Blackmagic Design has released DaVinci Resolve 19.1.1, a minor but meaningful update that addresses several workflow pain points across the software’s key pages. While not a major version release, the update introduces subtle yet significant improvements that will resonate with professional editors, colorists, and sound designers. As usual, Blackmagic Design is adding some useful workflow updates to its ever-evolving post production powerhouse DaVinci Resolve 19. Editing flexibility is main focus of DaVinci update The most notable addition is enhanced clip placement functionality. Editors can now paste clips in the timeline either at the playhead or between in and out points, providing more granular control over complex editing workflows. This seemingly small feature can significantly streamline editing processes, especially when working on intricate projects with multiple clip arrangements. The update also tackles several stability issues on the Edit page, including improved multicam angle switching and resolving crashes related to transition previews. These refinements demonstrate Blackmagic’s commitment to addressing real-world editing challenges. Fusion and Color Page enhancements Fusion users will appreciate the improved rendering of fisheye textures in the SphereMap 3D tool and more reliable b-spline polygon creation. For colorists, the update improves spatial photo thumbnail displays and resolves some collaboration-related grading issues. A brief overview of DaVinci Resolve 19 from NAB 2024 earlier this year. Audio workflow improvements Fairlight receives attention with more consistent automation trim controls and more accurate interpretation of AAF imports, particularly regarding clip fade levels. These updates underscore the software’s ongoing development as a comprehensive post-production solution....
Published By: CineD - Yesterday