This has been troubling me for some time, mostly because of woes and contradictions when creating DCPs with subtitles: the Interop standard (called "bad" dcp by the author) demands 24fps which is often not the rate of the original material nor spotted subtitles, plus the general information I have is that only SMPTE subtitles are reliable. Except many theaters still cannot play this DCP norm!(which is what the author of the post above states, written in the year 2014)

Does someone have the magic-bullet answer to DCPs with subtitles?

It's been around a Year I signed in here for the very first time. So now, after many test shoots, I'm planning to choose GH2 for the next film project.

Film is about 85 minute long documentary. Films shooting style is mainly situation-based documentary (Cinéma Vérité aka Direct Cinema) with some "cinematic scenes". So some of the scenes are classic documentary and some more stylistic - fiction like - with lightning crew, dolly, directed action etc.

These situation-based events I'm going to shoot with GH2 attached to the Steadicam Pilot. And yes, no interviews. This means I don't have very long takes.

I really like Lee's Flow Motion v2 and Nick's Sedna (AQ1-A) or Cluster v6&7. These I've tested quite a lot. What I'm looking for is best combination in detail and in fluid motion (motion rendering - no strobo effect). And of course hacks reliability is a virtue too! =D

So does anyone has any extra pointers about taking a project to Big Screen? Or if You think there is superior Hack for this kind of project - please don't hesitate to speak out.

Thanx and all the Best, MisterJ