Magix, known as a manufacturer of audio and photo editing programs such as Magix Video deluxe and - since the acquisition of Sony in 2016 - also Vegas Pro , is insolvent. On March 1st, the Berlin district court opened the self-administration proceedings after Magix had already filed for bankruptcy in December. According to the press release, business operations will continue without restrictions - the aim is to restructure the entire company by selling it to an investor, which should be completed in the next 2-3 months.

I accidentally started a conversation on the Driftwood patches thread on audio straight into the GH2 with the 448kbps audio patch.

I am a documentary photographer and recently joined the PV forum after deciding that a GH2 is the tool to have for my work.

I had two queries regarding spanning and in-camera playback and they both have been answered in the Driftwood patch thread: 64GB SD Sandisk Extreme Pro 95mb/s is the only card that spans with Moon T7 reliably and the 448kbps audio patch will make any clip non playable in camera.

Now, to the reason of this thread.

My needs are to simplify the gear I carry with me. I used to work with Rode Videomics plugged to my 5DII and that was that. The audio from them wasn't great.

Now, with the 448kpbs hack, the GH2 can be a great audio recorder without the need for an external recorder like an Edirol or a Zoom.

The conversation as left in the Driftwood patch forum relates to these two tests I found for shotgun mics (most of which can be plugged straight to the GH2) which are outdoors and at two distances.

The distance from where I work and from where the mics would be to my subjects is in between those two tests, both indoors and outdoors.

So far, through my DT770 32ohm which is fed by a Dragonfly, the MKE600 is a bit bassy but very good and the AT897 and the MKH 416 perform similarly at a distance. Close up, the differences are far more obvious.

Also, there has been a suggestion of using an ISK CM 60 which is battery powered:

http://www.swamp.net.au/isk-cm-60-battery-powered-condensor-microphone.html

However, I am unable to find a sample from it. @oto02 said he is getting one and getting ready to test it.

Also, @Jim_Simon mentions that the GH2 can record really good audio so I have hopes that I can work out this rather simple rig for documentary work (TV, festivals)

Many thanks for all contributions in advance.

EDIT: I just heard the tests again with my Sony V6 and still, the AT and the 416 sound roughly similar on both. I am not sure if the MKE 600 equalized would be similar to the 416 raw or if one can up the bass a bit on the AT and make it sound less flat. Both, At and 416, sound crisp.

I've heard of earlier GH2's made in Japan, but wanted to confirm and see where everyone's GH2's were made and when they bought it.

Thanks!