Tagged with tone - Personal View Talks http://personal-view.com/talks/discussions/tagged/tone/feed.rss Wed, 15 May 24 02:15:47 +0000 Tagged with tone - Personal View Talks en-CA New Reason Rack Extensions from Numerical Sound http://personal-view.com/talks/discussion/6422/new-reason-rack-extensions-from-numerical-sound Sun, 17 Mar 2013 18:36:04 +0000 thepalalias 6422@/talks/discussions I thought I would share a new (as well as an almost new) Rack Extension for Reason that I consulted on for Numerical Sound.

First, there's Tone Mutation Instruments, a quick way to try out different timbral variations on your sounds with just a couple clicks. It uses convolution technology to take the harmonic content of 36 different sound sources (guitars, instruments, etc.) and apply it to your sounds and recordings. http://shop.propellerheads.se/product/tone-mutation-instruments/

Then there's ReStereo, which expands any mono signal into stereo in a much more natural and detailed fashion than existing plug-ins, and often with much greater phase coherence and control. It can be made to sound very subtle and several of the presets sound more like the signal was simply recorded in a different fashion, as opposed to more like an effect. http://shop.propellerheads.se/product/restereo/

Anyway, I'm sharing these (whereas I normally don't talk much about my Numerical Sound work) because 1) they are in a much lower price bracket than NS products normally are and 2) I noticed that the Reason 7 announcement is one of the most recent in the Sound and Music section - and all of these plug-ins are fully compatible with Reason 6 and later, as well as Reason Essentials 1.5 and later.

ReStereo is one that I find especially useful for helping expand shotgun mics and other mono soundsources and I hope that they prove useful to all of you as well. In my experience, each product represents the best version of the color it sets out to achieve - no competing product matches them, but that doesn't mean that color is right for everybody. :)

Each of them has a 30-day fully-functional free trial so you might as well check it out if the concept interests you. Let me know @Vitaliy_Kiselev if there's anything I should do to help make sure the announcement doesn't read too much like SPAM. :)

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GH2 Film Modes - Matrices and Dynamic range http://personal-view.com/talks/discussion/3315/gh2-film-modes-matrices-and-dynamic-range Wed, 23 May 2012 13:56:55 +0000 shian 3315@/talks/discussions So I've been doing some extensive testing on the different film modes available on the GH2 that I will post soon, but below are a few things I've discovered that might be of use to you all.

All tests were done with the following settings (-2,-2,0,-2) except Vibrant (-2,-2-1,-2), using a gray card, my hand as skin tone, a piece of skin tone colored felt, and color swatches consisting of primary colors, black and white, sky blue, and earth tones. Attached are stills from one of the Skin tone tests


Cinema - while it does render pleasing midtones, and really handles white highlights very well, skin tone highlights turn greenish and blow out very quickly. Shadows falloff very quickly. The result is a very cinematic look in the midrange but leaves you a very small tolerance in terms of DR. If shooting a flat 2:1 style scene this may actually work very well for you.

Vibrant - Terrible shadow response. Even with the saturation set to negative 1, the boost in color vibrance is nothing that can't be reproduced in post with less chroma smearing shooting Smooth which has a better shadow response. Vibrant stretches it's highlights, and compresses it's midtones in a way that is very hard to undo in post. Everything Vibrant has to offer can be achieved in post shooting with Smooth.

Smooth - The most even response curve of the bunch, handles shadows and highlights very well, no chromatic aberrations above 75% like some of the other modes, low grain in shadows down to 20%. Best overall shooting mode.

Nostalgic - GREAT Shadow response. Stretches shadows and mids evenly, very decent skin tone, but begins to break down above 70%, heavy highlight compression. Very warm, but this can be compensated for in the white balance by adding blue, and a little green.

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----more to come.

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