Tagged with fs700 - Personal View Talks http://personal-view.com/talks/discussions/tagged/fs700/p1/feed.rss Sat, 02 Nov 24 21:25:26 +0000 Tagged with fs700 - Personal View Talks en-CA Official Sony NEX FS700 and FS700r, 4K cameras topic http://personal-view.com/talks/discussion/2728/official-sony-nex-fs700-and-fs700r-4k-cameras-topic Fri, 30 Mar 2012 09:10:40 +0000 leonbeas 2728@/talks/discussions image

Info:

PRICE IS INDEED SUB 10k in fact is SUB 8,6K with lenses

Available at:

Specs and related things

Specs:

4K-ready

The first 4K-ready Super35mm camcorder in its class – providing an assured upgrade path to 4K acquisition and delivery - with full HD 1080p for today.The camcorder will also have the capability to produce 4K RAW 3G-SDI output via a future upgrade.

Super slow motion at 10x at full HD or 40x at lower resolutions

Incredible super slow motion capability of up to 10x slow motion at full HD resolution or up to 40x slow motion at a reduced resolution, giving you creative options that were once only available with specialist high-end equipment.

E-mount interchangeable lenses offer a wide choice of lenses

The E-mount interchangeable lens system utilises an extremely short flange back distance allowing you to use a huge array of lenses via a range of adaptors giving you almost unlimited creative options.

Built-in ND filters

The NEX-FS700E features built-in, ultra-thin ND filters, offering exceptional shallow depth-of-field on highlights. It also means less accessories to manage as no external ND filters are required.

3G-SDI interface and HDMI

A 3G-SDI output enables easy integration with highest quality recording formats.

Exceptional ergonomics

The NEX-FS700E has a refined ergonomic design with a robust detachable handle and grip.

Switchable 50 Hz and 60 Hz shooting

The NEX-FS700E is switchable between 50 Hz and 60Hz to allow 24p shooting in PAL areas and no PAL/NTSC limitations.

Selectable magnification and positioning of expanded focus

Expanded focus improvement allowing 4x and 8x magnification and a moveable area of expansion for easy focusing with shallow depth of field.

Camera profile settings storage on memory card

Up to 99 camera profile settings can be stored, allowing rapid adaptation to multiple shooting environments without time wasted adjusting parameters. Settings are also easily shared in multi-camera productions

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SLR Magic 2x ANAMORPHIC lens http://personal-view.com/talks/discussion/4466/slr-magic-2x-anamorphic-lens Tue, 04 Sep 2012 15:35:25 +0000 slrmagic 4466@/talks/discussions Dear All,

We have received 4 email requests from members of this forum on the possibility of designing an Anamorphic lens. We had this thought for the past year and did a lot of research. There is one common request which is to have horizontal flares. The others requests did not have any common grounds. We came up with an idea for a 25mm f/3.2 1.35x or 35mm f/3.2 1.35x Anamorphic lens for micro four thirds. Shooting at 16:9 would give a 2.40:1 anamorphic output. Just before we decided to go ahead with the project we had a second thought. 2 Years ago we asked openly on dpreview.com forum for what photographers wanted and the general consensus was our SLR Magic HyperPrime 12mm T1.6 lens.

http://forums.dpreview.com/forums/read.asp?forum=1041&message=36104678

It did not fulfill the needs and wants of everyone but we made what most people agreed on by means of a discussion. It ended up being a popular lens that we still are having problems meeting demand and we think it had a big part to do with asking photographers. If we did not ask around we probably made a 12mm f/2.8 lens. As it turned out quite well last time we want to make our next lens an open discussion again.

Here are some of the possible options we received and please feel free to throw in extra ideas. I hope people experienced with shooting in Anamorphic can also throw in ideas.

Anamorphic Adapter (1.33x, 1.5x, 1.75x, 2x) Dedicated mFT Anamorphic adapter for reasonable size Anamorphic adapter compatible with FF lenses 50mm f/2.8 Anamorphic lens (FF, APS-C, or mFT) Expected MSRP (Sad fact but it as direct correlation to IQ)

Kind rgds., SLR Magic Team

P.S. We will be at Photokina 2012 and would like to welcome any cinematographers with Anamorphic lens ideas to drop by our booth for idea exchange! We will be in Hall 3.1 B059

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Camera with good DR and high framerates for slowmo? http://personal-view.com/talks/discussion/13032/camera-with-good-dr-and-high-framerates-for-slowmo Fri, 22 May 2015 12:57:40 +0000 Psyco 13032@/talks/discussions Hi, I need a camera that can match my BMPCC shots and can capture at 100fps+. As the shots are bathing in sunlight with deep shadows under a tree, I need a camera with a high dynamic range (on the level of the BMPCC). Oh, and I don't have a Hollywood budget ;-)

1) What cameras can do both, fast fps and high DR?

2) Is there someone with such a camera in the Weilheim/Munich (Germany) area willing to help me out with his camera, lenses and technical knowledge (1-2 afternoons, arround sunset)?

I think one possible camera would be the Sony FS-700, but its expensive and even renting it is not cheap (as I have no experience with it, I will need additional time to learn its setups). Any thoughts on that one?

The GH4 can do 96fps, which is just enough (and I could use my m4/3 lenses) - but what about its DR?

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For sale: Sony FS700 with Movcam large cage and 4k-hardware upgrade http://personal-view.com/talks/discussion/11902/for-sale-sony-fs700-with-movcam-large-cage-and-4k-hardware-upgrade Thu, 04 Dec 2014 14:22:01 +0000 Tobsen 11902@/talks/discussions I am selling my trustworthy Sony FS700 incl. a Movcam large shoulder rig. The camera was frequently used on productions and is not "like new". It is fully functional, with 4K output. Only superficial surface scratches on the body, a tiny one on the LCD (highlighted in photo, no problem when camera is sitched on) and some on the original handle (arm screwed on top of it).

The photos only show the bottom part of the Movcam rig. Side &top plate and handle from Movcam included! I didn't have too much time to show different setups.

See link for today's price and image of full rig:

http://www.hdvideoshop.com/de/movcam/1503-movcam-fs-700-full-cage-rig.html

Original packaging, charger, manual and battery included. Instead of simple Movcam rods, I supply it with longer carbon rods.

If requested, Metabones Speedbooster mkII ef to Nex can be sold as well.

Suggested price 3999,- Euro.

Shipping is not included.

Location is Germany.

Before you wait too long and the post disappears, let me know your price offers as well!

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Music Video FS700 RAW & GoPro3+ http://personal-view.com/talks/discussion/11927/music-video-fs700-raw-gopro3- Tue, 09 Dec 2014 13:20:00 +0000 fatpig 11927@/talks/discussions Hi guys, this is my second music video- it's been online for quite a while now. In the wake of shooting the third one soon- I have decided to share it with you for some critique on your part. I would love to hear your opinions, video-wise, but also on the song, if you wish. It is my band, so feel free. :)

a word of caution: it is german. Also: who can spot the 2 GoPro shots? (easy)

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Music Video "Napoleon" http://personal-view.com/talks/discussion/10933/music-video-napoleon Thu, 31 Jul 2014 16:12:16 +0000 Marco_Miranda 10933@/talks/discussions

This music video was shot with a Sony Fs700 and Samyang lenses.

Check the shots at night, they were all made at 50 fps, without help of any speedbooster, just the combination of the Samyang lenses and the right exposure.

We had no help of any kind of light equipment, because we didn't have the budget... just the street lights. For those who are thinking to buy this camera, I can just say that the Sony Fs700 is really a good deal for what it can deliver. See for yourself. And the grain... was put on purpose on post-production to have that dirty effect.

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Canon 16-35 (II vs Original) http://personal-view.com/talks/discussion/7707/canon-16-35-ii-vs-original Wed, 07 Aug 2013 08:36:59 +0000 digger 7707@/talks/discussions Can anyone who has used both lenses for video speak to the practical differences between the two? I am aware of the tech spec differences (10 groups / 14 elements vs 12 groups / 16 elements, weight, filter sizes), but I would be using it with a FS700 and Speed Booster & 5D mainly for video. If I can get a great deal on the original, I'm wondering if I would be losing out on anything that the II model gives you.

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FS: Sony SEL 18-200mm f3,5-6,3 OSS kit lens, hardly used http://personal-view.com/talks/discussion/6925/fs-sony-sel-18-200mm-f35-63-oss-kit-lens-hardly-used Thu, 09 May 2013 16:06:39 +0000 Tobsen 6925@/talks/discussions Selling my Sony SEL 18-200mm OSS lens that I got with the FS700. Only used it a couple of times. Bought it because I needed a lens while waiting for th metabones adapter to use my EF-lenses.

No originial box since kit lens, comes with Sun hood.

Thinking of 575 Euro plus shipping. FYI I live in Germany.

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Looking for zoom lens recommendation with requirements http://personal-view.com/talks/discussion/6111/looking-for-zoom-lens-recommendation-with-requirements Wed, 13 Feb 2013 21:43:28 +0000 super_spyder 6111@/talks/discussions Hey there I'm looking for a recommendation for a zoom lens with the following things, but am having a hard time finding it. This is going to be used with a Preston FI+Z or C-Motion unit on an FS700, possibly with a speedbooster if it is a FF lens.

-Hard stops on zoom and focus, most likely a manual lens. I'd be afraid of breaking an AF lens even if it has hard stops.

-Zoom and focus rings can't change position while zooming or focusing

-Must be in the "normal" to wide range on the wide end, so anything with a 17 or 24 or 28 or 35 on the wide end. I don't care much about the long end.

-Constant aperture, is a major plus.

I do not need constant volume on the lens, or anything very fast.

Any help would be appreciated.

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GH2 to Da vinci resolve help http://personal-view.com/talks/discussion/4337/gh2-to-da-vinci-resolve-help Thu, 23 Aug 2012 03:13:37 +0000 theacumen 4337@/talks/discussions Hi, Im trying to edit a short film using gh2 and fs700 footage. Unfortunately da vinci resolve wont read any of them.

What should i use to transcode the footage to something that will work with da vinci like quicktime or prores without losing quality?

Thanks

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