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VFX Supervisor Aaron Wright Dishes On the Time Travel Secrets of 'My Old Ass'

There are so few movies that come out a year that charm me. Movies with their own charisma and presence are sometimes fewer and farther between than they ought to be. That being said, one of the movies that I connected with its charming charisma this year was My Old Ass. Perhaps it's because I'm nearing the age of the main character in the future, but I saw a lot of wonder, anxiety, hope, and fear in myself, which was also in the movie. It took a lot of work for this indie to come together, and one of the unsung heroes of the film is Aaron Wright, the VFX supervisor who put a lot of care and attention into the reliability of the movie behind the scenes. We were excited to sit down with Aaron to talk about this movie. Let's dive into our interview below. Editor's note: the following interview is edited for length and clarity. No Film School: How did the team go about creating the realistic toe amputation effect for Aubrey Plaza's character? What were some of the key considerations in achieving this effect?Aaron Wright: When we first got a look at this shot, we noticed right away some key components that were going to be difficult, and also some components that would make this one of our star shots in the film. The pinky toe had some green tape on it and was wiggling around a lot, which made the foot's tendons and veins flex...

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Published By: NoFilmSchool - Tuesday, 5 November

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