During Adobe MAX, the company has announced that they now support Apple ProRes RAW editing inside Adobe Premiere Pro 14.5 in a greater way. Other announcements were related to future plans. Let’s take a closer look. Adobe Premiere Pro 14.5 and ProRes RAW If you’ve been a long-time Adobe Premiere Pro user, you probably know the pain of adjusting Apple ProRes RAW clips on both Mac and Windows computers. In May 2020, Adobe already released an update that supports ProRes RAW editing within Premiere Pro. However, for Windows users, it only supported Nvidia GPUs and you needed the Apple ProRes RAW decoder to playback/edit your footage properly. With the help of Atomos, that has been pushing ProRes RAW for over three years now, this new Premiere Pro 14.5 version now supports Apple ProRes RAW with both AMD and Intel GPUs (as Windows user, you’ll still need to download and install the Apple ProRes RAW decoder). So in short, both Windows and Mac users can now import and edit ProRes RAW footage, no matter what GPU they use. Previously, there weren’t any options for the user to select the correct ProRes RAW to LOG color space conversion for source clips. It is now possible to select the right color space per clip. There’s also an additional RAW to N-Log conversion in the drop-down menu for Nikon Z 6/Z 7 users. It should be easier to work on Rec.2100 HLG projects, too. Adobe Premiere Pro 14.5 also supports ProRes RAW exposure control, but you...
Published By: CineD - Wednesday, 21 October, 2020