Specs:

• Full Frame coverage
• F1.8-F22 aperture
• 13 elements in 12 groups with 2 AS elements
• Minimum focusing distance - 0.2m
• Filter size 77mm
• Weight around 500gr

Available at https://www.bhphotovideo.com/c/product/1281557-REG/rokinon_rk20maf_n_20mm_f1_8_ed_umc.html

Samyang Optics introduced new manual focus lenses for full frame DSLR cameras: 20mm F1.8 photo lens and 20mm T1.9 cine lens. As known for the brand’s wide and bright lenses, Samyang 20mm series adopted bright F1.8 aperture to provide perfect wide angle for interior shots and landscapes.

The Samyang 20mm F1.8 ED AS UMC and 20mm T1.9 ED AS UMC are wide angle manual focus lenses for DSLR cameras with full frame sensor size. It has been a year that Samyang launched the full frame DSLR camera lens and latest lens was the 135mm series.

Samyang Lenses are known for its bright apertures and so does this Samyang 20mm series. These two lenses have a bright aperture of F1.8, equivalent of T1.9 for cine lenses, to offer a best quality images under various lighting conditions. Also, the lightweight Samyang 20mm series brings the portability to increase the convenience.

Based on Samyang Optics’ exceptional optical technology, 13 glasses in 12 groups are used to create the most optimal image quality. Among 13 glasses, there are 2 aspherical lenses and 3 extra-low dispersion lenses per lens to minimize aberration and unnecessary light dispersion, delivering high resolution from centre to corners of the image.

This 20mm angle of view was designed to fulfill consumers’ requests to explore various occasions with Samyang Lens. In between ultra-wide 14mm and wide-standard 24mm, 20mm lens is a perfect fit to explore wide angles not only for shooting indoor images such as concerts and interior photos but also street snaps. The 0.2m of minimum focusing adds versatility to the lens.

Add Samyang 20mm T1.9 to Your Samyang VDSLR Kit

Specifically, the Samyang 20mm T1.9 is a cine lens optimally designed for professional follow focus system, thanks to the quiet and smooth de-clicked focus and aperture gear rings. Also, the distance scale and T numbers are marked on both sides of the lens for convenience when filming.

The best partners to explore your wideness, the Samyang 20mm series is globally available from September. The suggested retail prices are EUR 499 for 20mm F1.8 photo lens and EUR 549 for 20mm T1.9 cine lens.

MRF

Via: http://www.tokina.co.jp/camera-lenses/wide-lenses/at-x-116-pro-dx-2.html

Specs

• Maximum aperture F0.95
• Minimum aperture F16.0
• 11 diaphragm blades 11
• 11 elements in 9 groups
• Minimum focus distance 0.25 m
• 230 g
• Diameter 60 mm, Length 55 mm
• 43mm filters
• $399
• Cheaper on deals at http://www.personal-view.com/deals/lenses/mitakon#mitakon-25mm-f095-lens

Specs

• Focal Length : 150-600mm
• Maximum Aperture is F3.5-6.3
• Angle of View (diagonal) : 16°25' - 4°8' (for full-frame format): 10°38' - 2°40' (for APS-C format)
• Optical Construction: 21 elements in 13 groups
• Minimum Object Distance : 86.6 in
• Maximum Magnification Ratio : 1:3.9
• Filter Size : Ø95mm
• Maximum Diameter : Ø108.4mm
• Length : for Canon 10.2 in / for Nikon 10.1 in
• Weight : for Canon 70.9 oz / for Nikon 70.2 oz
• Aperture Blades : 9 circular
• Minimum Aperture : F/32-40
• Image Stabilization Performance: 4.5 stops
• Standard Accessories : Lens hood, Lens caps, Lens case
• Compatible Mounts : Canon, Nikon, Sony A-mount
• $1399, available to preorder at https://www.bhphotovideo.com/c/buy/Tamron/Ntt/Tamron+SP+150-600mm+F5-6.3+Di/N/0+176

PR

From Tamron: September 1, 2016, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), announces the launch of the SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022). This second generation “G2” lens builds upon the success of the SP 150-600mm F/5-6.3 Di VC USD, which launched in December 2013 and continues to successfully meet photographers’ needs in the ultra-telephotography category.

The new G2 version was developed to provide superior optical performance with today’s high resolution DSLRs and to add improvements to several features including speed and accuracy of AF and VC (Vibration Compensation). Also, several new features have been added: FLEX ZOOM LOCK mechanism, Fluorine Coating and optional tele converters. The new lens delivers outstanding performance and a luxurious, upscale appearance, including a metal lens barrel.

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Highlights:

Optical design refreshed to achieve even higher performance

Three LD (Low Dispersion) lens elements completely eliminate axial and transverse chromatic aberrations. The design also features upgraded optical construction (21 elements in 13 groups) and leverages improvements in manufacturing technology. As a result, the lens delivers high resolution, improved sharpness and overall better performance.

Tamron’s sophisticated eBAND Coating for eliminating ghosting and flare

eBAND (Extended Bandwidth & Angular-Dependency) Coating is a nano-structured layer deployed on the lens element surface. In addition to regular anti-reflection coatings, eBAND Coating offers higher light transmission and significant improvement in anti-reflection characteristics, especially against angulated incident rays. Combined with of BBAR (Broad-Band Anti-Reflection) coatings, flare and ghosting are reduced to imperceptible levels.

MOD reduced to provide optimum tele-macro photography

Tamron’s advanced manufacturing technology has made it possible to reduce the MOD (Minimum Object Distance) to 2.2m (86.6 in), compared to 2.7m for Model A011, and has allowed for the wonders of tele-macro photography.

AF speed is faster and much more responsive with moving subjects

The Model A022 is equipped with a USD (Ultrasonic Silent Drive) ring-type motor that delivers excellent responsiveness and control. AF speed is significantly improved from current model, and it enables accurate high-speed focus even when capturing moving subjects.

When shooting with AF, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.

VC performance is now 4.5 stops and offers three modes optimized for different situations

The VC (Vibration Compensation) effectiveness is equivalent to 4.5 stops, based on image stabilization performance levels established by CIPA (Camera & Imaging Products Association) when using in VC MODE 3. Model A022 now has three types of VC modes, and it is possible to choose the optimum VC mode according to the situation for taking a photograph, such as when wishing to pan the camera.

VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
VC MODE 2 is exclusively used for panning.
VC MODE 3 prioritises the stabilization of the captured images and forgoes the stabilization of the viewfinder image.

With the optional accessory TAMRON TAP-in ConsoleTM, you can custom the configuration of VC MODE 1. Choose the viewfinder view of either standard or viewfinder image priority.

New FLEX ZOOM LOCK mechanism enables the locking of the zoom ring at any position

FLEX ZOOM LOCK mechanism quickly locks or unlocks the zoom at any position simply by sliding the zoom ring. Photographers can shoot from any angle without the zoom extending unintentionally. Additionally, the conventional Zoom Lock switch prevents unwanted barrel extension during transportation.

Fluorine Coating and the Moisture-Resistant Construction for a more user-friendly lens

The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.

Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses*2. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

The lightweight and easy-to-hold tripod mount that is compatible with an Arca-Swiss style quick release plate

A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. And because the tripod mount is made of lightweight magnesium, it is much easier to carry.

Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product

The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.

New tele converters developed exclusively for the Tamron lens

Two exclusive tele converters, which perfectly match the optics of the new SP 150-600mm G2 (Model A022), offer 1.4x and 2.0x magnification, and provide a maximum zoom range up to 1200mm on a full-frame camera, and up to 1860mm on an APS-C camera. These new tele converters extend focal length of the master lens, making it possible to take pictures in farther ultra-telephoto ranges.

Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with thorough attention to details

For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in various individual functions. Tamron thoroughly reviews of all of the design and manufacturing processes in order to offer products to customers with ever-higher precision and quality levels.

For the SP 150-600mm G2 (Model A022), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of component parts and increasing the precision of the overall zooming mechanism.

Design Concept

The new design adopted for the four SP series lenses already on the market is essentially the fusion of engineering and style, the pursuit of functional beauty and craftsmanship achieved by giving meticulous attention to minute details. Using metal as the exterior material creates a high-grade design based on the concept that emphasizes “Human Touch” characteristics, and significantly improves user-friendliness. The SP models feature a novel design for the switches, easy-to-read characters, an enlarged window over the distance scale and the adoption of organic forms easy for the photographer’s fingers to hold onto.

This design philosophy—the pursuit of functional beauty with a “Human Touch”—is applied even to the most minute details of the new SP 150-600mm G2 ultra-telephoto zoom. By using metal for the exterior material and adding new functions such as the FLEX ZOOM LOCK mechanism, the Model A022 achieves a size and weight that makes comfortable handheld shooting possible, with a slim and stylish appearance design to top it all off.

Specs

• 17 lenses in 13 groups, one UD lens, 2 aspherical lenses
• 7 circular aperture blades
• Minimum focusing distance - 0.25m to 0.45m
• 4 stops IS
• 55mm filter
• 60.9 × 86.5mm size
• 300g
• Comes with hood
• Stepping motor made for video
• Full-time manual focus
• $499 price
• Silver available at http://www.adorama.com/ca18150s.html
• Black available at http://www.adorama.com/ca18150.html

Specs

85mm F2.8 Meke optical lens is a manual focusing mirrorless lens designed for full frame and APS frame. This lens, with simple and compact size and sound portability, can represent diversiform images during fast or near photography.

• 11 elements in 8 groups
• F2.8-F22 aperture
• 12 blades diaphragm
• 0.25m minimal focusing distance, 1:1.5x magnification
• 55mm filters
• $299 only price
• 64mm x 90mm size (up to 64mm x 117mm on other mounts)
• 500g
• Canon EF, Sony E, Nikon F, Fuji X, m43 mounts

http://www.mkgrip.com/goods/show-212.html

Specs:

• 12 elements 9 groups, 2 aspherical and 1 ED element
• 11 diaphragm blades
• Min focus - 0.45 m
• Ultrasonic motor
• 778 g
• 84x108mm
• Price - $1500
• Available - July

Preorder soon at http://www.bhphotovideo.com/c/product/1264965-REG/sony_sel50f14z_planar_t_fe_50mm.html

PR

Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced a new full-frame lens for their E-mount camera system, the Planar T* FE 50mm F1.4 ZA (model SEL50F14Z).

This 50mm prime lens features a large F1.4 maximum aperture that offers impressive contrast and outstanding resolution that are hallmarks of the ZEISS® brand. It produces these consistently strong qualities throughout the entirety of the frame – from center to corner – and at all aperture settings, even while shooting wide open at F1.4. The cutting edge optical structure includes high-precision AA (Advanced Aspherical) and ED (Extra-low Dispersion) glass elements that reduce spherical and chromatic aberration, as well as a ZEISS® T* Coating that minimizes flare and ghosting creating the classic ZEISS® clarity. Additionally, its Planar design ensures minimal distortion.

The large F1.4 maximum aperture of the FE 50mm F1.4ZA lens provides a level of brightness and speed that are advantageous for dimly lit indoor shots, night scenes, and portraits, while its 11-bladed circular aperture allows for stunning “bokeh”, or background defocus, in images. The lens also features an aperture ring with an adjustable ON/OFF switch, an AF/MF focus mode switch, and a dust and moisture resistant design¹, further increasing its functionality.

The new lens is also equipped with a ring drive SSM (Super Sonic wave Motor) system, which allows it to efficiently lock focus with speed, precision and in near silence, making it particularly useful for shooting movies.

Pricing and Availability – FE 50mm F1.4 ZA Lens

The new FE 50mm F1.4 ZA lens will ship this July for a retail price of $1,500 US and $1,950 CA. The new FE interchangeable lens will be sold at a variety of Sony authorized dealers throughout North America.

Specs

• Lens construction: 10 elements, 8 groups (includes 2 aspherical elements)
• Focal length (35mm format equivalent: f=16mm (24mm)
• Angle of view: 83.2°
• Max. aperture: F2.8
• Min. aperture: F22
• Aperture control
• Number of blades: 9 (rounded diaphragm opening)
• Stop size: 1/3EV (19 stops)
• Focus range: 17cm and beyond
• Max. magnification: 0.13x
• External dimensions: Diameter x Length: Approx: Φ60.0mm x 45.4mm
• Weight (excluding caps, hoods): Approx. 155g
• Filter size: Φ49mm10
• $399
  • https://www.adorama.com/ifj1628b.html
  • https://www.bhphotovideo.com/c/product/1459626-REG/fujifilm_16611655_xf_16mm_f_2_8_r.html

FUJINON XF 16mm F2.8 R WR Lens

Designed to deliver the high performance resolution from Fujifilm's X-TRANS CMOS sensors through its precise optical design, the XF16mmF2.8 R WR adopts an internal focusing system and stepping motor to provide extremely fast and near-quiet auto-focusing. Although light and compact, the design incorporates metal components on the exterior of the lens, while interior is sealed around the barrel in nine different locations to ensure durability and weather-resistance to the surrounding environment. The XF16mmF2.8 R WR joins the collection of affordable, compact, and lightweight lenses within the FUJINON XF Lens System, making it the perfect companion to the XF23mmF2 R WR, XF35mmF2 R WR, and XF50mmF2 R WR lenses.

• High Resolution Performance: Edge-to-edge sharpness from the center to the corners of the frame is achieved by the precise arrangement of 10 lens elements in 8 groups. This lens also includes two aspherical elements, which assist in suppressing the image degrading effects of chromatic aberration and field curvature imperfection.
• Compact, Lightweight and Stylish design: Weighing in at 5.47oz (155g) and measuring just 1.79in (45.4mm) in length, this lens offers up the renowned image quality and refined style associated with the FUJINON XF family of lenses. With its metal exterior, precise click stops, and smooth dampening, this lens offers incredible image quality in a durable, aesthetically pleasing appearance.
• Fast and Quiet Autofocus: The inner focusing AF system uses a stepping motor to move focusing elements into place through precise electrical pulses in order to achieve fast and near-silent autofocus performance.
• Weather and Dust Resistant Durability: The lens is designed to operate in temperatures as low as 14° Fahrenheit and is sealed at nine points around the barrel, making it both weather and dust resistant.

FUJINON XF16mmF2.8 R WR Optional Accessories:

• 49mm Front lens cap (FLCP-49)
• 49mm Protect filter (PRF-49)

Availability and Pricing

The FUJINON XF16mmF2.8 R WR lens is expected to be available in black in March 2019 or silver in May 2019, at a suggested retail price of USD $399.95 and CAD $499.99.

I miss something?

I've adapted several longers FD lenses to my GH2 and it works of course but I would really love a true M43 400mm or longer lens. I suppose with the Metabones thingy I could adapt a Canon 600mm EF lens and go that route but that'll cost many benjamins for sure. My 100-300 lens is very portable so I think that 400mm could be done but perhaps 300mm is the technological sweet spot for M43 cams and lenses and going 400mm would be just too difficult?

Harold

Specs

• 8 lenses in 6 groups
• Min aperture - F16
• 10 blades in diaphragm
• 0.3m min focus distance
• 67 x 39,6mm
• 58mm filters
• 262 g
• Comes with lens hood
• $799 or 85000 Yen price
• Available at
  • https://www.bhphotovideo.com/c/product/1381712-REG/voigtlander_nokton_classic_35mm_f_1_4.html

• Compatible with Sony E mount Lens has electronic contacts, all settings are reflected in Exif information. Lens incorporates distance encoder, it supports 5-axis camera shake correction on the camera body side. Automatic manual focus assist also works.

• Symmetrical Lens Construction
  Reconstructed with the latest optical technology while adopting a traditional symmetrical lens configuration to obtain a unique and beautiful depiction. By adopting ultrahigh refraction glass, we have realized a large aperture with compact size.

• Optimized optical design
  In addition to securing full-size image circle, it adopts optical design optimized for Sony E mount sensor. You can enjoy soft delicate shots reminiscent of classic lenses with amazing image quality.

• Good Manual Focus
  Metal helicoid unit is precisely manufactured and adjusted with high precision and the high quality grease that produces moderate torque realize smooth operation feeling. It enables delicate focus adjustment.

http://www.cosina.co.jp/gallery/oomura-35-1_4/index.html

http://www.cosina.co.jp/seihin/voigtlander/e-mount/e-35mm/index.html

Specs

• Will be added tomorrow
• Preorder at https://www.adorama.com/ipc1260l.html

Specifications

• 10 lenses in 8 groups
• Min focusing distance - 0.25 m
• Maximum magnification - x0,156
• Filters diameter - 52 mm
• Aperture range - f/2.4 – f/22
• φ 62.0 × 74.5 mm
• 393 g
• US 1299 dollars, EU 1299 euros, UK 1189 pounds
• Available for preorders at
  • US - https://www.bhphotovideo.com/c/product/1389169-REG/zeiss_000000_2218_783_loxia_25mm_f_2_4_lens.html
  • US - https://www.adorama.com/zilx2524.html
  • EU - https://photo-porst-neuwied.rf-webworld.de/shop/produkt/zeiss-loxia-2-4-25-universelles-weitwinkel-z2218-783

Vignetting and MTFs

Specs

• F-No. - F2.75
• T-No. - T2.9
• Image size - 24.84mm × 13.97mm(φ28.5mm)
• Minimum Object Distance - 1.2m (0.85m in macro)
• Number of iris blades - 9
• Filter diameter - 82mm
• Front diameter - 85mm
• Length - 206mm
• Weight - 980g

The Optical Devices Division of FUJIFILM has unveiled the MK Series of cinema lenses for E-mount cameras, which boast advanced optical performance, ultra-compact and lightweight design, as well as superb cost performance. The first in this series to be introduced, the FUJINON MK18-55mm T2.9, is a standard zoom with an 18-55mm focal length. It will be available in early March at a list price of $3,799. The entire “MK” series is designed with the ‘emerging’ cinematographer in mind, whether shooting a live event, online programming, documentary, corporate video, wedding, independent or short film production.

The next in the series, the FUJINON MK50-135mm T2.9*1, will be available this summer. With a combined focal length range of 18mm-135mm in the Super 35mm format, together the first two “MK” lenses cover the most frequently used range utilized by emerging cinematographers. The series offers fast lenses with T2.9 speed across the entire zoom range, enabling a shallow depth-of-field.

“The rapid growth in popularity of content produced by emerging cinematographers has expanded the use of cinema and digital photographic cameras,” said Tom Fletcher, Director of Sales, Optical Devices Division of FUJIFILM. “And the heightened need for programming has, in turn, boosted demand for high-performance cinema lenses, which are ideal to achieve a shallow depth-of-field and a beautiful bokeh. However, since they are typically large, heavy and expensive, those involved in online and other lower cost productions often opt for interchangeable lenses for digital cameras, which have been more affordable and mobile. The problem is that interchangeable lenses for digital cameras are designed primarily for shooting stills, and therefore prone to focus shift and optical axis shift while zooming.”

The “MK” lenses are designed to maintain consistent color temperature with all FUJINON cinema lenses, which simplifies color grading2. The series also inherits the FUJINON cine lenses’ advanced edge-to-edge optical performance and low distortion3, while boasting compact and lightweight design as well as outstanding cost/performance. The MK18-55 and MK50-135mm weigh in at a light 980 grams/2.16 lbs with front diameters of 85mm and lengths of 206mm. The MK18-55mm’s minimum object distance (MOD) is .85 meters/2.78 feet, while the MK 50-135mm’s MOD is 1.2m/3.93 feet.

“Many independent shooters use DSLR lenses, which aren’t designed for moving images. Still lenses breathe considerably, and they have no adjustable manual iris,” said Fletcher. “Our MK’s have a seamless manual iris, zero breathing, no ramping or zoom shift, and 200-degree focus rotation. They maintain focus completely throughout the zoom range while covering Super 35mm sensors.”

In addition to their lightweight and compact build, the “MK” lenses are designed from the ground up with the operator in mind. Only one matte box and one filter size are needed between the lenses. Time-saving features include a macro function that allows for a broader range of close-up shooting, and gears for the three rings are positioned in the exact same place, which eliminates the need to re-position accessories when switching lenses.

The lenses each contain a Flange Focal Distance adjustment function*4 to achieve optimal camera and lens matching. The short flange focal distance contributes to the lenses’ compact size and lightweight. Distances are listed in feet and meters.

The iris supports seamless adjustment that is free of clicking. This enables precise exposure adjustment without any sound from clicking between T-stops.

The lenses also feature three rings for manual and independent adjustment of focus, zoom, and iris (aperture), with the gear pitch*5 of 0.8M (module). The focus ring can rotate fully up to 200 degrees to facilitate precise focusing.

The “MK” lenses are compatible with E-mount cameras with the Super 35mm/ APS-C sensor.

X Mount versions of the MK lenses (with focal lengths of 18-55mm and 50-135mm) used in the FUJIFILM X Series line of digital cameras (with APS-C sensors) are being developed for launch by the end of this year. Information about the X Mount lenses will be provided as soon as more details are confirmed.

Specs

• F-No. - F2.75
• T-No. - T2.9
• Image size - 24.84mm × 13.97mm(φ28.5mm)
• Minimum Object Distance - 0.85m (0.38m in macro)
• Iris blades - 9
• Filter diameter - 82mm
• Front diameter - 85mm
• Length - 206mm
• Weight - 980g
• E mount
• Available at https://www.amazon.com/FUJINON-Cine-Lens-MK18-55MM-T2-9/dp/B06W9NM7PW/

PR

The Optical Devices Division of FUJIFILM has unveiled the MK Series of cinema lenses for E-mount cameras, which boast advanced optical performance, ultra-compact and lightweight design, as well as superb cost performance. The first in this series to be introduced, the FUJINON MK18-55mm T2.9, is a standard zoom with an 18-55mm focal length. It will be available in early March at a list price of $3,799. The entire “MK” series is designed with the ‘emerging’ cinematographer in mind, whether shooting a live event, online programming, documentary, corporate video, wedding, independent or short film production.

The next in the series, the FUJINON MK50-135mm T2.9*1, will be available this summer. With a combined focal length range of 18mm-135mm in the Super 35mm format, together the first two “MK” lenses cover the most frequently used range utilized by emerging cinematographers. The series offers fast lenses with T2.9 speed across the entire zoom range, enabling a shallow depth-of-field.

“The rapid growth in popularity of content produced by emerging cinematographers has expanded the use of cinema and digital photographic cameras,” said Tom Fletcher, Director of Sales, Optical Devices Division of FUJIFILM. “And the heightened need for programming has, in turn, boosted demand for high-performance cinema lenses, which are ideal to achieve a shallow depth-of-field and a beautiful bokeh. However, since they are typically large, heavy and expensive, those involved in online and other lower cost productions often opt for interchangeable lenses for digital cameras, which have been more affordable and mobile. The problem is that interchangeable lenses for digital cameras are designed primarily for shooting stills, and therefore prone to focus shift and optical axis shift while zooming.”

The “MK” lenses are designed to maintain consistent color temperature with all FUJINON cinema lenses, which simplifies color grading2. The series also inherits the FUJINON cine lenses’ advanced edge-to-edge optical performance and low distortion3, while boasting compact and lightweight design as well as outstanding cost/performance. The MK18-55 and MK50-135mm weigh in at a light 980 grams/2.16 lbs with front diameters of 85mm and lengths of 206mm. The MK18-55mm’s minimum object distance (MOD) is .85 meters/2.78 feet, while the MK 50-135mm’s MOD is 1.2m/3.93 feet.

“Many independent shooters use DSLR lenses, which aren’t designed for moving images. Still lenses breathe considerably, and they have no adjustable manual iris,” said Fletcher. “Our MK’s have a seamless manual iris, zero breathing, no ramping or zoom shift, and 200-degree focus rotation. They maintain focus completely throughout the zoom range while covering Super 35mm sensors.”

In addition to their lightweight and compact build, the “MK” lenses are designed from the ground up with the operator in mind. Only one matte box and one filter size are needed between the lenses. Time-saving features include a macro function that allows for a broader range of close-up shooting, and gears for the three rings are positioned in the exact same place, which eliminates the need to re-position accessories when switching lenses.

The lenses each contain a Flange Focal Distance adjustment function*4 to achieve optimal camera and lens matching. The short flange focal distance contributes to the lenses’ compact size and lightweight. Distances are listed in feet and meters.

The iris supports seamless adjustment that is free of clicking. This enables precise exposure adjustment without any sound from clicking between T-stops.

The lenses also feature three rings for manual and independent adjustment of focus, zoom, and iris (aperture), with the gear pitch*5 of 0.8M (module). The focus ring can rotate fully up to 200 degrees to facilitate precise focusing.

The “MK” lenses are compatible with E-mount cameras with the Super 35mm/ APS-C sensor.

X Mount versions of the MK lenses (with focal lengths of 18-55mm and 50-135mm) used in the FUJIFILM X Series line of digital cameras (with APS-C sensors) are being developed for launch by the end of this year. Information about the X Mount lenses will be provided as soon as more details are confirmed.

Specs

• 4 aspherical, 1 Super ED, 3 ED glass elements
• Constant F4 max aperture maintains exposure and Depth of field
• 7-blade circular aperture contributes to beautiful bokeh
• Direct Drive Supersonic Wave motor for fast, quiet, precise focus
• $1698
• https://www.amazon.com/dp/B072J4B6WS/

Available for preorder at: https://www.bhphotovideo.com/c/product/1278222-REG/zeiss_2149_289_21_100mm_t2_9_3_9_lightweight_zoom.html

Specs:

• Focal length - 21-100mm
• Aperture range - 2.9 – 22, 11 blades
• Lens - 22 elements in 18 groups
• Close focus is 0,8m/ 2’8”
• Focus ring rotation angle (inf-MOD) - 294°
• Zoom rotation angle - 100°
• Aperture rotation angle - 48°
• Front diameter is 114mm/ 4.49”
• Length is 226mm/ 8.9”
• Weight - 2.0kg/ 4.4 lbs
• Sensor coverage - ANSI Super 35mm

I have a GH2 with MD rokkor vintage lenses, im gonna shoot mainly music videos (with a lot of moving shots, slow motion, low lights and exterior) and some short films in the future. 30min of clips is enought for me I need quality but i really like the vintage look, im lost there is too much patch and informations, so i call your experience, what is the best possibility for me ?

Thank you for your help

Specs:

• 14-140mm lens
• Power O.I.S. stabilization
• F3.5 on wide - F5.6 on tele
• Minimum aperture - F22
• Diaphragm blades - 7
• 14 elements in 12 groups, 2 aspherical + 2 ED lenses
• Minumum focus distance - 0.30 m
• Weight - 265 g
• Diamater - 67 mm
• Length - 75 mm
• Comes with hood
• 58 mm filter threads
• $699 price

Available at:

• http://www.amazon.com/Panasonic-Lumix-Vario-14-140mm-3-5-5-6/dp/B00CFCTH14
• http://www.wexphotographic.com/buy-panasonic-14-140mm-f3-5-5-6-g-vario-asph-power-ois-micro-four-thirds-lens/p1538073

Samples:

• http://www.ephotozine.com/article/panasonic-lumix-g-vario-14-140mm-hd-lens-sample-photos-21790

Video:

Check near the end

Specs

• 16 Elements in 12 Groups, 1 aspherical + 2 ED element
• Min focus distance - 0.45m
• Linear Motor AF Motors
• Min aperture - F22–36
• 7 diaphragm blades
• 55mm filters
• 67mm x 88mm
• 325 g
• Available at $598 at
  • https://www.bhphotovideo.com/c/product/1383463-REG/sony_sel18135_e_18_135mm_f_3_5_5_6_oss.html
  • https://www.adorama.com/iso18135e.html
  • https://www.amazon.com/Sony-Mirrorless-Digital-Camera-SEL18135/dp/B078T2184C/
  • a6300 kit - https://www.bhphotovideo.com/c/product/1383464-REG/sony_ilce_6300_s_alpha_a6300_mirrorless_digital.html

New Compact, Lightweight E 18-135mm F3.5-5.6 OSS Features Outstanding Sharpness and Fast, Precise, Quiet AF for a wide variety of still and video applications

Sony, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, today announced its 46th E-mount lens. This new APS-C lens features a versatile 18-135mm focal length, aperture range of F3.5-F5.6 And Optical SteadyShot™ stabilisation.

The new lens (model SEL18135) features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography.

The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting.

Additionally, the 18-135mm F3.5-5.6 Zoom lens offers fast, precise, quiet AF performance thanks to a linear motor, making it a perfect complement to the high speed shooting and impressive video capabilities of many of Sony’s mirrorless cameras.

Pricing and Availability

The SEL18135 will be available from February 2018, priced at approximately £570.

check out these straight-out-of-camera JPGs from the Sony A6500.

viltrox:

Zhongyi:

• Compatible Cameras: FE-mount and E-mount cameras
• Optical Design: 9 elements in 8 groups
• Distance range: 0.3m to ∞, combined scale meter/feet
• Aperture: Manually controlled diaphragm, 13 aperture blades , Lowest value 16
• Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.
• Surface Finish: Black anodized
• Length to bayonet mount: approx. 77.40mm (approx. 3.05in)
• Largest diameter: approx. 64.73mm (approx. 2.55in)
• Weight: approx. 535g (approx. 18.87oz)

SLR Magic extends it’s FE-mount lineup with the SLR Magic CINE 35mm F1.2 wide angle lens and SLR Magic CINE 75mm F1.4 telephoto lens. The products will be officially introduced during upcoming CINE GEAR 2016 show in Los Angeles.

The field of view of the SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 opens up many new creative composition opportunities, particularly in the fields of portrait, interior, architectural and landscape cinematography and photography.

We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the the SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 is solid and reliable.

• Compatible Cameras: FE-mount and E-mount cameras
• Optical Design: 6 elements in 6 groups
• Distance range: 0.70m to ∞, combined scale meter/feet
• Aperture: Manually controlled diaphragm, 13 aperture blades , Lowest value 16
• Filter Mount: Internal thread for 52mm filter; filter mount does not rotate.
• Surface Finish: Black anodized
• Length to bayonet mount: approx. 78.68mm (approx. 3.09in)
• Largest diameter: approx. 64.67mm (approx. 2.55in)
• Weight: approx. 455g (approx. 16.05oz)

The SLR Magic CINE 35mm F1.2 and SLR Magic CINE 75mm F1.4 will be first presented at CINE GEAR 2016 show. There would be a demo at the ATOMOS booth in (Stage 16) during the show held in Paramount Studios in Los Angeles from 3rd to 4th of June 2016.

THE SLR Magic CINE 35mm F1.2 (MSRP: $499 US/ $3,299 RMB) and SLR Magic CINE 75mm F1.4 (MSRP: $499 US/ $3,299 RMB) will be available from authorised SLR Magic dealers by August, 2016.

Specs

• 9 elements in 8 groups
• 0.10m to ∞, combined scale meter/feet
• Manually controlled diaphragm, 7 aperture blades , lowest value 16
• Internal thread for 43mm filters, filter mount rotates while focusing.
• Filter adapter (included) for 52mm filters
• 41.4mm x 46,1mm
• 110g
• m43 lens
• around $299 at https://www.bhphotovideo.com/c/product/1322738-REG/slr_magic_slr8m4_8mm_f_4_lens.html

Hong Kong, China (Feburary 25, 2017) - SLR Magic expands the micro four thirds lens lineup with the new SLR Magic 8mm F4 ultra wide angle lens. The product will be officially introduced during upcoming BVE 2017 fair in Excel London.

The field of view corresponds to a 16mm lens in 35mm format and this fast wide angle of view opens up many new creative composition opportunities, particularly in the fields of interior, architectural and landscape cinematography and photography. Additionally, light weight and compact size of the SLR Magic 8mm F4 ideal for aerial photography as well as multi-camera setup 360 VR.

We place our highest priority in the development on our lenses to fulfill the demands of professional cinematographers and photographers. The design and build of the SLR Magic 8mm F4 is solid and reliable.

The SLR Magic 8mm F4 (MSRP: $349 US) will be available from authorized SLR Magic dealers starting March 2017.

The SLR Magic 8mm F4 will be first presented at the BVE 2017 show. The SLR Magic stand would be in (S1-8 G30 Holdan Ltd.) during the BVE show which are to be held in Excel London from Feburary 28th to March 2nd 2017.

Demo footage by volunteer tester:

SLR Magic is currently looking for volunteers to test this lens at a special price. If interested:

1. Send an email to support@slrmagic.com with the subject "SLR Magic 8mm F4 volunteer".
2. Include sample videos/photos or link to photo/video reviews you have done in the past.