Seeing some of the deals whit it, making a bundel cost 500$ and the lens on its own is costing 370$ so its 130$ for the cam?? ex the Panasonic Lumix DMC-GX1X or the GF5.

it the a deal or are the lenses just exp now and will become the new standart really quick and as cheap as the normal 14-42? i was thinking of buying a deal, and sell the cam to keep the lens as its allmost free, i mean you couls sell some of the cams for 400$ new and you got the lens for 100 0r sell the lens for 300 and get a cam for 200$.

this is just me thinking , what do you guys think.

What my initial primary purpose for getting a flash now is for club photography (such as this kind of style: http://www.snapstarlive.com/events.aspx ), which means challenging lighting conditions (a fast wide prime lens will be my next purchase after this... but one thing at a time!).

I think the most important features I'm looking for is:

a) ability to bounce the flash off the ceiling (essential!)

b) rear curtain sync (essential!)

c) affordable

d) compatible with my Nikon D50 (of course... )

Would be "nice to have":

e) iTTL

f) would also be compatible with the Panasonic GH2 (as I'm going to buy this for taking video next month, or sooner... as soon as I spot a Christmas sale bargain, was very recently going for only US$499 for the kit. I wonder if I might again see this kind of pricing, or better, soon?)

g) fast recycle

h) swivel head

i) has a battery pack option

Suggestions that fit my criteria? (and is there anything else important that I'd use which I'm missing out from this list?)

Am a little lost when looking at flashes for bargains, but it seems these would be good options:

http://www.amazon.com/Opteka-Autofocus-Dedicated-Digital-Cameras/dp/B005KA60BS/ (with this too: http://www.amazon.com/Opteka-Universal-Diffuser-Olympus-External/dp/B0017U0WM8/ yes? )

Seems to have everything I want (except I can't tell if it would be any use with a Panasonic GH2?), but I'm a little concerned about quality.

From what I've read about Yongnuo (http://stores.ebay.com/hkyongnuophotoequipment/Flash-Speedlite-Unit-/) as a non-Nikon option they seem like a really good choice, I would quite like to consider the Yongnuo 460 (the cheapest), the 560 (cheapest with an option of later getting a battery pack), or the YN-467 (I quite like that it has a reported extremely fast recycling time in the test) if they would work as that would be ideal (or from any other brand at a comparable sub-US$100 price?). However I've read in quite a few places that although the Yongnuo range for Nikon is compatible with Nikon i-TTL cameras it is not however compatible with D100 D50 D2Hs D2X D70 D2H. Hmm... why? Can I still get it for my D50?

http://speedlights.net/2010/09/10/yongnuo-yn-467-speedlite-review/ The YN-467 originally is reported not to work with certain older Nikon DSLRs but the more recently produced YN-467 models are reported to work with the D200, so would it be reasonable to assume it then works too with the comparably aged D50?

This thread mentions the D50 a few times and makes feel optimistic the Yongnuo range can work with my D50: http://www.flickr.com/groups/strobist/discuss/72157627857970265/ But they're only mentioning the YN565EX (which is almost the most expensive Yongnuo flash), would it be reasonable to assume from that thread the cheaper Yongnuo flashes should also work similarly with the Nikon D50?

Disappointed I didn't have the guts earlier to pull the trigger and buy this when I saw it: http://www.trademe.co.nz/Browse/Listing.aspx?id=543490048 As I'm realising now in hindsight that was a really good deal (even though it doesn't have iTTL).

Thanks

3 Pana Lens are used -- 20mm pancake, 14-42mm X lens, 45-150 lens. Most of the footage were filmed in 720 60P. Used Twixtor for slow-mo effect. Edited in Premiere Pro.

I did three comparisons each with the lenses at f/2.8 and f/5.6. The uncropped shots are resized, but I only wanted to demonstrate the barrel distortion and vignetting with those. There are also 100% crops of each. All shots were done with the wide converter on the 14mm (sorry, forgot label it properly), and with the Tokina at it's widest setting. I used RAW on the GH2 for all shots.

As expected, the Panny combo had worse vignetting and barrel distortion than the Tokina. The GH2 corrects the distortion for the 14mm, but it can't do anything about the wide converter. At F/2.8, the Panny combo was clearly sharper than the Tokina which had some noticeable coma. At F/5.6, the sharpness is about even in the center, but the Tokina slightly beats out the Panny combo at the edges. You can also notice the purple fringing is pretty bad on the Tokina at the edge of that white book.

This is topic about all real or imaginary issues with real GH3 or imaginary models of GH3 (inside the minds of our members).

Also check

Very big first series - http://www.personal-view.com/talks/discussion/4592/official-panasonic-gh3-topic/p1

http://www.personal-view.com/talks/discussion/4657/official-gh3-deficiencies-and-whines-topic

Short Specifications

• Effective Megapixels - 16.05 Megapixels (17.20 total)
• Live MOS/17.3 x 13.0 mm (in 4:3 aspect ratio), not multi aspect
• 200 - 12800 ISO
• 3.0" 640k OLED Monitor with static touch control
• 1.74Mp OLED EVF
• Video - AVCHD 2.0 1080p50 (PAL), 1080p60 (NTSC), 1080p24 (with slow and fast variations, like 12fps and 50fps).
• Three containers (AVCHD, MOV and MP4) and large bitrate modes, bot intraframe and interframe.
• Shutter Speeds - 60-1/4000
• Flash modes - Auto, Auto/Red-eye Reduction (when iA, iA+), Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction
• Battery - Li-ion Battery Pack (7.2V, 1860mAh), old or new?
• Continuous Shooting Speed - 6 fps
• Weather Proof
• WB - Auto, Daylight, Cloudy, Shade, Incandescent, Flash, White Set 1, 2, Color temperature setting
• SD, SDHC, SDXC cards compatible
• Dimensions - 132.9 x 93.4 x 82.0mm / 5.23 x 3.68 x 3.23 in
• USB 2.0
• Weight - 550g
• Price - $1299 (body only!)

Available at:

• http://www.amazon.com/DMC-GH3KBODY-16-05-Camera-3-Inch-OLED-Body/dp/B009B0WREM

Check other topic below for other countries and other US options:

http://www.personal-view.com/talks/discussion/4641/gh3-preordering-and-availability-topic

http://www.personal-view.com/photokina/coverage/gh3 - all info about GH3 from Photokina and other sources

bonne visualisation Panasonic GH2 . 14-140 HD . firmware 1.1 . 1920x1080 50i AVCHD

And i wanted to test canis majoris, so for me it was a win-win :) Now, first of all, i did use log and transfer in fcp. I've not used 5DToRGB. Because, i didn't know, till a few minutes ago. Next time i will test 5DToRGB. (is it so much better?)

so i used: GH2 with canis majoris night patch with nokton 25mm f0,95 lens

other shortfilm (8 minutes)

• GH2 in Mint condition with original box, accessories and two batteries - $600
• Panasonic 14-42 - $50
• Panasonic 7-14 - $700
• SLR Magic 12mm f1.6 - $500
• Novoflex MFT-Nikon adapter - $200

edit: Call it $1,800 and i'll pay the shipping.

Marty

Edit: Price Drop $399

Hi - I'm selling my Panasonic 14-140mm Lens. It really is in perfect condition. I bought it new about 6 months ago and have used it maybe 5 times because I've been using only LOMO lenses since I got my GH2. It's basically been sitting in it's pouch inside the Panasonic box for 6 months. It comes with everything it came with when purchased new - Panasonic box, papers, front and rear lens cap, lens shade.

Great zoom range from very wide (14mm) to zoomed in very far (140mm). Lens has Optical Image Stabilization.

Price is $399 and includes free shipping if in US.

Toshiba

But now we tried the equally fantastic Pana 12-35 and same DP found the same Issue with this lens as well. Is this something well known? I have not heard it from other sources.

Is there any workaround that someone knows about or other zoom that can be used.

Now with an even better Gh3 Coming up and our AF101 still performing well it is à shame not to be able to find good tools. Prime - wise the situation is fantastic ... But Video zoom?

Now THE slow 14-140 does not behöver in this way. But focus by wire is not really good.

THE new Pana zooma just must work... But How can one prevent the aperture to change while zooming?

Leif

Seems like my instincts about GH3 being a safe choice were well founded.

http://www.theregister.co.uk/2012/10/17/panasonic_bank_bailout/

Damn looks nice.

I got a slight flickering oscillation when filming still shooting on tripod ! ( as you can see in the video below) the flickering is not constant , sometimes slower sometimes faster

I did a video in ETC mode , to make more evident the bug , which is also present in normal mode , it shooted on a strong tripod , no wind (or earthquake LOL)

this happens to me only with pana zoom lenses I own ( 14-45mm OIS and 12-35mm OIS) not at all with manual lenses

I tried OIS on/off , AF manual , C and S , different film mode , shutter , aperture , I tried to change all the settings in the menu , nothing is changed

I don't think is about hack coz I tried to install a few , the only thing I didn't try is to install original stock firmware

This issue still also in photographic mode , still already in preview mode ( I mean also when you're not in recording mode)

When you make little movement with OIS "on" shaking stopping , then when you back to fixed shot after a few seconds it comeback again , momentanely shaking stopped happens also during manual focusing on MF mode

with 14-45mm it is happens only when I point the camera at the top (check out video below).

with 12-35mm almost always also in horizontal position ( I filmed 10min still shot , the shaking stopped after 3 minutes )

I dunno it sounds like a OIS or AF issues , but does not explain why he does it with both panasonic lenses with same bug but with a different behavior one from another , so I'm afraid that is about GH2 body .

I do not remember if this bug has always done , because I have not paid attention.

it's really hard for me to figure it out and explain well to you ,also cause I'm not speaking English very well.

if any of You ll'be so kind to do same experiments to see if it happens,or have any suggestion It would be extremely grateful

thanks for your time

password: flicker

Also check

http://www.personal-view.com/talks/discussion/4657/official-gh3-deficiencies-and-whines-topic

Specifications

• Effective Megapixels - 16.05 Megapixels (17.20 total)
• Live MOS/17.3 x 13.0 mm (in 4:3 aspect ratio), not multi aspect
• 200 - 12800 ISO
• SD, SDHC, SDXC cards compatible (don't see UHS)
• 3.0" 640k OLED Monitor with static touch control
• USB 2.0 (sic!)
• Video - AVCHD 2.0 1080p50 (PAL), 1080p60 (NTSC), 1080p24 (with slow and fast variations, like 12fps and 50fps).
• Shutter Speeds - 60-1/4000
• Flash modes - Auto, Auto/Red-eye Reduction (when iA, iA+), Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction
• Battery - Li-ion Battery Pack (7.2V, 1860mAh), old or new?
• Continuous Shooting Speed - 6 fps
• Weather Proof - yes
• WB - Auto, Daylight, Cloudy, Shade, Incandescent, Flash, White Set 1, 2, Color temperature setting
• Dimensions - 132.9 x 93.4 x 82.0mm / 5.23 x 3.68 x 3.23 in
• Weight - 550g
• Price - $1299 (body only!)

Available at:

• http://www.amazon.com/DMC-GH3KBODY-16-05-Camera-3-Inch-OLED-Body/dp/B009B0WREM

Also check http://www.personal-view.com/talks/discussion/4641/gh3-preordering-and-availability-topic

http://www.personal-view.com/photokina/coverage/gh3 - all info about GH3 from Photokina and other sources

I own a Panasonic ZS20 compact camera and I am looking for a way to use it in Europe (switching it to PAL for recording proper video for EU). I believe that PTool allows to do that for the older TZ10.

Are there any plans for supporting the TZ30/ZS20 as well?

Best regards.

http://www.personal-view.com/photokina/coverage/t-shirts

However, I'm kinda lost when it comes to color grading. Here's what I shot the other day to kill time:

Not terrible. I always try to shoot it as close to how I want it to look in Premiere. But, this time around, I experimented with some color grading. I can get into the details if need be. But, really, I'm just looking for opinions. Does this look bad? What would you change? Etc.

Thanks in advance!

Are there any canon owners here who have switched or decided not to switch? What were your reasons for doing so.

I primarily shoot commercials, music videos, and web series destined for web.

Thanks in advance for your time.

http://panasonic.com/business/products-surveillance-monitoring/why-panasonic-mega-super-dynamic.asp

Full suport of H.264 in stream via ethernet Dynamic range pixel by pixel 120x improvement. Full HD, even a 2048*1536 image (4:3) Its a CCD Has Face detection software Finally some interesting thing, the whole sensor board inside can move, forward and backwards, for better color reproduction, making a "moving flange rage" tech allready available.

I know its a CCD technology but Its funny how they CAN make some dynamic rage improvements in CCD and giving us shit CMOS dynamic range on GHx series. Ok sensor sise wise and tech its a totally diferent, but achivement is possible and proved tech. I dont mind having a Black and white mega dynamic range mode in GH3, really not joking, it should be grate!!

Well its all, share your thoughts.

I also noticed when I get the colors how i like them and hit record the whole camera color changes a little to a green tent to it.

Those are my main problems. also what was your first impressions of the camera if your a nikon or canon that came over to the gh2. or just anyone really. Im going to be looking more into these topics after this post I looked into the color problem but found nothing. and the progresive and interlaced. I know in premiere i can change it to P but is this really shotting a Progressive Just seems strange to me. just never had this problem im just confused. I see all these great videos with nice colors and when seeing mine with its green tint is just a let down.

also if you can suggest the most used patch that has the best quality as in being more reliable and has good quality also