Is AI inherently bad for filmmakers? Is the Faustian Fable of speech at the center of The Little Mermaid prime to explore this debate? We've been poking around at this topic all year, and filmmaker Mercedes Arutro has entered the discourse with her latest short film, "Back Home". We had the pleasure of speaking with Mercedes, a multidisciplinary artist whose work spans film, theater, and visual arts. Selected for the prestigious Rising Voices Programme in 2024, Mercedes created Back Home, a thought-provoking short film that delves into the future of artists in an AI-driven world, and is now in contention for the Oscar shortlist. The film initially premiered at the Tribeca Film Festival, capturing the hearts of audiences with its poignant narrative.Starting her artistic journey in theater, Mercedes has contributed to over 20 plays in Buenos Aires, and her expertise in wardrobe design has graced Disney’s Topa in Junior Express, a standout children’s theater show in Latin America. With a background in Film Direction from ENERC, her diverse projects have been showcased at major festivals worldwide.In our conversation, Mercedes shares insights into her creative process, the influence of her theater background on her visual storytelling, and the rewarding experiences of creating Back Home. She discusses the film's exploration of AI's impact on the arts and the importance of collaboration in her work. Let's dive in. "'Back Home"via Mercedes ArutroNo Film School: What inspired you to create Back Home?Mercedes Arutro: Back Home was done in the Rising Voices program, and the...
Published By: NoFilmSchool - Friday, 13 December