There will be no GH5. It will be called GH6 and it will have all the full sensor redout, and 10bit internal but only on 1080p they said.

Then the other new camera will be a new GH series of camera with super 35mm sensor the varicam one. It will be expensive, but will be video orientend machine. The price of both cameras where not dislosed.

I have and idea that GH6 will be arround $1500. And the varicam GH camera arround $4500 to $5000.

From my point of view, i think ill pay arround 5k for such compact camera with the varicam sensor. And about GH6 it sounds like a winner, bummer its not 4k 10 bit internal, but sounds like a progress.

I thought in this section there should be a discussion about the Apertus Project. ( http://www.apertus.org/ )

It sounds, at least for me, very promising and down to the ground and not too hipster like the digtial bloex, (which is, with all respect, beautyful).

However, what are your opinions on it? After all, there is a lot going in the 4k sector and raw cinema development.

It's basically a box with a medium format mount on the front and some ground glass and a Black Magic Pocket Cinema Camera inside. This is a gross oversimplification of the design, but those are the broad strokes. It also has 6 stops of internal ND. Although the camera is not capturing as many pixels as some of the higher budget large sensor offerings, I find the larger format visually pleasing.

Another link to some colored footage:

I was approached by Panasonic several months ago to speak at the Canadian G7 release in Toronto on my experience with Panasonic cameras and my move to 4K video.

Since that time, more opportunities have come to light and I couldn't be more excited to share this with everyone!

Panasonic Canada has created a new website called http://www.lumixstories.ca which highlights several videographers and photographers and I was lucky enough to be featured on the site for my work with the gh1 through gh4. Have a look through the site and check out some of my work as well as some of the other talented shooters!

On top of that, I will be in Halifax, Nova Scotia this long weekend to do an in-store hands-on test day at Henry's with the G7 and new GX8 as well as teaching a 1 hour workshop on my 4K video workflow in Adobe Premiere!

If anyone is from the east coast of Canada and is interested in participating in the workshop, or would like to show me around the beautiful city of Halifax, please message me on here! The link to the workshop is here:

https://www.facebook.com/events/1608468506085767/

There is a lot more in the works and I can't wait to share it with everyone!

I have seen videos where the Nebula 4000 its ok, another where are deficient. The Pilotfly H1 is in the same line of Nebula, preliminary tests are encouraging, but those videos are made by the manufacturer and dont know the conditions under which they were made, it is always see better user testing in the real world, but its very new. The third option is the Came Mini, but here the price is more expensive.

I will potentially be shooting a 'documentary-style' like shoot for a client that wants his house to be documented over the period of one year. As of now it is still a building site and the house's outer structure is almost done. The client wants the show to be stylised in the style of 'Grand Designs'.

I currently have a Lumix GH4 with 14-35 F2.8 lens.

I also still have a Sony HDR-FX1E from past projects.

( http://www.bhphotovideo.com/c/product/356387-REG/Sony_HDRFX1E_HDR_FX1E_PAL_HDV_1080i.html )

The client does not care about 4K option and would want the final product be in 1080 anyway.

Might be a silly question but what camera should I use from those two? I don't want to shoot 1080 on the GH4 and the 4K transcoding and editing in 1080 would be painful especially for a project this long (and the size of the footage and backups would be exponentially bigger)

There is also a budget for a possibility to buy a new camera just for this project - any recommendations?

Thanks!

1. Tool-less design, simple setup.

2. The wireless thumb controller is capable of controlling the gimbal pan/tilt/roll directions, and the start/stop or focus adjustment of the camera rig.

3. Equipped with a wireless video transmitter,which paves the way of free movement in all directions for the gimbal (no cable interference).

4. Crafted from aircraft-grade aluminum and carbon fiber which ensures an ultra lightweight yet durable product.

5. The customized MOZA intelligent battery can run for 2 hours at least depending on the usage conditions.

6. MOZA case is robust, unbreakable, watertight, dustproof and complete with rolling wheels to allow for easy transportation.

More information here: http://www.gudsen.com/moza-gimbal.html

Some videos footage for your reference.

I'm trying to figure out how to get a "dreamy" look for some shoots of my project. I want the image to be a bit softer (not extremly soft) and all highlights should have some halo/glow effect. The best professional filters I have found are the Tiffen Pro Mist (not Black Pro Mist), but they are expensive (and hardly sold used on ebay).

1. Does someone want to sell used Tiffen Pro Mist 1/2 or 1 filters (4x4 or 77/82mm)?

2. How about the stocking + clear filter trick? Can anybody with experience chime in please.

As I know exactly what I want in every shot, there is no point in doing it in post, as digital effects are not on the same level as real in camera effects.

Anyone experiencing the same problem? Might be a faulty sensor from Panasonic? I am primarily shooting on Cine-D profile, no additional adjustments, but the problem is on Standard profile as well.

My iDynamic and iResolution is OFF.

I am really frustrated, I was expecting a better video that this noisy ants from GH4, anyone please help?

So, looking for recommendations from folks who might have some experience with the products on the market.

Thanks.

Are there any software on the market that can stitch the pictures from the camera array into the resulting "bullet time" video? Or they are all in-house software?

There is a painstaking way of doing this in NLEs. I was wondering if there are more time saving software out there.

Thanks in advance!

thanks for the feedback! vaitor

This little plastic fellow, using h.265 maybe the best video to come out of a dslr - maybe on par with the Red Epic. Look for yourself.

website: c-pact.com
blog: blog.naver.com/com_pact
facebook : facebook.com/videocompact

Although he shared as make it.

This is permanent topic that will contain current m43 bodies deals.

All actual deals are located at the end of the topic.

http://www.seelectronics.com/promic-laser

http://radian.alpinelaboratories.com/pages/radian

This comes from their website

Radian is a remarkably powerful, yet wonderfully simple smartphone-controlled device that lets you take stunning panning and tilting time-lapses with your dSLR camera or smartphone (in conjunction with another time-lapse app). With our free iOS/Android/web app, simply upload the desired time-lapse settings to Radian, unplug, and let Radian do the rest.

From time-lapses of sweeping landscapes to stormy clouds to busy street corners, the possibilities are limitless. In fact, the usefulness of time-lapses, especially panning ones, go beyond just creative endeavors. Its uses extend from architectural/construction site surveying, to documentation of projects, to even anthropological studies in urban environments. With panning, you can now capture the entire scene around you.

Radian is small, rugged, weather-resistant, and can handle anything you throw at it. It can rotate side-to-side. It can tilt up and down (with optional L-bracket). It can dynamically speed up and slow down. And if you have a Canon dSLR, you can change exposure to capture sunrise and sunset. You name it. With our app, the sky is the limit.

*Note: Radian is not meant for video panning