbs with front diameters of 85mm and lengths of 206mm. The MK18-55mm’s minimum object distance (MOD) is .85 meters/2.78 feet, while the MK 50-135mm’s MOD is 1.2m/3.93 feet.

“Many independent shooters use DSLR lenses, which aren’t designed for moving images. Still lenses breathe considerably, and they have no adjustable manual iris,” said Fletcher. “Our MK’s have a seamless manual iris, zero breathing, no ramping or zoom shift, and 200-degree focus rotation. They maintain focus completely throughout the zoom range while covering Super 35mm sensors.”

In addition to their lightweight and compact build, the “MK” lenses are designed from the ground up with the operator in mind. Only one matte box and one filter size are needed between the lenses. Time-saving features include a macro function that allows for a broader range of close-up shooting, and gears for the three rings are positioned in the exact same place, which eliminates the need to re-position accessories when switching lenses.

The lenses each contain a Flange Focal Distance adjustment function*4 to achieve optimal camera and lens matching. The short flange focal distance contributes to the lenses’ compact size and lightweight. Distances are listed in feet and meters.

The iris supports seamless adjustment that is free of clicking. This enables precise exposure adjustment without any sound from clicking between T-stops.

The lenses also feature three rings for manual and independent adjustment of focus, zoom, and iris (aperture), with the gear pitch*5 of 0.8M (module). The focus ring can rotate fully up to 200 degrees to facilitate precise focusing.

The “MK” lenses are compatible with E-mount cameras with the Super 35mm/ APS-C sensor.

X Mount versions of the MK lenses (with focal lengths of 18-55mm and 50-135mm) used in the FUJIFILM X Series line of digital cameras (with APS-C sensors) are being developed for launch by the end of this year. Information about the X Mount lenses will be provided as soon as more details are confirmed.

Specs

• F-No. - F2.75
• T-No. - T2.9
• Image size - 24.84mm × 13.97mm(φ28.5mm)
• Minimum Object Distance - 0.85m (0.38m in macro)
• Iris blades - 9
• Filter diameter - 82mm
• Front diameter - 85mm
• Length - 206mm
• Weight - 980g
• E mount
• Available at https://www.amazon.com/FUJINON-Cine-Lens-MK18-55MM-T2-9/dp/B06W9NM7PW/

PR

The Optical Devices Division of FUJIFILM has unveiled the MK Series of cinema lenses for E-mount cameras, which boast advanced optical performance, ultra-compact and lightweight design, as well as superb cost performance. The first in this series to be introduced, the FUJINON MK18-55mm T2.9, is a standard zoom with an 18-55mm focal length. It will be available in early March at a list price of $3,799. The entire “MK” series is designed with the ‘emerging’ cinematographer in mind, whether shooting a live event, online programming, documentary, corporate video, wedding, independent or short film production.

The next in the series, the FUJINON MK50-135mm T2.9*1, will be available this summer. With a combined focal length range of 18mm-135mm in the Super 35mm format, together the first two “MK” lenses cover the most frequently used range utilized by emerging cinematographers. The series offers fast lenses with T2.9 speed across the entire zoom range, enabling a shallow depth-of-field.

“The rapid growth in popularity of content produced by emerging cinematographers has expanded the use of cinema and digital photographic cameras,” said Tom Fletcher, Director of Sales, Optical Devices Division of FUJIFILM. “And the heightened need for programming has, in turn, boosted demand for high-performance cinema lenses, which are ideal to achieve a shallow depth-of-field and a beautiful bokeh. However, since they are typically large, heavy and expensive, those involved in online and other lower cost productions often opt for interchangeable lenses for digital cameras, which have been more affordable and mobile. The problem is that interchangeable lenses for digital cameras are designed primarily for shooting stills, and therefore prone to focus shift and optical axis shift while zooming.”

The “MK” lenses are designed to maintain consistent color temperature with all FUJINON cinema lenses, which simplifies color grading2. The series also inherits the FUJINON cine lenses’ advanced edge-to-edge optical performance and low distortion3, while boasting compact and lightweight design as well as outstanding cost/performance. The MK18-55 and MK50-135mm weigh in at a light 980 grams/2.16 lbs with front diameters of 85mm and lengths of 206mm. The MK18-55mm’s minimum object distance (MOD) is .85 meters/2.78 feet, while the MK 50-135mm’s MOD is 1.2m/3.93 feet.

“Many independent shooters use DSLR lenses, which aren’t designed for moving images. Still lenses breathe considerably, and they have no adjustable manual iris,” said Fletcher. “Our MK’s have a seamless manual iris, zero breathing, no ramping or zoom shift, and 200-degree focus rotation. They maintain focus completely throughout the zoom range while covering Super 35mm sensors.”

In addition to their lightweight and compact build, the “MK” lenses are designed from the ground up with the operator in mind. Only one matte box and one filter size are needed between the lenses. Time-saving features include a macro function that allows for a broader range of close-up shooting, and gears for the three rings are positioned in the exact same place, which eliminates the need to re-position accessories when switching lenses.

The lenses each contain a Flange Focal Distance adjustment function*4 to achieve optimal camera and lens matching. The short flange focal distance contributes to the lenses’ compact size and lightweight. Distances are listed in feet and meters.

The iris supports seamless adjustment that is free of clicking. This enables precise exposure adjustment without any sound from clicking between T-stops.

The lenses also feature three rings for manual and independent adjustment of focus, zoom, and iris (aperture), with the gear pitch*5 of 0.8M (module). The focus ring can rotate fully up to 200 degrees to facilitate precise focusing.

The “MK” lenses are compatible with E-mount cameras with the Super 35mm/ APS-C sensor.

X Mount versions of the MK lenses (with focal lengths of 18-55mm and 50-135mm) used in the FUJIFILM X Series line of digital cameras (with APS-C sensors) are being developed for launch by the end of this year. Information about the X Mount lenses will be provided as soon as more details are confirmed.

• Premista 28-100mm T2.9
• Premista 80-250mm model T2.9-3.5 - will release later

RICOH COMPANY, LTD. and RICOH IMAGING EUROPE S.A.S. are pleased to announce the launch of the HD PENTAX-DA* 11-18mm F2.8 ED DC AW. This high-performance, ultra-wide-angle, Star-series lens features a large F2.8 maximum aperture over the entire zoom range to deliver exceptional optical performance.

The HD PENTAX-DA11-18mm F2.8 ED DC AW ultra-wide-angle zoom lens is the latest model in the new-generation Star () series — a lens that provides exceptional image quality to be able to accommodate the super-high-performance digital cameras of the future. It delivers high-resolution, high-contrast images without blurring at the edges, and guarantees excellent imaging performance in high-grade digital photography. With the introduction of this lens, the high quality, high-performance Star series now provides a wide angle-of-view coverage —from ultra-wide angle to telephoto compact models featuring a large F2.8 maximum aperture, exclusively designed for use with PENTAX APS-C-format digital SLR cameras.

In addition to an outstanding dustproof, weather-resistant construction, the lens provides a Focus Clamp Mechanism to lock focus at the desired focal point. It also provides useful features to improve performance and dependability in challenging outdoor conditions. These include a space specifically designed for holding a heating device to prevent condensation, and a metallic frame structure, which more effectively transmits the heat of the device to the lens. These greatly improve the lens' operability when shooting in outdoor situations including star-lit skies.

HD PENTAX-DA*11-18mm F2.8 ED DC AW - Price & Availability

RRP: £1,399.99

Available: February 2019

Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of two new additions to its UHDgc series of portable-zoom 4K UHD broadcast lenses: the CJ18ex28B and CJ15ex8.5B. These new lenses are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Both lenses provide 4K UHD imaging quality at a price point that is affordable to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance, while maintaining a compact and lightweight design to meet versatile and ever-changing needs of a broad range of video productions including documentaries, sports, events and news coverage.

The new Canon CJ18ex28B and CJ15ex8.5B portable zoom lenses utilize Canon’s proprietary optical design technology featuring materials such as fluorite and Ultra-Low Dispersion (UD) glass to achieve high 4K UHD performance across the entire zoom range. In addition, these lenses support the wide color gamut approved by the ITU-R BT.2020 UHD broadcasting standard. These features are essential to HDR imaging. The ergonomics and digital servo operational controls of the lenses are similar to Canon’s current lineup of portable zoom lenses, providing users with maximum mobility in a variety of shooting situations.

The CJ18ex28B lens features a zoom range of 28-500mm (56-1000mm with built-in 2X extender), making it ideal for capturing crisp shots at long distances, while remaining compact enough to be operated in a shoulder-mounted configuration. The CJ15ex8.5B features Canon’s exclusive Vari-Angle Prism (VAP) Image Stabilization technology to help minimize vibrations on both the horizontal and vertical axes during mobile shooting, such as during sporting events. Both of these lenses fill a unique need for specialized shooting environments in the broadcast market.

“The demand for affordable, high-quality 4K UHD lenses for television news has continued to grow year over year, and as the needs of our customers mature, Canon continues to evolve to meet the needs of end-users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “These new UHDgc lenses provide the optical brilliance that makes Canon a leader in broadcast lenses, while maintaining a price point that fits the budgetary needs of a large segment of the industry.”

The Canon CJ18ex28B and CJ15ex8.5B 4K Portable Zoom Lenses will make their public debut at the NAB Show 2019 in Las Vegas from April 8th-11th in the Canon booth (C4425).

Availability

The Canon CJ18ex28B and CJ15ex8.5B 4K Portable Zoom Lenses are scheduled to be available in the beginning of Summer 2019*. For more information, please visit, usa.canon.com/broadcast.

Specs

• 9 lenses in 8 groups
• Minimum aperture - F22
• 10 diaphragm blades
• 52mm filters
• Min focusing distance - 20 cm.
• 62.8 × 39.9 mm

FUJIFILM North America Corporation today announced that it will release the FUJINON GF100-200mmF5.6 R LM OIS WR lens for the GFX Medium Format mirrorless digital camera system on February 14^th^, 2019. Designed with outdoor enthusiasts in mind, the camera has a durable, lightweight design paired with Fujifilm's excellent image quality and five stop image stabilization features.

"Outdoor photographers need to consider a plethora of challenges including lighting, environment and timing -- all while battling the natural elements," said Yuji Igarashi, General Manager, Electronic Imaging Division & Optical Devices Division, FUJIFILM North America Corporation. "As the first GF telephoto zoom lens that has a 35mm equivalent focal range of 79-158mm in a compact, weather-resistant design, this lens will meet the needs of outdoor and landscape photographers."

Ideal to shoot landscape, travel and nature photography, the new telephoto zoom lens is resilient with its ability to operate in extreme temperatures (down to 14 °F) and sealed lens to resist dust and moisture --all without sacrificing image quality.

Key features of the FUJINON GF100-200mmF5.6 R LM OIS WR lens:

Ultra-High Image Quality: The lens is made up of 20 elements in 13 groups including two super Extra Low Dispersion Glass lenses and one aspherical lens to reduce chromatic and field curvature aberrations.

Powerful Image Stabilization: Equipped with an excellent five stop image stabilization (CIPA guidelines), the lens allows photographers to make the most of the GFX's high image resolution performance even without the use of a tripod.

Silent and High-Speed Autofocus: The linear motor which drives the focus is accurate, quiet and fast. The lens also includes an enhanced mechanism for fixing the linear motor position when turning the power off or using playback mode to avoid any additional vibration.

Robust Durable Design, Appropriate for Tough Shooting Environments: The lens is sealed across 10 areas for dust and weather resistance allowing photographers to shoot with stability in tough environments.

GF1.4X TC WR Compatible: The 1.4x teleconverter (GF1.4X TC WR) extends the telephoto shooting range to 140-280mm (equivalent to 111-221mm in 35mm format) while maintaining superior image quality.

The GF100-200mmF5.6 R LM OIS WR lens complements the FUJIFILM GFX 50S and FUJIFILM GFX 50R as well as the full lineup of GF lenses for the Fujifilm GFX mirrorless digital camera system. GF lenses are known for top image quality using the finest optical design and production technologies to achieve high-resolution and rich tonal reproduction, making them popular among professional photographers and photo enthusiasts.

The GF100-200mmF5.6 R LM OIS WR lens will be available in late February 2019 in the U.S. and Canada for USD $1,999.95 and CAD $2,599.99.

• Must be introduced around September
• Lot of XR and anamorphic glass used in construction
• Will set few records in price and margins department

• 7 elements in 6 groups
• Minimum aperture: F16
• Field of view is 160 degrees
• Format compatibility: APS-C
• Sortest focal distance: 10cm
• Manual focus (MF)
• Mounts: Micro Four Thirds
• Dimensions: 48 x 58 mm
• Weight: Approximately 250 g
• Filter installation is impossible
• 25,000 yen price ($190-240 US)

Available at:

• http://www.amazon.com/Panasonic-H-NS043-NOCTICORON-42-5mm-Cameras/dp/B00HXE4GZQ

Specs

• 15 elements in 10 groups
• Min aperture - F16-F22
• 7 diaphragm blades
• Shortest shooting distance: 0.28 m
• Maximum magnification: 1: 4.9
• Filter diameter: 77 mm
• Internal focus
• Size: 83.6 mm × 92.5 mm (For Canon)
• Weight: 460 g
• Comes with lens hood
• Canon EF and Nikon F mounts
• Available in September (for Nikon), price at $599, preorder at
  • https://www.bhphotovideo.com/c/product/1428194-REG/tamron_a037_17_35mm_f_2_8_4_di_osd.html

PR

Optimum image quality coupled with maximum portability

The 17-35mm F/ 2.8-4 Di OSD (Model A037) is an ultra-wide-angle lens featuring superb image quality integrated into a compact, lightweight body. The use of specialized glass materials enables comprehensive control of the axial chromatic aberrations conspicuous in ultra-wide-angle lenses. The Model A037 offers a high level of sharpness and contrast comparable to the very best of lenses. From the 35mm standard wide-angle for user-friendly snapshot photography, to the ultra-wide-angle 17mm used for professional landscape photography, this lens can meet a wide variety of your needs and yet still offer amazing portability being only 90mm (3.5 in) in length, 83.6mm in diameter, and just 460g (16.2 oz) in weight. With a Minimum Object Distance (MOD) of only 0.28m (11 in), opening the aperture while approaching the subject lets you blur the background. Wide enough to encompass the entire landscape, the Model A037 lets you capture the thrill of the moment in each and every image you shoot.

Backlighting control enables new forms of expression

As strong light sources can often penetrate the lens, wide-angle lenses in particular are made to resolve backlighting issues. The Model A037 has gone through repeated comprehensive ghosting analysis simulation during the development stage. The optical structure performance level has also been maximized. The BBAR (Broad-Band Anti-Reflection) Coating is applied for highly effective anti-reflection and ghosting and flare are brought under control.

AF to capture the moment

The AF drive employs a newly developed OSD (Optimized Silent Drive) to ensure silent operation. Upgraded and optimized for even further reduction in drive noise, this drive allows the lens to be used to your heart’s content in all situations where silence is required. With its greatly enhanced quality and speed, the new outstanding AF performance and tracking capabilities mean you never have to worry about missing a shot even when focusing on moving subjects.

Additional Features

Protect your lens with Fluorine Coating and Moisture-Resistant Construction

The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints. Leak-proof seals throughout the lens barrel further protect your equipment, especially when shooting outdoors.

The MF 14mm F2.8 RF & MF 85mm F1.4 RF will be available during March 2019.

Price not known yet.

https://www.four-thirds.org/en/common/pdf/catalog2019_en.pdf

KIPON announced ELEGANT series lenses, world-first full-frame lenses for new Nikon Z mount and Canon R mount cameras from third-party.

After 6 years non-stop learning for how to make high quality lenses, KIPON accumulated rich experience now, The reason why we use ELEGANT to name this lineup is because we want to transfer exactly how we develop these lenses from design to manufacture.They are consistent with our inertial thinking and philosophy about developing products in our company.

Lenses would be available before the end of Dec 2018,price as below,

• 24mm/f2.4 (For Nikon Z&Canon RF) 499USD
• 35mm/f2.4 (For Nikon Z&Canon RF) 468USD
• 50mm/f2.4 (For Nikon Z&Canon RF) 325USD
• 75mm/f2.4 (For Nikon Z&Canon RF) 355USD
• 90mm/f2.4 (For Nikon Z&Canon RF) 386USD

Announcement within few days.

Shipping in April.

Specs

• 12 elements in 9 groups (4x HR, 3x ED)
• Min focus distance - 0.345 m (0.92 ft)
• Manual focus
• 270 degrees rotation angle
• 1:1 Magnification ratio (macro)
• Aperture range f/2.8 – f/32
• Aperture control only via camera
• 87 x 135 mm (without tripod collar and lens hood)
• 11 rounded aperturę blades
• 77 mm filters
• Detachable Lens hood
• Focus Lock ring
• Detachable tripod collar
• Weather sealed
• 840g
• Canon EF, Nikon F, Pentax K Mounts
• $595 at
  • https://www.bhphotovideo.com/c/product/1442868-REG/irix_150mm_f_2_8_macro_1_1.html
  • https://www.adorama.com/irxf15028cn.html

MTF

https://www.kickstarter.com/projects/jamesxc/ultra-versatile-telephoto-lens-redcat-250mm-f-49

Preorder

• m43 version
  • https://www.bhphotovideo.com/c/product/1432480-REG/rokinon_rk8518_mft_85mm_f_1_8_lens_for.html
  • https://www.adorama.com/rk8518mft.html

Specifications:

Samyang unveils the MF 85mm F1.8 ED UMC CS lens for mirrorless cameras with APS-C crop sensors

Samyang Optics launches a new manual-focus lens for mirrorless shooters: The MF 85mm F1.8 ED UMC CS is designed for use with APS-C sensor mirrorless cameras in the following mounts: Sony E, Fujifilm X, Canon M, and Micro-Four-Thirds. It is competitively priced and light-weight. This medium telephoto lens inherits the renowned image quality of Samyang's manual focus series and also boasts beautiful out of focus bokeh and availability for a variety of cameras.

Ideal portrait lens, with a fast, bright maximum aperture...

This manual-focus 85mm F1.8 ED UMC CS lens is a medium telephoto lens, with a similar angle of-view to a 135mm lens when compared to full-frame cameras. The Samyang MF 85mm F1.8 ED UMC CS is designed with 9 lens elements in 7 groups and it delivers high resolution from the centre to the corners of the image. A high-refractive and an extra-low dispersion element, along with Ultra Multi-Coating (UMC) help minimise chromatic aberrations and deliver clear, vibrant images. This lens is ideal for portraits, with beautiful bokeh from its floating-element system. Its low-light performance and shallow depth-of-field are especially useful features.

Wide range of uses, with crystal-clear resolution...

The compact and light-weight design offers the portability and comfort needed for a long day's shooting. This lens would be the ideal choice for keen photographers who want to capture everyday moments in high-resolution. The Samyang MF 85mm F1.8 ED UMC CS has a host of features including its outstanding optical performance. Its wide range of uses include portraits and other close-ups such as food, as well as landscapes and many other situations.

More fun with Manual Focus lenses...

The MF 85mm F1.8 ED UMC CS lens is perfect for shooters who want to have more involvement and express their own characteristics through their images. The Samyang MF 85mm F1.8 ED UMC CS weighs in at just over 300g and measures approximately 8cm long (without the hood and lens caps). Photographers can expect superb, emotional and unique images from this compact companion.

Price: suggested retail price £319.99

Availability: from September 2018

Imported and distributed in the UK & Ireland by Intro 2020 Ltd.

For full details please visit www.intro2020.co.uk