Tamron, a leading manufacturer of optics for diverse applications, announces the launch of a new telephoto zoom lens product, the SP 70-300mm F/4-5.6 Di VC USD (Model A030) (hereinafter called “Model A030”), for 35mm full-frame DSLR cameras. Model A030 was developed by substantially enhancing the features of the popular SP 70-300mm F/4-5.6 Di VC USD (Model A005) (hereinafter called “Model A005”), which has enjoyed high acclaim since its launch in 2010 as a telephoto zoom lens with outstanding performance. With the external design completely revamped, a Fluorine Coating with outstanding durability is applied to the front element surface of the lens. Improvements have also been achieved in AF speed and responsiveness and VC (Vibration Compensation) functions. Model A030 will be sold only in the Japanese market.

Product Highlights

1. Improvements in AF speed and responsiveness
   Improvements in the control circuit and AF algorithm of the previous Model A005 have enhanced both focusing speed and accuracy, which enables a moment to be captured without letting the photo opportunity slip away, and which makes the A030 a suitable lens for photographing fast-moving subjects.
2. Improved VC functions
   Improving Tamron’s unique VC (Vibration Compensation) functions has improved the responsiveness of the VC lens elements, and Model A030 achieves a higher image stabilization performance level of 4.0 stops according to the Camera & Imaging Products Association (CIPA) standard.
3. External design renovated
   The zoom ring and focus ring using linear-based grid patterns and the brand ring in tungsten silver create an external design with a high-grade feel.
4. Equipped with Fluorine Coating to improve user-friendliness for the lens The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints.

Specs

• F2.8-F16, 7 blades aperture
• 8 lenses in 8 groups with ED lenses
• Minimum focus distance 0.28m
• 71mm diameter
• 55mm filter
• Sealed
• Weight - 236g
• Available at $499 at https://www.bhphotovideo.com/c/product/1277527-REG/sony_sel50m28_fe_50mm_f_2_8_macro.html

Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced a new full-frame lens for their E-mount camera system, the FE 50mm F2.8 Macro lens (model SEL50M28).

Ideal for everyday photography, this 50mm macro lens features an F2.8 maximum aperture that offers outstanding image quality and bokeh, while its 1:1 macro capability allows the photographer to get sharp close-up shots of their subject. Additionally, its comprehensive range of controls including focus-mode switch, focus-range limiter and focus-hold button ensure an effortless shooting experience for a wide range of users.

The lens offers a 6.3 inch minimum focusing distance and a wider field of view for capturing more background, compared to longer focal-length macro lenses. Weighing in at a mere 8.4 oz., it’s extremely lightweight and portable, making it easy to carry around.

The new FE 50mm F2.8 Macro lens features an ED (Extra-low Dispersion) glass to effectively compensate for axial chromatic aberration at close focus, allowing it to create consistently sharp and high quality images. The optical and mechanical construction of the lens has less glare and ghosting, even without a lens hood. The lens is also dust and moisture resistant.

Pricing and Availability

The new FE 50mm F2.8 Macro lens will be available in September for about $500 US and $650 CA, respectively. It will be sold at a variety of Sony authorized dealers throughout North America.

• 10 elements in 7 groups
• 50 mm focal length
• F0.95-F22 aperture range
• 15 aperture blades with anti-reflex coating
• Min. focusing distance is 0,5 m
• Filter diameter is 67 mm
• 680g
• €2,999 price

The lens comes with Rafcamera M45-M42 adapter and with PZF macro bellows (Its not the most precise bellows in the world, but its perfect for this lens because it extends 2x more than other usual more expensive bellows)

Located in Ukraine, Odessa city. Will ship worldwide. Can accept only Payoneer (Make A Payment service from Payoneer to Payoneer account 0% fee) or any Card to Payoneer (Request a Payment service) with 3% fee. Ask $200 ( or $180 without macro bellows) + shipping and payment fees.

12mm F1.6 SLR Magic lens in mint condition with original box and lens cap. - Asking price $450

Panasonic Lumix G X Vario PZ 45-175mm f/4.0-5.6 ASPH. lens in good condition (the silver sticker on the lens is coming off, but does not look bad). - Asking price $325

I keep my equipment in a smoke free, pet free home. I always have a UV filter or ND filter on my lenses, at all times. I am extremely careful when changing lenses.

PM me your offers, thanks!

• 11 glass elements in 8 groups
• Aperture range F3.5 - F22.
• Made for mirrorless cameras
• Removable lens hood and lens pouch
• Minimum focusing distance is 10cm
• Diameter - 77mm
• 440g
• $199 at https://www.amazon.com/Meike-Angle-Fisheye-DSLR-Cameras/dp/B01L8F9ZO2/

• Aperture range: f/2 - f/22
• Number of blades: 9
• Focus mode: AF, MF
• Maximum magnification: 0.140x
• Focal length: 100mm
• Lens size: 76.6 x 122mm
• Full frame is supported
• Filter size: 58mm
• Compatible with Canon mount
• Nikon mount coming soon
• Weight: 400-500g
• $171 at https://www.aliexpress.com/item/YONGNUO-YN-100mm-f-2-YN100mm-F2-0-Long-Fixed-Focus-Lens-For-Canon-DSLR-Cameras/32754912607.html

Three names come to mind to bring this lens production ready: Bernie O'Doherty in New York Edward Koehler in Germany Les Bosher in Wales.

Does anyone have other recommendations for engineers who can do this work?

TIA

• Closest focusing distance - 0.25m
• 7 aperture diaphragm

http://www.hkyongnuo.com/e-detaily.php?ID=359

Specifications:

• Lens Construction - 18 elements in 13 groups (2 ED lenses , 1 UED lens)
• Nano Surface Coating
• Optical Image Stabilizer - POWER O.I.S.
• Focal Length: f=35-100mm (35mm camera equivalent 70-200mm)
• Aperture Type: 7 diaphragm blades / Circular aperture diaphragm
• Maximum Aperture: F2.8
• Minimum Aperture: F22
• Closest Focusing Distance: 0.85m / 2.8ft
• Maximum magnification: Approx. 0.1x / 0.2x (35mm camera equivalent)
• Filter Size: 58mm / 2.3in
• Max. Diameter: Approx 67.4mm / 2.7in
• Overall Length: Approx. 99.9mm
• Weight: Approx. 360g

Good to have separate one :-)

Reviews and previews:

• http://sgoldswoblog.wordpress.com/2012/10/27/panasonic-35-100mm-first-impressions/
• http://www.photographyblog.com/reviews/panasonic_lumix_g_x_vario_35_100mm_f2_8_asph_review
• http://www.dpreview.com/previews/panasonic-lumix-g-x-35-100-2-8-ois
• http://www.dslrmagazine.com/pruebas/pruebas-tecnicas/desafio-70-200-mm.html

Samples:

• http://www.photographyblog.com/previews/panasonic_lumix_g_x_vario_35_100mm_f2_8_asph_photos
• http://www.ephotozine.com/article/panasonic-lumix-g-vario-x-35-100mm-f-2-8-sample-photos-20158

Price: $1499

Available at:

• US - http://www.amazon.com/Panasonic-H-HS35100-35-100mm-G-Series-Cameras/dp/B009B0X9PI/
• US - Offers from other sellers http://www.amazon.com/gp/offer-listing/B009B0X9PI/
• US - http://shop.panasonic.com/shop/model/H-HS35100
• EU - http://www.technikdirekt.de/main/de/642488/-/article-panasonic-2-8-35-100-mm-g-x-vario-power-ois.html

Extra:

PR

Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mmm and larger image formats for cine and broadcast productions.

Designed for both Super 35mm digital motion picture cameras, and FF/VistaVision cameras, the new Angenieux Type EZ series has been created to fill the wide gap between still photography zooms, and the highly acclaimed OPTIMO / OPTIMO STYLE family of lenses used in the motion picture industry. For the first time, ENG-style productions will get the flexibility necessary for run-and-gun shooting, combined with high optical quality at an affordable price.

The Angenieux Type EZ Series features two new fast and light weight zooms, both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/ VistaVision formats (up to 46mm image diagonal).

The Angenieux Type EZ-1 is a standard zoom lens with a zoom factor of 3x. When configured for S35mm cameras, the focal range and aperture are set to 30-90mm F1.9 / T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8 / T3 covering an image circle up to 46mm diagonal.

The Angenieux Type EZ-2 is a wide zoom lens with a zoom factor of 2.7x. When configured for S35mm cameras, the focal range and aperture are set to 15-40mm F1.9 / T2. Byexchanging the rear lens group, the lens becomes a 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal.

Both lenses are built in a full metal casing, with internal thermal drift compensation, which allows focus to remain constant when the temperature changes. Focus / Zoom / T-stop can be controlled precisely due to the wide rotation angle of the 3 control rings, which are also equipped with cinema industry standard gear teeth. The lens size remains consistent across the zoom range due to the internal focusing & zooming mechanism. Users can easily configure these lenses to support different imaging formats (S35 or FF/VistaVision), and different lens mounts (PL, EF, or E) on their own, without returning their lenses to service centers.

Full frame EZ zooms will fit RED 8K VV, Red cameras recording at resolutions higher than 5.5K, ARRI Alexa Open Gate, ARRI Alexa 65 with VistaVision crop and also Full Frame DSLR cameras such as SONY a7S Mark II, Canon EOS 5D Mark IV, 5DS, 1DX Mark II…and more to come. Detachable ENG style zoom servo grips and other accessories are being developed by third party manufacturers .

The Type EZ series will address the requirements of independent videographers and cinematographers, who are seeking for cost efficient tools that enable cinematic expressions. The exceptionally fast T2 lens opening provides tremendous control of depth of field, only previously found in prime lenses. Thanks to the Angenieux innovative system, the ability to convert lens mounts, and the image circle size makes the Type EZ lens series a solid investment to all industry professionals.

“Being the worldwide leader in premium quality cinematography zoom lenses, it’s critically important for Angenieux to address the ever-growing, affordable digital motion picture camera market.”, noted Pierre ANDURAND, CEO of Thales Angenieux. “The challenge is to provide a cost efficient, professional quality lens that can be used on both current S35 cameras, and future cameras built around larger imaging sensors”.

“Type EZ lenses are one of the fastest zooms in the industry with an open aperture of F1.9 or T2. When converting the image circle between S35 & VistaVision, the field of view remains fairly identical, so there are no crop factors to worry about. The wide zoom can be used as a wide zoom regardless of the image circle size.” says Christophe REMONTET, Thales Angenieux Product Line Manager.

Deliveries are expected to start from the 1st quarter of 2017 through selected distribution partners.

Specs

• Aperture Range - F2.8 to F32
• One LD and Two XLD Glass Elements
• eBAND, BBAR, and Fluorine Coatings
• USD AF Motor, Full-Time Manual Focus
• VC Image Stabilization
• 1:1 Max. Magnification, 11.8" Min. Focus
• Rounded 9-Blade Diaphragm
• Moisture-Resistant Construction
• Nikon, Canon EF and Sony A mounts
• $649, available at https://www.amazon.com/Tamron-AFF017N700-90mm-2-8-USD/dp/B01C6CTT1K/

Sell it because unfortunately it vignettes on BMMCC sensor and i can't accept this. This lens made for 16 mm cinema. It will fit well to Panasonic GH, Ursa 4.6k, RED, Nikon 1 in 1:1 crop mode or to any camera with small sensor, like Pentax Q or 2/3" CCTV camera. Its wide. its not perfect but has own character. Its slightly soft and dreamy wide open and rather sharp starting from T2.8 and T4. It is a low contrast lens, but you can boost contrast in post easily to match other lenses. It don't have a focus ring. It very sensitive to flange distance changes. I shimmed it to the lens mount adapter with 0.1mm tape so it focus perfect even wide open. The lens is in very nice external shape, glass is clear, maybe few cleaning micro marks in front and some dust specks inside if look too deep with flash-light. I also find that at T11 and 16 i start to see two small dark spots (see the images in dropbox folder). Seems it never was disassembled or serviced. The iris ring is clickless, working very smooth.

More large photos and sample test images here: https://www.dropbox.com/sh/720qq7fauydcc1m/AAADaLrQsHAp1o4o2LCXizMwa?dl=0

Located in Ukraine, Odessa city. Will ship worldwide. Can accept only Payoneer (Make A Payment service from Payoneer to Payoneer account 0% fee) or any Card to Payoneer (Request a Payment service) with 3% fee. Ask $330 + shipping and payment fees.

Example i find at Youtube for similar lens on Panasonic GH3, and well known sensor coverage test:

The other day I was involved in a discussion about "85mm" lenses, and the differences between the characteristics of a certain FOV lens on "full frame", compared to how it looks on a crop sensor. A "native" lens can be designed to perform just like it´s other sized sibling, but when one is into vintage lenses / lenses that can be used on multiple systems it gets far more complicated! Lately I´ve been thinking a lot about lenses that work across different camera systems and the different qualities that are exhibited, depending on the size of the sensor. I´m not thinking so much about the obvious depth of field related changes as to how the overall feel of the image and subtle optical imperfections alter the image with the same lens used on different systems. I´d like to think of aps-c or s35 as base sensor / imager size over "full frame", at least for us who have video as the main area of camera usage, however, many lenses where designed for "full frame" and although the differences on s35 and aps-c can be rather small, I find the differences increase exponentially the smaller imager you put it on.

Hence I have come to search for vintage full frame lenses which will exhibit appealing qualities on a gh2 or a blackmagic design cinema camera. Now, what is appealing to me might not be appealing to you, but I will try to define my own criteria and I hope you can supply yours and add to this thread.

I have been building two main sets of vintage still lenses after ditching my canon fd´s (they were not getting the use to justify having them). For one, I have been buying c/y zeiss optics and I have been adding m42 mount lenses as I have come across them or found some interesting aspect which could fit in with the rest. The c/y´s will no doubt be a mainstay in my arsenale for years, however the ultimate reason why I pulled the trigger on the full set was the advent of the metabones speedbooster – I much prefer how they look on a slightly bigger sensor over a smaller one and I have high hopes for the speedbooster. The reasons for the preferred vicinity to "native sensor size" are:

1. less pronounced CA. I have become a bit allergic to aberrations of late.
2. nicer transition to OOF areas, wide open or stopped down.
3. More obvious contrast/microcontrast "sweet spot". (I think this is down to a slightly larger FOV)
4. Usability wide open, much in line with the criteria above. A lens which looks sharp in the center on full frame or aps-c might just look soft on a smaller sensor because there´s less contrast between edge and center.

With the m42´s it´s different. I like very much how they look on the gh2 AND f.i. the fs700 or BMD, so I find them extremely useful for video, across systems. So what is it I´ve been looking for?

1. Low(ish) contrast
2. Pleasing (sort of neutral) OOF and bokeh, also when stopped down.
3. good price / performance ratio.
4. great CA control
5. reasonable color match
6. good distortion control / flat focal field

I have mainly been searching through lens databases (on possible candidates), comparing sample images.

Now, this set consists today of the following lenses:

20mm flektogon f2.8 29mm meyer optik, pentacon f2.8 37mm Mir-1b f2.8 50mm Pancolar f1.8 58mm Helios f2 135mm meyer optik orestor f2.8 200mm meyer optik orestegor f4

I´m still looking to add a few but for the ones I have / I´ve had I can say the following:

20mm flektogon - I prefer the f4, as it´s tack sharp wide open. (f2.8 needs to be stopped down to 4-5.6) 29mm Meyer optik is sharper / has less blooming (coma) than the pentacon wide open.. maybe half a stop brighter as well - otherwise they are remarkably similar - both useful wide open. Bokeh can be both expressive and sort of neutral depending on where you place the focal field / subject and f-stop. 37mm Mir is a great "normal" lens on the gh2. Too slow? No. Just right. I want to add a macro ring to help out close focusing. Great value for money and beautiful OOF transitions thanks to the 10 blade aperture. 50mm pancolar - a bit too low in contrast to fit the others well. Not a fan of it´s bokeh. 58mm helios f2 - rock´n roll short tele on the gh2. Wonderful out of focus rendition and also nice transitions thanks to the round aperture. 135mm meyer optik - beautiful and tack sharp tele. Notoriously nice OOF / Bokeh rendition. Low in contrast and needs a push in post to match most of the other lenses. 200mm meyer ... - used it very sparingly so far. Not super sharp wide open. Not a preferred lens on gh2 sensor.

In general, I´ve had some issues with mechanics in cold conditions (needed to clean out and lubricate some helicoids) but they have been put to very good use already. I traded away a 35mm flektogon which I felt was a tad harsh in contrast in comparison to the others anyway (great lens tho). Another thing which is down to physics - the wider the lens, the more restless / harsher the bokeh is. The performance of a certain FOV does not quite match what you´d get on a larger sensor but this will only be a problem in case you are looking for really wide lenses in which case you are better off with native lenses anyway. The difference is mainly where you place the camera. (between different sensor sizes).

Note: I believe it´s difficult to switch lenses with acute focal fields between different sized imagers and not get very differing results.. For my m42 set I´d normally not use all for one production but choose a few depending on priority, like f.i. one or two wides, one or two tele´s to contain the slight differences in coatings, color e.t.c. However, they match remarkably well despite transgressing manufacturers and brands. I´d guess it´s because they are in the vicinity of one lineage of optics manufacturing.

Samples to follow.

I am looking for a decent zoom lens (Standard range, 24-70 for example) that covers a full frame sensor and has non electrical manual focus for use with a follow focus. I don't need auto focus but it wouldn't hurt either.

Is there such a thing?

Thanks!

I need your help. I want to build a lens set from affordable but superb vintage lenses for cinematography. These 3 brands would be adapted via an passive adapter onto my Samsung NX1.

Focal lengths I am generally interested in: 24 or 28mm, 35mm, 50mm, 85mm

I'll need some experts opinion on which brand to go for. I don't know wether to go for Contax Yashica, Canon FD or Minolta vintage lenses so hit me up with your knowledge and recommendation. It is much appreciated.

Specifications:

• Lens Mount Type : Sony E-mount lenses
• Aperture : f/3.5-5.6
• Filter Diameter : 40.5mm
• 8 groups, 9 elements (4 aspheric surfaces)
• Minimum Focus Distance : 9.8" (0.25m)
• Aperture Blade : 7 blades (Circular aperture)
• Dimensions (Max. Diameter x Length) : 2-5/8" x 1-13/16 (64.7 x 29.9mm)
• Focal Length (35mm equivalent) : 24mm-75mm (35mm equivalent)
• Lens Weight : 4.1 oz (116g)
• Maximum Magnification : 0.215x
• Steady Shot Mode:Active : Lens-based Image Stabilization (OSS)
• Price: $350

Available at:

• http://www.amazon.com/Sony-SELP1650-16-50mm-Power-Zoom/dp/B0096W1PG6
• http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?storeId=10151&catalogId=10551&langId=-1&productId=8198552921666487151#features
• UK: http://www.wexphotographic.com/buy-sony-e16-50mm-f3-5-5-6-oss-lens/p1532763
• DE: http://www.sony.de/product/dal-travel/sel-p1650

So, which one correspond to this ? I have a RJ Nikon to mf3 adapter (an old version). But what else is out there and are they worthwhile ? What other change the RJ adapters offers now and is it worth the change ?

Thanks to answer

Press release:

http://www.systemkamera-forum.de/blog/2012/06/schneider-kreuznach-micro-fourthirds-objektive/

• Has nano coating (ala latest Panasonic lenses)
• AF

Quite weird lens. Hope it'll be good performer.

Selling all together for $1000

PM me if interested. Payment via PayPal

• APS-C image circle
• Lens mounts - Sony E / M43 / Fuji X
• F1.2 -F16 aperture
• 9 diaphragm blades
• 9 elements in 7 groups
• 0.45m minimum focus distance
• 310 g
• 49 mm filters
• USD 399 retail
• Available on deals at http://www.personal-view.com/deals/lenses/mitakon#mitakon-425mm-f12-lens

The new Zhongyi Mitakon 42.5mm f/1.2 Lens features an incredibly fast aperture of f/1.2, making it ideally suited for low-light conditions shooting, greater control over selective focus and shallow depth of field imagery. Designed for the use with an APS-C-sized camera sensor, the lens gives a 35mm-equivalent focal length of nearly 64mm. Above features provide an excellent portrait shooting solution for mirrorless cameras users. The lens also houses with 7 elements in 9 groups of optical lenses to provide great deal of image clarity and color renderness.

http://www.zyoptics.net/uncategorized/zhongyi-optics-announces-pricing-availability-of-two-new-lenses-for-mirrorless-cameras/

• APS-C Image circle
• Lens mounts - Sony E / M43 / Fuji X
• F1.7-F22.0 aperture
• 12 diaphragm blades
• 9 elements in 8 groups
• Minimum focus distance - 0.15 m
• 246 g
• Filters - 49 mm
• Best price on deals - http://www.personal-view.com/deals/lenses/mitakon#mitakon-24mm-f17-lens

The new Zhongyi Mitakon 24mm f/1.7 Lens is a fast prime wide-angle lens that provides a 35mm-equivalent focal length of 35mm, making it ideally suited for everyday shooting applications. The fast f/1.7 maximum aperture benefits working in low-light conditions and also avails greater control over the focus position for shallow depth of field and selective focus techniques. The 0.15m ultra close minimum focus distance benefit users in image composition. The lens incorporates 9 elements in 8 groups with ED lenses in order to minimize chromatic aberrations for greater clarity and color accuracy. The compact size (55mm x 61.5mm) and light-weight (246g) of the lens also make it perfect for mirrorless camera users.

http://www.zyoptics.net/uncategorized/zhongyi-optics-announces-pricing-availability-of-two-new-lenses-for-mirrorless-cameras/