https://www.theverge.com/2019/9/9/20856585/focos-2-0-hands-on-portrait-mode-blur-any-photo

I said that services like YouTube and Vimeo usually re-compress the video for Internet playback, so if one captured the playback, it'd definitely be different. But, some services allow people to download the original uploaded video.

So, I'd like to ask everyone: Is there some characteristic (like bitrate) that we can check to see if the video is the "camera original" or if it's been processed by something else?

Also, i am using Filmconvert (GH4+VLOG) to grade. The WB parameter (in Film Convert) is an offset rather than a setting in my past experience. Would it then actually wreck my clip if i dialed the Film Convert WB parameter over to 3200K from it's default position on Daylight if the footage was shot on 3200K too?

This is my latest short film. Shot on a GH3 with Canon EF L Primes (from my 60D days) and a manual aperture adapter (wish the new speedbooster was out earlier, and wish the GH3 had the focus peaking feature like the GH4 does).

I like the Vivid setting in the GH3, the blacks look good after grading. This wasn't aimed as a cinema production, instead TV with a slight filmic quality!

Few things I would of changed, would have lost the massive DOF to one of my interviews. Broke my lens hood on the Canon 100mm f2.8 IS lens and found I had some casting/refraction on certain shots without it.

Shot by: Kirk Gaydon Panasonic GH3 Canon EF L 24mm Canon EF L 50mm Canon EF L 100mm (IS not usable)

Panasonic GH3 Settings: MOV 72Mbps Vivid -5, -5, -3, -3 1080p50 PAL Shutter 1/100 (on track) 1080p25 PAL Shutter 1/50 (interviews)

Audio: Rode VideoMic Pro

Any thoughs or questions, just ask.

This year I specifically bought the GH3 and 35-100mm F2.8 to shoot the National Championships. I have to remain very mobile at the comp going from climb to climb so a tripod or even a monopod is not really practical. There are usually 5 or 6 rows of people in front of you so it is hard to shoot over them. I usually lift the camera over my head and use the flip-out screen to frame the shot.

I shot the video below entirely hand held with the GH3 and 35-100mm F2.8. About half of the shots were at 100mm and I never had to use the ETC mode. I have a GoPro 3 Black that I leave running for wide angle shots at 4k and 15 FPS or 720p @ 120 FPS. However, the GoPro really isn’t in the Video Quality league that the GH3 is even at Ultra-HD resolutions.

I wasn’t entirely satisfied with the results from a stabilization stand point this year. I had to stabilize a few of the 100mm shots in software but it is clearly better than last year’s results without the in-lens stabilization.

There is also the fact that I had a stake in the game for some of the shots. My son and his teammates made it much further in the competition this year. Therefore, I was shaking like a leaf in those shots.

My son’s final climb starts at 4:11 into the video. Even with the software stabilization it was obvious that I was shaking uncontrollably. Just check the two clips after that on the same climb. They are almost rock solid without any software IS at all. Those clips were taken almost an hour later after my heart rate had a chance to come back down out of the stratosphere.

In the end my son jumped from last place to 3rd in the final round and made the US National Team for the first time. His teammate also won his 4th consecutive National title and will compete at Worlds next month.

Let me know what you think about this video. I didn’t do any color grading at all. This is simply the Scenery color profile essentially straight out of the camera. I used AFF the entire time and I use the touch screen hand held for all of the focus pulls.

I can’t believe how well some of the iPad focus pulls turned out.

Anyone who says that m4/3s focus isn’t fast enough or accurate enough is simply just doing it wrong or they are basing that opinion off of the older cameras. It is the easiest thing to just drag the focus from object to object on the LCD screen. I never use the EVF either. I think the LCD screen is much easier to use.

I also save stills from these videos directly in the cameras playback mode to upload them to facebook for instant sharing. Most people are shocked at how good the quality of the movie stills is. They are also surprised when I have uploaded pictures of their climber before the climber is even done climbing their route.

I shoot the videos in stills mode. Most people assume that you have to use full manual controls or at least shutter priority mode for video to control the shutter speed. However, I use the flicker control setting to fix the shutter speed to 1/120 of a second for the 1080p @ 60 FPS video I shoot. This is also a good way to get around the fact that the GH3 only does 1/125 of a second shutter speed for stills. The flicker control is a true 1/120 of a second shutter duration.

Overall I couldn’t be happier than I am with both the GH3 and the 35-100mm F2.8 lens. I use it in full auto mode for video so I can even hand the camera off to someone else if I need them to shoot some video.

I never intend to sell my videos so I am not a Professional photographer. However, I do want the best quality. With the GH3 + 35-100mm I can get that. However, lately I have been recommending the FZ200 and LX7 to the other climbing parents and they are able to get very similar results for much less money.

The days of needing $10,000 worth of gear to shoot high quality footage are over. The GH3 is better than anything else I have ever shot with for video and it holds its own for stills against the APS-C cameras.

Elements of which include:

• Corporate
• Event
• Commercial
• Educational
• Business
• Government
• Advertising
• Marketing
• Clients
• Networking
• Portfolio
• Revenue
• Expenses
• Margins
• Etc.?

And do not include:

• Film
• Cinema
• Short
• Feature
• Genre
• Story
• Web Series
• Viral
• Music Video
• Art
• Contest
• Screenplay
• Etc.?

The topic comes from my own selfish desire to tap the P-V collective knowledge as I pursue this goal. But I think a lot of us could benefit. We'll see.

Camera : Panasonic GH2 AVC-Intra Sedna ~140mb/s Lens : Nikon AF-S 24-70mm f2.8 G ED Gear : Sachtler FSB-4 75 CF, Gini Rig Follow Focus, Lilliput field monitor Tools : FCPX, Magic Bullet Looks

The poem is written by the Frisian poet Durk van der Ploeg, a dutch writer and poet. His work is mainly published in the Frisian language and he is a Knight of the Order of Oranje Nassau.

The images portrait Frisian landscape architect Siem de Vlas working in his studio and visiting the grave of the famous dutch landscape architect Lucas Pieters Roodbaard (1782 - 1851). Roodbaard laid out many English landscape gardens in major cities in the Netherlands.

The Frisian languages are a closely related group of Germanic languages, spoken by about 500,000 members of Frisian ethnic groups, who live on the southern fringes of the North Sea in the Netherlands and Germany. The Frisian languages are the second closest living languages to English, after Scots.

Concept, Camera, Editing : Richard van der Laan Poem writer : Durk van der Ploeg Poem reading : Siem de Vlas

I hope you enjoy watching..