Available at:

• http://www.amazon.com/Panasonic-100-300mm-4-0-5-6-Aspherical-Interchangeable/dp/B0043VE28S/
• http://www.bhphotovideo.com/c/product/736369-REG/Panasonic_H_FS100300_Lumix_G_Vario_100_300mm.html

I am throwing in an assortment of vintage lenses along with their m4/3 lens adapters! The highly sought after Minolta MD Rokkor-X 24mm f2.8 AND the Minolta MD Rokkor - X 45mm F2 Konica Hexanon AR 28mm f3.5 Brand New in Box New Old Stock never used Kalimar 28mm f2.8! Konica Hexanon AR 50mm f1.4 Konica Hexanon 57mm f1.8 (needs work) Konica Zoom Hexanon 65-135mm f4 (needs cleaning).

I also have a spare Chinar 28mm f2.8 I'll throw in as well if you need more than one 28mm or need an extra 28mm prime for a second camera. This is a ton of glass all in very good shape. Im only asking for $350 for all of the above and not really interested in selling just one lens for 50 bucks. I really need to clean out my camera bag and raise some cash to get another GH2. Anyone have a GH2 and willing to trade for all the above...that would be nice too!

Cheers, C

Anyone experiencing the same problem? Might be a faulty sensor from Panasonic? I am primarily shooting on Cine-D profile, no additional adjustments, but the problem is on Standard profile as well.

My iDynamic and iResolution is OFF.

I am really frustrated, I was expecting a better video that this noisy ants from GH4, anyone please help?

Price 430€ (Paypal). Shipping is not included (item is located in Italy but i can send internationally at buyers cost).

Panasonic GH3: $625 Panasonic 20mm f/1.7 mkI: $250

Selling from Los Angeles. CONUS with shipping fee included

(The output voltage is easy adjustable from 2-24v /2A , when you open the box, so you can trim it for GH4 to 9V)

The integrated cable attaches directly to DC coupler (Genuine one, tested).

These have constant and secure voltage of 8.5v, that works on most Lumix cameras. input is 5.5x2.5 mm jack ...

Use any power source 3-30v without fear ...

Price for both 50 euro + postage. Price for each 30 euro + postage.

Selling this as I have no longer GH3 ...

Items will be sent from Sweden. Postage costs about 10 euro within EU

I, living in Norway, can only record for 29min 59sec. (This limit is an EU law has this restriction as it is a still picture camera and not a motion picture camera. Different taxes).

I want to make a documentary, in connection to a research project. I'm in the possession of a GH-1 camera and would like to install the hack for this camera. Can anyone direct me to a good tutorial for the hack and settings. My technical skills are unfortunately very limited. I would like a tutorial with instructions for the hack and settings, to make my camera ready to go with an optimal setup for filming.

Please excuse my bad english.

Greetz

panasonic lumix gh2, gh3 and gopro hero3 etreetsoi

Would it look like the current GH4, or more like the shape of a Canon C300? Would it incorporate the features of the YAGH? Must it be useable for both video and photography? Where would you put the functional buttons, the battery, main shutter/record switches, external outputs for HDMI, audio; where would you place the LCD/s? the evf? Battery? What features would be included on the body?

All in all what would it look like? I'm sure Panasonic would be interested to know. Please show any kind of artwork, scribbles, CAD designs, wireframe outlines, together with discussion below;-

P.S. It is pure Nick initiative, I or PV does not support it. We really like collaboration with Panasonic, but on different thing and of different kind. VK.

We're giving all our personal-view members the opportunity to put their questions regarding m43, the new Lumix GH4 plus more to a certain Mr Koyama - the man in charge of the whole GH4 project and product concept, product planning and support.

We will then collate all your questions and the best of them will be put to Koyama this week in which he has promised to answer as best he can. Deadline for your questions is this Friday, 4th April.

Write them below. Please stick to questions only - no comments off-hand or discussions. Don't be shy. Ask away!

Questions only - no stupid stuff - it will simply be ignored.

Pass : into_the_green

Legacy Lens Questions: I have three Oly M3/4 auto-focus zooms that I want to use with my G6. I have a Lumix Pany-to-Oly adapter. Do I lose the ability to auto focus (it seems like I do)? If they should zoom and focus correctly what settings on the camera will make this work? THANKS!

Does any of you have any recommandations/suggestions on which zoom lenses (whatever the brand, as long as an m43 adapter is avalaible) I should get with my cams (and which adapters, if needed and unavalaible with the RJ m43 ones) ?

Thanks to answer.

If you're interested in the tecky stuff, here it is, otherwise please just enjoy the pictures!

I used a kowa 8-Z anamorphic adaptor, mounted on a voigtlander Nokton 35mm F1.2. I also had a Tokina .4 achromat and a Cokin Diopter +2 for the Close ups.

It was all shot at night which presented problems as I found the Lumix isn't very good in low light. I was shooting at 50fps which reduced the amount of light I had even further. I also found that if the lens was fully open it was difficult to get a focus. Not because it was too shallow, but because it wouldn't focus on anything with the adaptor.

As you can see I over-cranked the ISO (accidentally went to 3200 when I thought I was on 1600), but I couldn't set lights up on the banks of the Thames at 3am, as we didn't have permission to be there. I wish I'd got someone to stand close by reflecting a bright torch off a white shirt though. I can only hope that I get away with the graininess in the spirit of low/no budget film making, and it looks like 16mm. I couldn't ask the actors to go back into the Thames for me!

I think the Lumix in low light has given the film a real 'look' but in all honesty I wasn't impressed by how much colour information it recorded. This camera really needs light to work well.

You can also see the notorious shutter wobble a few times. Weirdly it doesn't bother me in this video, as I think it suits the slightly surreal mood. Same goes for the sodium street lights making the flicker. I wanted to keep the shutter above 100 (I was shooting 50fps), but I could have decreased flicker by reducing the shutter speed. However, I decided to embrace it, and instead increased the shutter, which made the flicker more pronounced.

Staying close up to the actors, using the diopters, gave me a picture I liked the most. The bokeh looks lovely and soft and cinematic. Shots where I had to focus to infinity were difficult - the bokeh is ugly in those shots (in my opinion), taking the shape of a kind of horizontal tear. But I couldn't film the whole video in close ups!

It was difficult to shot this as a one-man-band. Having to screw two different diopters on or off every time I wanted to change my proximity to the actors made it quite fiddly. I was also moving lights (I had x3 LED panels). I had some other taking lenses, but it wasn't practical to change during the shoot.

Lastly, I know its normal to crop the super-wide picture you get from shooting 2x anamorphic on a 16:9 sensor, but I decided to embrace it. It's fun, and a bit silly, but its a music promo, so why not.

Hope you enjoy. The track by Durlston George, his debut single, is lovely.

http://www.aliexpress.com/item/Portable-12V-9V-5V-Li-ion-Rechargeable-Battery-Pack-CCTV-Free-Shipping-FACTORY-DIRECT/543182633.html

Is it good at all and how long does it take to the battery to be recharged completely ?

Thanks to answer

I'm new to this forum. Have already done some research but havent found the information so far. i'm owning the panasonic lumix gx7 and i'm pretty happy so far. but one big dissapointment is, that there is no live video output during filming. it is not working on hdmi nor on the av out. dissapointed that panasonic does not mentoin that on their product specifications... anyway i wanted to ask if someone here is working on a hack on this camera which would enable live video output. i think it is "only" a firmware related limitation...?

thanks

Maybe it had to do with my way of shooting. I used a horizontal leveled tripod at eye level and just did a horizontal pan. Maybe it's better to put the tripod lower because I framed her on the lower end of the image and therefor pointed the camera slightly upwards. Anyway 12mm on GH4 4K represents only like 28mm and I wonder if a 28mm on a full frame camera is also that sensitive to small angle changes. I know the lumix 12-35 rely strongly on lens correction and maybe it's not that great. I saw in a review that the slr magic 12mm 1.6 has far less optical distortion. Does that mean the SLR magic is a better lens for people in the frame?

Can someone confirm this or give me some tips to get better shots in the future? Especially wedding videographers could face this same problem.

Can be used with the GH4. GH2 as well, though battery access slightly blocked. Bought 2 for my GH3 and GH2, but only need one.

Feel free to share the settings that you are using and the results - unfortunately I did not have enough time myself to make some research yet :)

Location: EU

Price : 250€

The lens is actually at a repair shop, which is how I know the flex is the problem.

But the repair person stumbled upon the problem that there is no orderable part number, and it is not showing on ebay.

So he basically told me that if I couldn´t find the part, he could not do the repair.

Panny already replied this lame answer:

npcparts@us.panasonic.com 3:37 PM (17 hours ago)

Dear Pedro, I am sorry the Flex Cable is not supplied as a service part.

Mike D11 Parts Data Coordinator Panasonic Consumer Electronics Company

Am I to assume that for an $20 buck part I will loose a $500 lens ? Remember I am in Costa Rica, son not many local or even regional options... please guys a little help!!!

Thanks!