Available for $2796 at https://www.amazon.com/Nikon-AF-S-NIKKOR-70-200mm-2-8E/dp/B01M4L36RJ/

Key features:

• Uses fluorite and High Refractive Index (HRI) lens elements, made from magnesium-alloy so it is lighter weight compared to the AF-S NIKKOR 70-200mm f/2.8G ED VR II.
• Anti-dust and waterdrop-resistant structure with which all moving parts of the lens barrel are sealed against dust and water droplets.
• Exclusive fluorine coat has been applied to the external surface of the front lens element. Durable fluorine coat effectively repels dust, water droplets, grease, and dirt, and has superior anti-reflection characteristics that contribute to the capture of clear images.
• Superior resolution, all the way to the edges of the frame, throughout the entire zoom range.
• Nano Crystal Coat adopted for its superior anti-reflection effects and effective reduction of ghost and flare for sharp, clear images.
• Vibration Reduction (VR) function optimized for sports photography with built-in SPORT mode, which is also effective with movie recording. VR performance immediately after the camera is turned on has been greatly increased compared to the AF-S NIKKOR 70-200mm f/2.8G ED VR II. In NORMAL mode, the VR function provides an effect equivalent to a shutter speed 4.0 stops* faster with measurement in accordance with CIPA standards. With the employment of a newly developed algorithm, barrel vibration transmitted to the hands and sound caused when the AF drive starts/stops are remarkably reduced and suppressed.
• AF tracking performance for subjects with unpredictable movement, including those whose speed of movement changes and those that move quickly toward the camera, has been increased.
• Electromagnetic diaphragm mechanism enables stable exposure control, even with high-speed continuous shooting.
• Compared to the AF-S NIKKOR 70-200mm f/2.8G ED VR II, minimum focus distance throughout the entire zoom range is reduced from 1.4 m to 1.1 m, and maximum reproduction ratio increased from 0.11x to 0.21x.
• Positioning of the zoom ring near the front of the lens and the focus ring closer to the mount ensures a better grip when shooting.
• Four focus function buttons that enable quick and certain focusing are positioned so that they are readily accessible regardless of shooting orientation (horizontal or vertical).
• Extremely durable bearings adopted for the tripod collar ring, enabling quick and smooth switching between horizontal and vertical shooting orientation.

PR

Today, Nikon Inc. has announced two exciting FX-format additions to the storied NIKKOR lens lineup, designed to achieve amazing optical performance for the most demanding professional and enthusiast photographers. An evolution of one of Nikon’s most versatile and popular pro-zoom lenses, the newly redesigned AF-S NIKKOR 70-200mm f/2.8E FL ED VR sports an updated optical formula capable of amazing image quality.

“Nikon continues to raise the bar of optical excellence, and our newest FX-format NIKKOR offerings provide experienced photographers with powerful tools to help ensure brilliantly sharp images, whether capturing a high-speed photo finish or creatively framing an architectural marvel,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “While the new AF-S NIKKOR 70-200mm f/2.8E FL ED VR builds upon the success of its predecessors to offer a true all-around NIKKOR optic.”

The Ultimate Workhorse Lens for Seasoned Photographers

Long considered an essential lens in the bag of professional photographers, this updated AF-S NIKKOR 70-200mm f/2.8E FL ED VR sets a new benchmark for fast telephoto zoom lenses, taking image quality and handling to the next level. An indispensable and powerful tool for nearly any photographic scenario, the NIKKOR 70-200mm remains the professional’s choice with a wide f/2.8 constant aperture that is ideal for capturing sports, weddings, stunning portraits and more, even in low-light.

The next generation design of the lens helps ensure the very best in image quality, speed and low-light performance, while offering balance and handling that is nothing short of superb. Nikon’s new 70-200mm provides up to four stops1 of Vibration Reduction (VR) image stabilization, an improvement from its predecessor that helps users to eliminate blur and camera shake even when shooting handheld or in challenging light. During burst shooting, the lens takes advantage of an electromagnetic diaphragm for consistent auto-exposure control. Additionally, a Silent Wave Motor (SWM) enables ultra-fast and quiet AF operation with seamless manual focus override. Discerning photographers will also appreciate assignable function buttons on the lens barrel that offer customization, perfect for engaging pre-set autofocus or other focusing options.

A new optical formula consisting of six ED elements, one Fluorite element, a high refractive element and Nano Crystal Coat helps make for a lighter and more versatile lens, while reducing chromatic aberration and helping to all but eliminate distortion, ghosting and flare. Ready for even the most rugged of assignments, the magnesium alloy lens barrel features superior weather-sealing that achieves anti-dust and waterdrop-resistance, while Fluorine coating on both the front and rear glass facilitates easy cleaning. Whether shooting with a camera like the Nikon D5, D810, D750 or D500, capturing sports or weddings, the AF-S NIKKOR 70-200mm f/2.8E FL ED VR is a fantastic lens choice for experienced photographers.

Specs

• Full Frame sensor coverage
• 14 elements in 11 groups, 3 aspherical + 2 ED element, Nano Crystal and fluorine coatings
• Minimum focusing distance - 0,28m
• Ring type ultrasonic AF, internal
• 645 g weight
• 83mm diameter
• 101 mm length
• 77mm filters thread
• Sealed
• $1247, available at
  • https://www.amazon.com/Nikon-FISHEYE-NIKKOR-8-15mm-3-5-4-5E/dp/B071LTFPDQ/

Specifications:

• A 51-point AF system for improved subject acquisition and focus performance under dim lighting. In addition, 11 focus points (five at center with an addition three to each side) are fully functional when lenses with a maximum aperture of f/8 are used.
• A 3.2-inch, approximately 921k-dot LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle
• A virtual horizon that shows the degree to which the camera is tilted sideways (roll), or forward or backward (pitch) with display in the monitor and viewfinder
• A new shutter unit that has passed testing for 200,000 cycles and supports a maximum shutter speed of 1/8000 s and flash sync speed of 1/250 s
• Continuous shooting at 4 (FX-format/5 : 4 image area) or 5 (DX-format/1.2x image area) fps*
• CompactFlash and SD dual memory card slots
• Support for SuperSpeed USB (USB 3.0)

The D800 records movies exhibiting superior resolution with optimal processing of information acquired from the 36.3-million pixel image sensor. Recording of 1920 x 1080p/30-fps full-HD movies is supported, and users can choose to record using the FX-based movie format or the DX-based movie format according to recording conditions. The FX-based movie format offers a shallow depth-of-field with an emphasis on blur characteristics while the DX-based movie format enables recording of movies that bring subjects closer when lenses with short focal lengths are used. The D800 is also equipped with a headphone jack and supports precise adjustment of microphone sensitivity. In addition, it supports simultaneous display of movies or the movie live view display in the camera monitor and on an external monitor. Further, the D800 responds to the needs of professionals who require uncompressed movie files with the ability to record movies directly to an external HDMI recorder in movie live view mode. The D800 also offers a time-lapse photography function that captures images at a selected interval and then combines the images to create a time-lapse movie that shows the changes in a particular scene that occur over time.

Nikon D800 price: $2999.95 Nikon D800E price: $3,299.95

Available at:

• UK: http://www.amazon.co.uk/gp/product/B00763MHB4/
• US: http://www.amazon.com/Nikon-D800-FX-Format-Digital-Camera/dp/B0076AYNXM

Links:

• http://imaging.nikon.com/lineup/dslr/d800/pdf/d800_28p.pdf
• http://imaging.nikon.com/lineup/microsite/d800/index.htm
• http://www.nikon.com/news/2012/0207_dslr_01.htm
• http://www.dpreview.com/previews/nikond800/

Nikon D3200 offers the full HD experience of high quality 1080p video. Users can create memorable, cinematic quality videos at 24 or 30 fps and easily share HD content online with friends and family or on their own HDTV via the HDMI output.

Continuing down the path that its predecessor, the Nikon D3100, started, the D3200 implements full-time AF during video recording to help capture crisp video even during the most action-packed situations. To boost the production value of any home video, the camera offers manual or automatic exposure control, and a stereo microphone input to attach an optional external microphone such as the compact ME-1 Stereo Microphone. Furthermore, the D3200 offers other HD-SLR advantages including the ability to create a shallow depth of field, amazing low-light video performance and NIKKOR lens versatility.

Capturing videos on the D3200 is simple, even when in Live View. With a dedicated video record button and easy access to the Live View switch, users can capture video clips before the moment is gone. Additionally, videos play with astonishing detail and clarity on the D3200’s 3-inch, high resolution 921,000-dot LCD screen.

• Resolutions - 1920 x 1080 (30,25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 424 (30, 25 fps
• Format - H.264
• Manual control

Links:

http://www.dpreview.com/news/2012/04/19/Nikon-D3200-with-WiFi-Option

Videos:

Specs

• 14 elements in 10 groups (including an ED glass element)
• 7-bladed iris diaphragm.
• 58mm filter
• Stepper motor, good for video
• $349.95 for non VR model
• $399.95 for VR model
• https://www.amazon.com/Nikon-NIKKOR-70-300mm-4-5-6-3G-Cameras/dp/B01KJ8UMKK/

Nikon updates its portfolio of DX NIKKOR lenses with two lightweight super-telephoto zooms: the AF-P DX NIKKOR 70–300mm f/4.5–6.3G ED VR and the AF-P DX NIKKOR 70–300mm f/4.5–6.3G ED.

Fast, quiet, and precise, these lenses are a great way to explore the creative advantages of telephoto photography. Whether you’re shooting distant subjects, travel photos, or amateur wildlife images, the versatile 70-300mm focal range magnifies the action. An extra-low dispersion (ED) glass element in each lens delivers images with vivid colour, crisp detail, and perfectly rendered contrast. Both lenses feature Nikon’s new, superbly quiet AF-P Stepping Motor, which makes them ideal for shooting video as well as stills. The AF-P DX NIKKOR 70–300mm ED VR features Nikon’s Vibration Reduction technology for clear, blur-free images even when shooting at the far end of the telephoto range. And both lenses boast a serious size advantage: their compact build makes them comfortable to carry and ensures balanced handling when used together with Nikon’s smaller entry-level D-SLRs*.

Zara Livingston, Junior Product Manager for D-SLRs, Lenses and Accessories at Nikon UK, says: “The new 70-300mm AF-P NIKKOR lenses are great additions to the NIKKOR lens line-up and ideal for photographers looking to extend their reach. The streamlined design makes carrying them easy, and these are the first telephoto lenses to feature Nikon’s AF-P focus motor.”

Stepping Motor

Nikon’s Stepping Motor ensures smooth, fast autofocus. When zooming in to capture a photo, subjects come into focus quickly and easily. When shooting video footage, the motor allows you to smoothly shift focus from subject to subject with practically no drive noise, ensuring your movie isn’t ruined by the sound of the lens focusing.

Simplified control, lightweight build

Both of these super-telephoto lenses offer first-time users a more intuitive way to shoot. Users can switch between Auto Focus and Manual Focus using the camera menu. With no switches on the lens barrel itself, there’s no chance of accidentally changing settings when the time comes to take the shot. These lenses let you pack light, too. The AF-P DX NIKKOR 70–300mm f/4.5–6.3G ED weighs in at just 400 g, while the AF-P DX NIKKOR 70–300mm f/4.5–6.3G ED VR weighs 415 g.

Specs:

• 20.8mp 1" CMOS sensor
• 4K video at mere 15fps
• 1080p60 and 720p120 modes
• Wi-Fi
• NFC
• Tilting touch screen
• Price starts at $500
• http://www.adorama.com/results/NewNikon1J5

Overview

Nikon Gamma Controls bring interactive adjustment of the camera's gamma curve to video filming on DSLR's that support Nikon's custom Picture Control profiles. It is comprised of a set of calibrated gamma curves applied to Nikon's built-in Picture Profiles: Neutral, Portrait, Standard, Landscape, Vivid, and Monochrome. Unlike previous custom picture profiles such as Technicolor's Cinestyle, which provides a single, non-adjustable gamma curve that attempts to cover all types of shooting conditions, Nikon Gamma Controls enable the user to select a standardized gamma curve that best suits the illumination of each shot. And since Nikon Gamma Controls are calibrated to industry-standard grading tools, the selected gamma curve can be freely and accurately fine-tuned in a wide range of video editors without loss of image detail.

Gamma Control - Exposure's Hidden Dimension

One of the first challenges that confront videographers is gauging the proper exposure for each shot. While modern DSLR's provide a variety of illumination meters and exposure adjustments, high-contrast scenes can easily exceed the camera's limited dynamic range. In these situations it is often necessary to deliberately underexpose the darker areas of a scene in order to preserve highlight details in the brightest areas. This can result in starkly-lit video images that require significant grading to boost the visibility of shadow details. Unfortunately, the darkest areas in videos compressed with 8-bit H.264 encoders are recorded with noticeably degraded image quality, and this imposes a practical limit on the amount of enhancement that can be applied in post-production.

What is actually needed in these cases are controls that enable the user to set not only the exposure level of the highlights, but to independently control exposure of darker areas as well. When recording video, Nikon cameras convert the RAW sensor data into Rec. 709 video data and compress the scene's dynamic range into a format designed for viewing on consumer televisions. The core mathematical formula used in this conversion is known as the video gamma curve, and it determines the relative brightness of dark and midrange tones compared to the highlights. Broadcast engineers fine-tuned the Rec. 709 gamma curve for television viewing under subdued room lighting - a standard that is not well-optimized for image capture, particularly not for high-contrast lighting situations. For optimal image quality, the camera's gamma curve should ideally be adjusted specifically for each scene.

The Zen of Gamma Control

While there are many ways to adjust the perceived brightness of an image, the gamma function has a uniquely valuable property - it enables you to manipulate the proportional brightness of midrange tones while leaving the exposure of the brightest and darkest shades unchanged. That gives you the ability to protect highlight detail with a conservative exposure setting, while independently adjusting the overall brightness of the image with the gamma control. It is literally an extra dimension of exposure control, demonstrated in the video sequence below. The inset histograms measure the change in midrange brightness as gamma is varied from 1.0 to 0.4:

In practice, Nikon Gamma Controls are a set of seven gamma curves, in this case applied to Nikon's built-in Neutral Picture Profile. I have calibrated the curves with the base Neutral profile as gamma 1.0, decrementing with each step by 0.1 down to a gamma of 0.4. This provides a gamma adjustment range of 2.5:1, covering the full range of practical shooting conditions. The reason I chose this particular scaling is because it matches the calibration of the built-in gamma controls provided by a wide range of video editors. This calibration is so precise that you can grade each of the above clips back to gamma 1.0 simply by applying the same gamma setting that was used to record it. (In other words, to restore a video shot at gamma 0.5 back to the camera's default gamma 1.0 curve, simply grade it with a gamma curve set to 0.5. With a 32-bit video editor, this process is completely reversible - no image details are lost!)

Improving Image Quality with Gamma Control

If Nikon DSLR's recorded videos in uncompressed RAW format, there would be no practical advantage to using gamma control profiles. In addition to filming video, Nikon Gamma Controls can be used in JPEG still photography (e.g. to bring up shadow details in backlit photos). If you capture both JPEG and RAW image formats, however, you'll find that the RAW images are unaltered by Nikon Gamma Controls.

With video, however, the internal H.264 encoder burns the camera's gamma curve permanently into each recording, and it's here that Nikon Gamma Controls can visibly improve shadow detail quality. With a gamma of 0.5, for example, darker shades are recorded with about twice as much mathematical detail as that used in the camera's default gamma 1.0 picture profiles. An additional advantage is that boosting the recorded illumination of shadow details can give you the option of turning down the brightness when grading the video in post, instead of needing to dig image details out of the darkness. The example below shows how grading a video shot at the default gamma of 1.0 produces visibly coarser results than grading with gamma 0.7 or 0.5:

Nikon Gamma Controls Beta Test Info

This initial Beta Release of Nikon Gamma Controls has been thoroughly tested for accuracy and reliability on a Nikon D5100. In addition, I've verified proper operation on Nikon D5200 and D7000 cameras (and confirmed that Nikon D3100 and D3200 do not support custom Picture Controls). In addition, I've confirmed compatibility with the calibration of gamma controls provided in Adobe Premiere Pro and After Effects, versions CS5 - CS6.

My understanding of Nikon's documentation is that all contemporary pro and prosumer DSLR's support custom Picture Controls using a standardized, cross-compatible set of built-in picture profiles. Detailed information on the Nikon Picture Control System is available here:

http://imaging.nikon.com/lineup/microsite/picturecontrol/catalog/PicCon.pdf

The reason I'm releasing this version as a Beta test is because there are additional compatibility issues I don't have the resources to investigate on my own. I would appreciate help in confirming support for Nikon Gamma Controls in the following areas:

• Support for custom Picture Controls across Nikon's DSLR models.
• Accurate gamma calibration on each of the built-in Picture Profiles.
• Calibration of gamma adjustment controls in prominent video editing suites.

With Nikon Gamma Controls v0.1 Beta, I've included the complete set of gamma controls for Nikon's built-in Neutral profile, with default user settings adjusted for video recording. The Neutral profile is well-suited for video and provides a solid baseline for evaluation. Once we have confirmed compatibility with a broad range of Nikon DSLR's and video editing applications, I will generate calibrated gamma control profiles for all six of Nikon's built-in picture profiles and include them in subsequent releases.

Download and Installation of Nikon Gamma Controls

I've packaged Nikon Gamma Controls in a zip file attached to this post. After downloading and unzipping it, you'll find a folder named NIKON, which contains a CUSTOMPC folder that contains a set of Nikon Picture Control profiles. Copy the entire NIKON folder structure to the root folder of a compatible memory card and insert it into your camera.

To install Nikon Gamma Controls, find the "Manage Picture Control" option in the SHOOTING MENU. Select the "Load/Save" option, and then the "Copy to Camera" option. You should then see a list of the Nikon Gamma Controls profiles, starting with one named "Sepia". I included this profile as a convenient placeholder to fill in the seventh slot in the stock "Set Picture Control" menu, at the bottom end of the list of built-in picture profiles.

If your camera works like the Nikon D5100, it will accept up to nine custom profiles, labeled C1-C9. If you load Sepia into C1, it will be displayed along with the built-in profiles on the first page of the Set Picture Control menu. You can then load the seven Neutral Gamma profiles into C2-C8 slots, and they will all fit neatly on the second page of the menu. When loading each profile, the camera will give you the option to revise the profile name. You need to take care at that point, and press the +Magnify button instead of the OK button, to accept the custom profile without changing its name.

Usage of Nikon Gamma Controls

On Nikon DSLR's, video is recorded in Live View mode, and prosumer models work in a quirky manner that can subtly foul up the use of Nikon Gamma Controls. The fundamental problem is that the camera is unable to electronically update the lens aperture after you enter Live View - the lens iris will stay fixed even when the displayed aperture appears to change. In order to reliably set the aperture, you must exit Live View mode to do so.

Once you've set your aperture (in either M or A-priority modes), and returned to Live View, you may want to lock down your exposure with the AE-Lock button. This will work properly as long as you do not exit Live View mode. But beware, because there's a hidden pitfall - if you snap a still photo in Live View mode, the camera will exit and return to Live View. That will silently invalidate the AE-Lock exposure settings and your video exposure will no longer be correct. To be absolutely sure you're shooting with your intended exposure, always engage AE-Lock just before pressing the movie record button.

Once those glitches are under control, you can experiment with the seven profiles in Nikon Gamma Controls. As long as you stay in Live View mode, you can interactively select different gamma settings from 1.0 to 0.4, and evaluate their visible effects on the LCD screen. You can also use gamma bracketing - repeating a shot with a range of gamma settings - without leaving Live View between each recording. This is how I recorded the sample videos and it was very quick and convenient to adjust gamma on-the-fly while composing each shot.

If you examine the user settings in each Neutral Gamma profile, you'll see that I've set Sharpening to 0, Saturation to -2, and Hue to 0. These settings differ from the defaults in the built-in Neutral profile - they're what I found most useful for shooting video. If you experiment with these user settings, be sure to update each of the seven Neutral Gamma profiles the same way. That will preserve your ability to fine-tune the gamma profiles in post, with calibrated grading and intercutting among all Nikon Gamma Controls profiles.

• 20.8Mp 1-inch BSI CMOS image
• EXPEED 6A image processor
• 3.5x NIKKOR lens 24-85mm
• Fast F1.8-2.8 maximum aperture range
• Dual Detect Optical VR image stabilization
• Hybrid AF system
• Super Macro Mode allows for true 1:1 marco shooting at 35mm
• Tilting LCD screen
• Optional DF-E1 electronic viewfinder (EVF)
• Hot shoe for external flash units
• 4K UHD video recording 25/30fps, 1080p120
• Burst shooting at up to 20fps
• 105.4 x 61.5 x 50.0 mm
• 350g
• $649.95
• Preorder - http://www.amazon.com/gp/product/B01C3LEIGU/

Nikon DL 18-50mm

• 20.8Mp 1-inch BSI CMOS image
• EXPEED 6A image processor
• 2.8x 18-50mm lens
• Fast F1.8-2.8 maximum aperture range
• Dual Detect Optical VR image stabilization
• Hybrid AF system
• Tilting LCD screen
• Optional DF-E1 electronic viewfinder (EVF)
• 4K UHD video recording 25/30fps, 1080p120
• Burst shooting at up to 20fps
• 105.5 x 62.5 x 56.6 mm
• 350g
• $849.95
• Preorder - http://www.amazon.com/gp/product/B01C3LEKT0/

Nikon DL 24-500mm

• 20.8Mp 1" BSI CMOS image
• EXPEED 6A image processor
• 20.8x NIKKOR lens covering 24-500mm equivalent focal range
• Fast F2.8-5.6 maximum aperture range
• Dual Detect Optical VR image stabilization
• Hybrid AF system
• Built-in OLED EVF with over 2 million dots
• 4K UHD video recording 25/30fps, 1080p120
• Burst shooting at up to 20fps
• 122.5 x 89.9 x 139.4 mm
• 830g
• $999.95
• Preorder - http://www.amazon.com/gp/product/B01C3LEG94/

Key specs:

• Nano Crystal Coat
• Phase Fresnel element
• 755g
• VR
• $2000 price

PR

Nikon has also introduced the AF-S NIKKOR 300mm f/4E PF ED VR, the world’s lightest 300mm full-frame fixed focal length AF lens, which is nearly 30% shorter and 1.5 lbs. lighter than its predecessor. Extremely easy to handle and built to suit the needs of serious photographers in the field, the new 300mm f/4 lens utilizes Phase Fresnel optical technology to help correct chromatic aberration and reduce the overall size and weight of the lens, making it easy to pack for any assignment. Capable of producing tack-sharp images and beautiful background blur at a distance, Nikon’s newest FX-format lens also features four and a half stops of VR image stabilization, a VR Sport mode, VR tripod detection as well as several of the latest NIKKOR optical technologies including electromagnetic aperture control, a Silent Wave Motor for quiet AF operation, ED glass for further controlling chromatic aberrations and Nano Crystal Coat for superior image quality.

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Any idea what it is and how to unpack ? Thanks in advance

• F1.8-F16
• 12 elements in 9 groups
• 0.23 m focus
• 7 blades
• Nano Crystal Coat
• 355 g
• $749.95 at http://www.amazon.com/Nikon-NIKKOR-Fixed-Focus-Cameras/dp/B013D1BBBY/

Samples

• http://www.nikon-image.com/products/lens/nikkor/af-s_nikkor_24mm_f18g_ed/sample.html
• http://www.nikon-asia.com/en_Asia/product/nikkor-lenses/fx-format/single-focal-length/wide-angle/af-s-nikkor-24mm-f-1-8g-ed#photo_video_gallery

PR

The AF-S NIKKOR 24mm f/1.8G ED is the latest addition to the exceptional system of NIKKOR f/1.8 primes, and provides enthusiast photographers with a fast wide-angle prime lens that’s both lightweight and affordable. This new lens lets photographers immerse viewers into landscapes, interiors and architecture with amazing clarity and minimal distortion, while a fast maximum aperture delivers superb bokeh and excellent low-light ability. Whether a photographer’s passion is capturing environmental portraits or the delicious details of a meal, this lens creates a dramatic separation between subject and background.

The new NIKKOR 24mm f/1.8 complements Nikon’s high-resolution DSLRs and provides amazing image quality thanks to Nikon lens technologies including Nikon’s exclusive Nano Crystal Coat. Additionally, this compact lens features ED and Aspherical lens elements for extreme sharpness while minimizing ghosting and flare.

this was shot with spizz t6
iscomorphot S8 1.5X
50mm Nikon F1.8 pancake lens
has a lot of CA with this setup.

The iscomorphot is this one: http://www.macrolenses.de/ml_detail_sl.php?ObjektiveNr=258

• Panasonic GH2 Body only: $350.00 + 3 batteries, two chargers. Two battery are genuine Panasonic. Other is off brand. $70 for 2nd Panasonic and $40 for off brand. (Original Box is available if you'd like
• Nikon Nikkor 50mm F1.8 AIS: $70.00
• Nikon Nikkor 24mm F2.8 AIS: $150.00 - protrusion filed down to fit RJ Lens Turbo. Operates perfect! Original buying price. $250
• RJ Lens Turbo - Nikon F/G reducer speed booster turbo adapter to m4/3 mft GF5 GF6 GX1 EM5 EM1 BM - $100 (Comes in original box)
• Lowell Pro SlingShot 102 : $60.00 TOTAL: $860

Original price for all totals over $1000.

You can opt to BUY ALL for $700. I'll put it all in the Lowell Pro Sling Shot 102.

PM me if interested. US only. Paypal only. Buyer pays shipping. All equipment is well taken care of and maintained. Here are some videos I've made with this little powerhouse!

Selling some lenses that I don't wanna let go of, but I think it's time I parted ways. Up for grabs are 3 lenses in excellent but used condition -- meaning the housing may show sings of normal wear, but the optics are clean of haze, scratches or fungus. Focus rings are smooth and all have ziptie focus rings on them. The apertures have been de-clicked, too. All lenses are AIS. Pics coming soon.

35mm -- $200 OBO 50mm -- $150 OBO 85mm -- $250 OBO

All three for $550.

Paypal shipping to confirmed addresses only. Will sell as group or separate.

Thanks

Prices include shipping to EU (shipping from Croatia).

I have shot some music videos and 2 short films on this so very little use. Rarely used for stills. This camera shot the film "Lootera" which won the Personal View FOTGA video contest. I used this GH2 camera, Lumix 14mm and 3x Nikon primes (35mm & 50mm also for sale). See movie here:

http://www.personal-view.com/talks/discussion/comment/194255#Comment_194255

Asking $700 for the package. I have no idea what these are going for now, open to discuss.

1xGH2 Body
2xPanasonic Batteries
1x Lumix 14mm F2.5 lens
1x Kit Zoom Lens (14-42)
2x Nikon to m4/3 adapters
2x C/Y to m 4/3 adapters
1x EF to m 4/3 adapter with internal iris!

Not for sale here but open to discussion:

• 1x Ceico 7 OCT 19 to m 4/3 (cost$400)
• 1x Nikon 35mm F 2.8
• 1x Nikon 50mm F 1.8
• 1x Jupiter (silver) 135mm F4
• 3x Helios (silver) 58mm F2, 14 blades, newly serviced (CLA)
• 3x Carl Zeiss Biotar 58mm, newly serviced (CLA)

Specs

• 17 elements in 13 groups, including ED
• Vibration reduction allows 4.0-stop increase in shutter speed
• Nano Crystal Coat
• Aspherical lenses and ED glass elements
• Electromagnetic diaphragm mechanism
• Fluorine coat
• 480 gr
• $1070 price at http://www.amazon.com/gp/product/B010RAAOIK/

Nikon introduces the latest D-SLR to its mid-range DX-format line-up, the 24.1 megapixel Nikon D5200, designed to bring out your creative side. From beautiful still photos to smooth Full HD movies, this camera empowers your freedom of expression, letting you capture your own unique view of the world.

• 24.1 megapixel CMOS image sensor
• Vari-angle LCD monitor: View life at a unique angle with a high resolution, 7.5cm (3.0-in), 921k dot vari-angle screen
• ireless Mobile Adaptor WU-1a can transmit images from the camera to Apple™ or Android™ smart device and remote shooting*1
• High ISO (100-6400) extendable to 25600
• 39-point AF system with nine cross-type sensors in the center.
• 2016 pixel RGB metering sensor
• Scene Recognition System optimizes exposure, autofocus and white balance
• Continuous shooting at 5fps
• High dynamic range (HDR)
• Active D-Lighting
• Full (1080p) HD movies with smooth (up to 60i/50i) recording and a built-in stereo microphone (AF works, but slow as hell)

Available at:

• http://www.amazon.com/Nikon-D5200-Digital-Camera-Black/dp/B00AXTQQDS/
• http://www.ebay.com/sch/Digital-Cameras-/31388/i.html?_from=R40&_nkw=Nikon+D5200
• EU - http://www.jessops.com/online.store/categories/products/nikon/d5200-digital-slr-in-black-with-18-55mm-vr-lens-88090/show.html

Press release

Breath-taking image quality

The third camera in its series, following the D5000 and the D5100, the Nikon D5200 offers a massive leap in image-quality. In addition to the 24.1-megapixel DX-format CMOS sensor for finely detailed images, the new EXPEED 3 image processor provides high-speed operation and excellent, rich colour reproduction – as well as enhanced movie recording. The high ISO sensitivity (100-6400 which is extendable to 25600) delivers brilliant shots in dark or poorly lit environments as well as producing clear images of fast moving subjects.

The Nikon D5200 shares an AF system, metering sensor and scene recognition with the Nikon D7000 series, giving this camera a new level of performance and much enhanced image quality. The superior accuracy of the 39-point AF system and nine cross-type sensors delivers razor sharp images by focusing precisely on the subject you choose. Meanwhile, the 2,016-pixel RGB metering sensor provides precise data to the camera’s Scene Recognition System, which optimizes exposure, autofocus and white balance immediately before the shutter is released.

Image creations from any angle

The Nikon D5200’s versatile 7.5cm (3-in) vari-angle LCD monitor provides the ultimate freedom and flexibility to take beautiful shots and movies from virtually any position. You can flip, tilt or turn the swivel monitor to get really creative with your angles. In addition, the Nikon D5200 is an intelligently designed lightweight camera, with clear menus and superior ergonomics, making it a pleasure to maneuver and shoot with.

Wireless connectivity to share your creations

Wirelessly transmitting images from your camera to an Apple™ or Android™ smart device is possible by using the optional WU-1a Wireless Mobile Adapter. This means you can share images that you are proud of with friends via social networks and email for instant reactions. It is even possible to control your camera remotely from your smart device to help you take beautiful shots without disturbing your subjects.

Distinctive HD movies

Effortlessly alternate between shooting stills and Full HD movies with smooth (up to 60i/50i) recording at the flick of a switch. The camera’s subject tracking of moving objects in three dimensions, with full time servo AF (AF-F), ensures focus of moving objects throughout filming. Adding to that, creating movies to be proud of can be achieved with in-movie editing and the camera’s built-in stereo microphone.

Inspirational Effect and Scene modes

Be even more original with the Nikon D5200 Effects mode. A range of seven special effects: Selective Colour, Miniature, High and Low Key, Silhouette, Colour Sketch and Night Vision can be applied in real time to images and movies through Live View so you can see what your final creation will look like before you shoot it. In addition, in-camera High Dynamic Range (HDR) and D-lighting capture detailed images of high-contrast scenes, increasing creative possibilities. You can also select from 16 different Scene modes – they optimize the camera settings, such as shutter speed, ISO and aperture – to the situation you are shooting. It is great for a quick shot or if you are still learning about D-SLR photography.

I primarily kept these lenses around because they were the only 3 that worked very well with the BMCC + Speed Booster + Anamorphot combo. So if that 1.33x anamorphic combo is important to you, then these lenses are ideal for ANA shooting.

They are the 35mm f2 AI, 50mm f1.8 AI, and 85mm F2 AI, they are in excellent optical condition, with the 85mm having tiny tiny, hairline cleaning marks. Absolutely no fungus and haze, come with front/rear caps and the very excellent helicoptersean for the 35 and 50. I don't have one for the 85, but sean can hook you up no problem. The AI lenses have the same optics as AIS, which are excellent, but longer focus throw, and with the expanded diameters on the gears, the throw is very very long.

I would like to move them as a bundle, and will be dropping the price as a whole to move them. $300 for the whole set (The 85mm goes for $200 itself) plus the focus gears for free. Shipping is gonna be low or split depending on where you are in the world. Will ship worldwide.

Paypal please, so PM me or email me at innersparkfilms@gmail.com if you're interested or have any questions! Thanks guys!

http://img.photobucket.com/albums/v215/DiatarusSOulbane/20150907_005112_zpszrhftc3t.jpg

http://img.photobucket.com/albums/v215/DiatarusSOulbane/20150907_005003_zpsid86vmlp.jpg

http://img.photobucket.com/albums/v215/DiatarusSOulbane/20150907_004928_zpskjv0kjnw.jpg

-Steve

I am selling my Sigma 18-35 F1.8 lens (Nikon Mount) Only used on one project, but now I have changed camera system so no longer require the lens. It comes as boxed as new with all original documentation.

$650+20USD postage.

I am selling my Nikon - MFT Metabones speedbooster. This has lived on my Sigma 18-35 and is an amazing combination.

I am only selling the adapter because I have gone upmarket in my camera equipment and no longer require it. It is only a few months old and comes as new.

$380 including shipping.

$900 + Shipping for the Tamron

$650 + Shipping for the Nikkor

If you are anyone you know are interested please let me know. PM me or email at

innersparkfilms@gmail.com

Both lenses come with original box and are in excellent condition. There are no damages or signs of use.